Rhetorical crossover: the black presence in white culture
"In music, crossover means that a song has moved beyond its original genre and audience into the general social consciousness. Rhetorical Crossover uses the same concept to theorize how the black rhetorical presence has moved in mainstream spaces in an era where African Americans were becoming...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Pittsburgh
University of Pittsburgh Press
[2020]
|
| Schriftenreihe: | Pittsburgh series in composition, literacy, and culture
|
| Schlagworte: | |
| Zusammenfassung: | "In music, crossover means that a song has moved beyond its original genre and audience into the general social consciousness. Rhetorical Crossover uses the same concept to theorize how the black rhetorical presence has moved in mainstream spaces in an era where African Americans were becoming more visible in white culture. Cedric Burrows argues that when black rhetoric moves into the dominant culture, white audiences appear welcoming to African Americans as long as they present an acceptable form of blackness for white tastes. The predominant culture has always constructed coded narratives on how the black rhetorical presence should appear and behave when in majority spaces. In response, African Americans developed their own narratives that revise and reinvent mainstream narratives while also reaffirming their humanity. Using an interdisciplinary model built from music, education, film, and social movement studies, Rhetorical Crossover details the dueling narratives about African Americans that percolate throughout the United States"-- |
| Beschreibung: | xii, 171 Seiten 24 cm |
| ISBN: | 9780822946205 |
Internformat
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| 505 | 8 | |a Introduction: Too Black, Too Strong: The Black Rhetorical Presence -- "Hey, Man, You're Taking My Heritage": Rhetorical Crossover, R&B, and Dinah Washington -- Black Skin, White Discourse: Whitescripting and Cultroscripting Textbooks -- That's Entertainment? Whitescaping and Afroscaping Civil Rights Movies -- Whose Lives Matter? Whitesplaining and Afroplaining Public Discourse -- Conclusion. Paying the Toll: The Black Tax and the Black Rhetorical Presence | |
| 520 | 3 | |a "In music, crossover means that a song has moved beyond its original genre and audience into the general social consciousness. Rhetorical Crossover uses the same concept to theorize how the black rhetorical presence has moved in mainstream spaces in an era where African Americans were becoming more visible in white culture. Cedric Burrows argues that when black rhetoric moves into the dominant culture, white audiences appear welcoming to African Americans as long as they present an acceptable form of blackness for white tastes. The predominant culture has always constructed coded narratives on how the black rhetorical presence should appear and behave when in majority spaces. In response, African Americans developed their own narratives that revise and reinvent mainstream narratives while also reaffirming their humanity. Using an interdisciplinary model built from music, education, film, and social movement studies, Rhetorical Crossover details the dueling narratives about African Americans that percolate throughout the United States"-- | |
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Datensatz im Suchindex
| _version_ | 1804182020710989824 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Burrows, Cedric |
| author_GND | (DE-588)1222678101 |
| author_facet | Burrows, Cedric |
| author_role | aut |
| author_sort | Burrows, Cedric |
| author_variant | c b cb |
| building | Verbundindex |
| bvnumber | BV047041330 |
| contents | Introduction: Too Black, Too Strong: The Black Rhetorical Presence -- "Hey, Man, You're Taking My Heritage": Rhetorical Crossover, R&B, and Dinah Washington -- Black Skin, White Discourse: Whitescripting and Cultroscripting Textbooks -- That's Entertainment? Whitescaping and Afroscaping Civil Rights Movies -- Whose Lives Matter? Whitesplaining and Afroplaining Public Discourse -- Conclusion. Paying the Toll: The Black Tax and the Black Rhetorical Presence |
| ctrlnum | (OCoLC)1249680294 (DE-599)BVBBV047041330 |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Book |
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| id | DE-604.BV047041330 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T16:05:39Z |
| indexdate | 2024-07-10T09:00:55Z |
| institution | BVB |
| isbn | 9780822946205 |
| language | English |
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| physical | xii, 171 Seiten 24 cm |
| psigel | BSB_NED_20210527 |
| publishDate | 2020 |
