Style, performance and beyond: collected papers in classical scholarship
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English Greek French |
| Veröffentlicht: |
Athens
Papazissis Publishers S. A.
2020
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Teilweise in griechischer Schrift; Text englisch, neugriechisch und französisch |
| Beschreibung: | x, 431 Seiten |
| ISBN: | 9789600235876 |
Internformat
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Datensatz im Suchindex
| _version_ | 1804182019722182656 |
|---|---|
| adam_text | CONTENTS Preface................................................................................................................. xi Tendances Littéraires ď Euripide à Ménandre: Tragédie, Comédie, Drame Satyrique (4-3ème siècle avant
J.-C.).............................................................. 1-17 Δημοκρατικοί, θεσμοί, καί τραγωδία............................................................... 18-31 Aeschylus’ Edonoi: Remarks on Style and Theme........................................... 32-44 Wise Melanippe and Captive
Melanippe. Theme-Sources-Myth-Date........... 45-57 Ή Γλωσσική Παιδεία στην χώρα μας. Αποτιμήσεις καί, προοπτικές........... 58-66 Ή τεχνολογία στον Όμηρο.............................................................................. 67-72 The Tegea Inscription SIG 1080: Remarks on the Performance of
PostClassical Plays............................................................................................... 73-84 Ή αρχαιογνωσία στο έργο τού Νικηφόρου Βρεττάκου............................... 85-98 Ή γλώσσα τής Ελληνιστικής περιόδου..........................................................
99-116 The Persae of Aeschylus and the Troades of Euripides: A Similar Approach to the War on the Part of the Defeated?...................................................... 117-124 Κείμενο καί σύγχρονη παράσταση τραγωδίας.............................................. 125-136 The ‘Dionysiac’ Plays
of Aeschylus and Euripides’ Bacchae: Reaffirming Traditional Cult in Late Fifth Century........................................................ 137-157 Ελληνιστικό
δράμα: παράδοση κα ι καινοτομία........................................... 158-165 Ρητορική καί κοινωνία. Ή περίπτωση τού Κατά ΜειδΙον λόγου του Δημοσθένους................................................................................................. 166-175 The Archelaus of Euripides: Reconstruction and Motifs................................ 176-195 The Battle of Marathon as a Topos of Athenian Political Prestige in Classical Times............................................................................................. 196-206
x GEORGIA XANTHAKI-KARAMANOU Fragmentary Plays of Euripides with Similar Rhetorical Motifs and StoryPattern: The Aeolus and Melanippe the Wise............................................. 207-237 Remarks on Moral Values in Aeschylus’ Tragic Poetry................................... 238-243 Χριστός Πάσχων. πρόσληψη άπό «παθητικές» τραγωδίες του Ευριπίδη.... 244-315 The Aeolus of Euripides: Concepts and Motifs................................................. 316-329 Moral and Social Values from Ancient Greek Tragedy.................................... 330-340 Dramatic Debates in Post-Classical Tragedy: Additional Remarks................ 341-373 The Onomasti Kömõdein (Personal Mockery) in Middle Comedy: the Case of Timodes’ Orestautocleides........................................................................ 374-383 The Reception of Thucydides in Kritovoulos: Pericles and Konstantinos Palaiologos as Models of Leadership............................................................ 384-398 Moral and Political Values from Greek Tragedy (5th and 4th Century B.C.).... 399-408 Aristotle’s Poetics as a Main Source for the Plot-Construction and the Morality of Fourth-Century Tragedy........................................................... 409-420 Hellenistic Drama and Alexandrian Culture.................................................... 421-431
|
| adam_txt |
CONTENTS Preface. xi Tendances Littéraires ď Euripide à Ménandre: Tragédie, Comédie, Drame Satyrique (4-3ème siècle avant
J.-C.). 1-17 Δημοκρατικοί, θεσμοί, καί τραγωδία. 18-31 Aeschylus’ Edonoi: Remarks on Style and Theme. 32-44 Wise Melanippe and Captive
Melanippe. Theme-Sources-Myth-Date. 45-57 Ή Γλωσσική Παιδεία στην χώρα μας. Αποτιμήσεις καί, προοπτικές. 58-66 Ή τεχνολογία στον Όμηρο. 67-72 The Tegea Inscription SIG 1080: Remarks on the Performance of
PostClassical Plays. 73-84 Ή αρχαιογνωσία στο έργο τού Νικηφόρου Βρεττάκου. 85-98 Ή γλώσσα τής Ελληνιστικής περιόδου.
99-116 The Persae of Aeschylus and the Troades of Euripides: A Similar Approach to the War on the Part of the Defeated?. 117-124 Κείμενο καί σύγχρονη παράσταση τραγωδίας. 125-136 The ‘Dionysiac’ Plays
of Aeschylus and Euripides’ Bacchae: Reaffirming Traditional Cult in Late Fifth Century. 137-157 Ελληνιστικό
δράμα: παράδοση κα'ι καινοτομία. 158-165 Ρητορική καί κοινωνία. Ή περίπτωση τού Κατά ΜειδΙον λόγου του Δημοσθένους. 166-175 The Archelaus of Euripides: Reconstruction and Motifs. 176-195 The Battle of Marathon as a Topos of Athenian Political Prestige in Classical Times. 196-206
x GEORGIA XANTHAKI-KARAMANOU Fragmentary Plays of Euripides with Similar Rhetorical Motifs and StoryPattern: The Aeolus and Melanippe the Wise. 207-237 Remarks on Moral Values in Aeschylus’ Tragic Poetry. 238-243 Χριστός Πάσχων. πρόσληψη άπό «παθητικές» τραγωδίες του Ευριπίδη. 244-315 The Aeolus of Euripides: Concepts and Motifs. 316-329 Moral and Social Values from Ancient Greek Tragedy. 330-340 Dramatic Debates in Post-Classical Tragedy: Additional Remarks. 341-373 The Onomasti Kömõdein (Personal Mockery) in Middle Comedy: the Case of Timodes’ Orestautocleides. 374-383 The Reception of Thucydides in Kritovoulos: Pericles and Konstantinos Palaiologos as Models of Leadership. 384-398 Moral and Political Values from Greek Tragedy (5th and 4th Century B.C.). 399-408 Aristotle’s Poetics as a Main Source for the Plot-Construction and the Morality of Fourth-Century Tragedy. 409-420 Hellenistic Drama and Alexandrian Culture. 421-431 |
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