Rembrandt: studies in his varied approaches to Italian art
Prologue : setting the stage -- Attitudes : critical, admiring, and curious toward Rembrandt -- Rembrandt's collection and how he used it : the canonical and the unusual -- Pragmatic solutions -- Appropriating for commentary : Rembrandt's critique of Titian, Raphael, and Leonardo -- Approp...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Leiden ; Boston
Brill
[2020]
|
| Schriftenreihe: | Brill's studies in intellectual history
volume 317 Brill's studies on art, art history, and intellectual history volume 48 |
| Schlagworte: | |
| Online-Zugang: | DE-Y3 DE-Y7 DE-473 Volltext |
| Zusammenfassung: | Prologue : setting the stage -- Attitudes : critical, admiring, and curious toward Rembrandt -- Rembrandt's collection and how he used it : the canonical and the unusual -- Pragmatic solutions -- Appropriating for commentary : Rembrandt's critique of Titian, Raphael, and Leonardo -- Appropriation and deviation : responding for alternatives -- Rembrandt perceived by the Italians -- Castiglione, the Ruffo collection, and la maniera gagliarda "Rembrandt: Studies in his Varied Approaches to Italian Art explores his engagement with imagery by Italian masters. His references fall into three categories: pragmatic adaptations, critical commentary, and conceptual rivalry. These are not mutually exclusive but provide a strategy for discussion. This study also discusses Dutch artists' attitudes toward traveling south, surveys contemporary literature praising and/or criticizing Rembrandt, and examines his art collection and how he used it. It includes an examination of the vocabulary used by Italians to describe Rembrandt's art, with a focus on the patron Don Antonio Ruffo, and closes by considering the reception of his works by Italian artists." |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | 1 Online-Ressource (XXX, 258 Seiten) Illustrationen |
| ISBN: | 9789004431942 |
| DOI: | 10.1163/9789004431942 |
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Datensatz im Suchindex
| _version_ | 1820172916421033984 |
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| adam_text | |
| adam_txt | |
| any_adam_object | |
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| author | Golahny, Amy 1951- |
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| dewey-ones | 759 - History, geographic treatment, biography |
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| dewey-search | 759.9492 |
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| dewey-tens | 750 - Painting and paintings |
| discipline | Kunstgeschichte |
| discipline_str_mv | Kunstgeschichte |
| doi_str_mv | 10.1163/9789004431942 |
| format | Electronic eBook |
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| indexdate | 2025-01-02T21:09:21Z |
| institution | BVB |
| isbn | 9789004431942 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032448552 |
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| series | Brill's studies in intellectual history Brill's studies on art, art history, and intellectual history |
| series2 | Brill's studies in intellectual history Brill's studies on art, art history, and intellectual history |
| spelling | Golahny, Amy 1951- Verfasser (DE-588)132739445 aut Rembrandt studies in his varied approaches to Italian art by Amy Golahny Leiden ; Boston Brill [2020] © 2020 1 Online-Ressource (XXX, 258 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Brill's studies in intellectual history volume 317 Brill's studies on art, art history, and intellectual history volume 48 Includes bibliographical references and index Prologue : setting the stage -- Attitudes : critical, admiring, and curious toward Rembrandt -- Rembrandt's collection and how he used it : the canonical and the unusual -- Pragmatic solutions -- Appropriating for commentary : Rembrandt's critique of Titian, Raphael, and Leonardo -- Appropriation and deviation : responding for alternatives -- Rembrandt perceived by the Italians -- Castiglione, the Ruffo collection, and la maniera gagliarda "Rembrandt: Studies in his Varied Approaches to Italian Art explores his engagement with imagery by Italian masters. His references fall into three categories: pragmatic adaptations, critical commentary, and conceptual rivalry. These are not mutually exclusive but provide a strategy for discussion. This study also discusses Dutch artists' attitudes toward traveling south, surveys contemporary literature praising and/or criticizing Rembrandt, and examines his art collection and how he used it. It includes an examination of the vocabulary used by Italians to describe Rembrandt's art, with a focus on the patron Don Antonio Ruffo, and closes by considering the reception of his works by Italian artists." Rembrandt Harmensz van Rijn 1606-1669 (DE-588)11859964X gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Malerei (DE-588)4037220-0 gnd rswk-swf Kulturaustausch (DE-588)4165964-8 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Niederlande (DE-588)4042203-3 gnd rswk-swf Italien (DE-588)4027833-5 gnd rswk-swf Rembrandt Harmenszoon van Rijn / 1606-1669 / Criticism and interpretation Rembrandt Harmenszoon van Rijn / 1606-1669 / Appreciation / Italy Art, Dutch / Italian influences Rembrandt Harmensz van Rijn 1606-1669 (DE-588)11859964X p Italien (DE-588)4027833-5 g Kunst (DE-588)4114333-4 s Rezeption (DE-588)4049716-1 s DE-604 Niederlande (DE-588)4042203-3 g Malerei (DE-588)4037220-0 s Kulturaustausch (DE-588)4165964-8 s Erscheint auch als Druck-Ausgabe 978-90-04-38266-4 (DE-604)BV046859727 Brill's studies in intellectual history volume 317 (DE-604)BV041119309 317 Brill's studies on art, art history, and intellectual history volume 48 (DE-604)BV042551607 48 https://doi.org/10.1163/9789004431942 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Golahny, Amy 1951- Rembrandt studies in his varied approaches to Italian art Brill's studies in intellectual history Brill's studies on art, art history, and intellectual history Rembrandt Harmensz van Rijn 1606-1669 (DE-588)11859964X gnd Rezeption (DE-588)4049716-1 gnd Malerei (DE-588)4037220-0 gnd Kulturaustausch (DE-588)4165964-8 gnd Kunst (DE-588)4114333-4 gnd |
| subject_GND | (DE-588)11859964X (DE-588)4049716-1 (DE-588)4037220-0 (DE-588)4165964-8 (DE-588)4114333-4 (DE-588)4042203-3 (DE-588)4027833-5 |
| title | Rembrandt studies in his varied approaches to Italian art |
| title_auth | Rembrandt studies in his varied approaches to Italian art |
| title_exact_search | Rembrandt studies in his varied approaches to Italian art |
| title_exact_search_txtP | Rembrandt studies in his varied approaches to Italian art |
| title_full | Rembrandt studies in his varied approaches to Italian art by Amy Golahny |
| title_fullStr | Rembrandt studies in his varied approaches to Italian art by Amy Golahny |
| title_full_unstemmed | Rembrandt studies in his varied approaches to Italian art by Amy Golahny |
| title_short | Rembrandt |
| title_sort | rembrandt studies in his varied approaches to italian art |
| title_sub | studies in his varied approaches to Italian art |
| topic | Rembrandt Harmensz van Rijn 1606-1669 (DE-588)11859964X gnd Rezeption (DE-588)4049716-1 gnd Malerei (DE-588)4037220-0 gnd Kulturaustausch (DE-588)4165964-8 gnd Kunst (DE-588)4114333-4 gnd |
| topic_facet | Rembrandt Harmensz van Rijn 1606-1669 Rezeption Malerei Kulturaustausch Kunst Niederlande Italien |
| url | https://doi.org/10.1163/9789004431942 |
| volume_link | (DE-604)BV041119309 (DE-604)BV042551607 |
| work_keys_str_mv | AT golahnyamy rembrandtstudiesinhisvariedapproachestoitalianart |