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| publisher | University of Pittsburgh Press |
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| series2 | Pittsburgh series in composition, literacy, and culture |
| spelling | Burrows, Cedric Verfasser (DE-588)1222678101 aut Rhetorical crossover the black presence in white culture Cedric D. Burrows Pittsburgh University of Pittsburgh Press [2020] xii, 171 Seiten 24 cm txt rdacontent n rdamedia nc rdacarrier Pittsburgh series in composition, literacy, and culture Introduction: Too Black, Too Strong: The Black Rhetorical Presence -- "Hey, Man, You're Taking My Heritage": Rhetorical Crossover, R&B, and Dinah Washington -- Black Skin, White Discourse: Whitescripting and Cultroscripting Textbooks -- That's Entertainment? Whitescaping and Afroscaping Civil Rights Movies -- Whose Lives Matter? Whitesplaining and Afroplaining Public Discourse -- Conclusion. Paying the Toll: The Black Tax and the Black Rhetorical Presence "In music, crossover means that a song has moved beyond its original genre and audience into the general social consciousness. Rhetorical Crossover uses the same concept to theorize how the black rhetorical presence has moved in mainstream spaces in an era where African Americans were becoming more visible in white culture. Cedric Burrows argues that when black rhetoric moves into the dominant culture, white audiences appear welcoming to African Americans as long as they present an acceptable form of blackness for white tastes. The predominant culture has always constructed coded narratives on how the black rhetorical presence should appear and behave when in majority spaces. In response, African Americans developed their own narratives that revise and reinvent mainstream narratives while also reaffirming their humanity. Using an interdisciplinary model built from music, education, film, and social movement studies, Rhetorical Crossover details the dueling narratives about African Americans that percolate throughout the United States"-- Geschichte gnd rswk-swf Amerikanisches Englisch (DE-588)4094804-3 gnd rswk-swf Kultur (DE-588)4125698-0 gnd rswk-swf Schwarze (DE-588)4116433-7 gnd rswk-swf Mainstream (DE-588)4363793-0 gnd rswk-swf Rhetorik (DE-588)4076704-8 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf African Americans / Language Black English / United States African Americans / Race identity English language / Variation / United States Americanisms Black English English language / Variation United States USA (DE-588)4078704-7 g Schwarze (DE-588)4116433-7 s Amerikanisches Englisch (DE-588)4094804-3 s Rhetorik (DE-588)4076704-8 s Mainstream (DE-588)4363793-0 s Kultur (DE-588)4125698-0 s Geschichte z DE-604 Erscheint auch als Online-Ausgabe 978-0-822-98761-1 |
| spellingShingle | Burrows, Cedric Rhetorical crossover the black presence in white culture Introduction: Too Black, Too Strong: The Black Rhetorical Presence -- "Hey, Man, You're Taking My Heritage": Rhetorical Crossover, R&B, and Dinah Washington -- Black Skin, White Discourse: Whitescripting and Cultroscripting Textbooks -- That's Entertainment? Whitescaping and Afroscaping Civil Rights Movies -- Whose Lives Matter? Whitesplaining and Afroplaining Public Discourse -- Conclusion. Paying the Toll: The Black Tax and the Black Rhetorical Presence Amerikanisches Englisch (DE-588)4094804-3 gnd Kultur (DE-588)4125698-0 gnd Schwarze (DE-588)4116433-7 gnd Mainstream (DE-588)4363793-0 gnd Rhetorik (DE-588)4076704-8 gnd |
| subject_GND | (DE-588)4094804-3 (DE-588)4125698-0 (DE-588)4116433-7 (DE-588)4363793-0 (DE-588)4076704-8 (DE-588)4078704-7 |
| title | Rhetorical crossover the black presence in white culture |
| title_auth | Rhetorical crossover the black presence in white culture |
| title_exact_search | Rhetorical crossover the black presence in white culture |
| title_exact_search_txtP | Rhetorical crossover the black presence in white culture |
| title_full | Rhetorical crossover the black presence in white culture Cedric D. Burrows |
| title_fullStr | Rhetorical crossover the black presence in white culture Cedric D. Burrows |
| title_full_unstemmed | Rhetorical crossover the black presence in white culture Cedric D. Burrows |
| title_short | Rhetorical crossover |
| title_sort | rhetorical crossover the black presence in white culture |
| title_sub | the black presence in white culture |
| topic | Amerikanisches Englisch (DE-588)4094804-3 gnd Kultur (DE-588)4125698-0 gnd Schwarze (DE-588)4116433-7 gnd Mainstream (DE-588)4363793-0 gnd Rhetorik (DE-588)4076704-8 gnd |
| topic_facet | Amerikanisches Englisch Kultur Schwarze Mainstream Rhetorik USA |
| work_keys_str_mv | AT burrowscedric rhetoricalcrossovertheblackpresenceinwhiteculture |