When Sunday comes: gospel music in the soul and hip-hop eras
"Gospel music evolved in often surprising directions during the post-Civil Rights era. Claudrena N. Harold's in-depth look at late-century gospel focuses on musicians like Yolanda Adams, Andraé Crouch, the Clark Sisters, Al Green, Take 6, and the Winans, and on the network of black record...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Urbana
University of Illinois Press
[2020]
|
| Schriftenreihe: | Music in American life
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Gospel music evolved in often surprising directions during the post-Civil Rights era. Claudrena N. Harold's in-depth look at late-century gospel focuses on musicians like Yolanda Adams, Andraé Crouch, the Clark Sisters, Al Green, Take 6, and the Winans, and on the network of black record shops, churches, and businesses that nurtured the music. Harold details the creative shifts, sonic innovations, theological tensions, and political assertions that transformed the music, and revisits the debates within the community over groundbreaking recordings and gospel's incorporation of rhythm and blues, funk, hip-hop, and other popular forms. At the same time, she details how sociopolitical and cultural developments like the Black Power Movement and the emergence of the Christian Right shaped both the art and attitudes of African American performers. Weaving insightful analysis into a collective biography of gospel icons, When Sunday Comes explores the music's essential place as an outlet for African Americans to express their spiritual and cultural selves"-- |
| Beschreibung: | X, 251 Seiten Illustrationen |
| ISBN: | 9780252085475 9780252043574 |
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| 505 | 8 | |a Lord Let Me Be an Instrument : The Artistry and Cultural Politics of Reverend James Cleveland -- A Special Kind of Witness : Andraé Crouch, the Growth of Contemporary Christian Music, and the Politics of Race 2 -- Hold My Mule : Shirley Caesar and the Gospel of the New South -- A Wonderful Change : Walter Hawkins and the Love Alive Explosion -- Higher Plane : The Gospel According to Al Green -- The Only Thing Right Left in a Wrong World: The Clark Sisters, the Winans, Commissioned, and the Search for Cultural Authority in the 1980s -- If I Be Lifted : Milton Brunson and the Thompson Community Singers -- Through It All : Vanessa Bell Armstrong and the Perils of Crossover -- Hold Up the Light : The Crossover Success of BeBe and CeCe Winans -- Outside the County Line : The Southern Soul of John P. Kee -- We Are the Drum : Take 6, the Sounds of Blackness, and the New Black Aesthetic -- Epilogue. Do You Want a Revolution? Kirk Franklin, Yolanda Adams, and the Beginning of a New Era in Gospel Music | |
| 520 | 3 | |a "Gospel music evolved in often surprising directions during the post-Civil Rights era. Claudrena N. Harold's in-depth look at late-century gospel focuses on musicians like Yolanda Adams, Andraé Crouch, the Clark Sisters, Al Green, Take 6, and the Winans, and on the network of black record shops, churches, and businesses that nurtured the music. Harold details the creative shifts, sonic innovations, theological tensions, and political assertions that transformed the music, and revisits the debates within the community over groundbreaking recordings and gospel's incorporation of rhythm and blues, funk, hip-hop, and other popular forms. At the same time, she details how sociopolitical and cultural developments like the Black Power Movement and the emergence of the Christian Right shaped both the art and attitudes of African American performers. Weaving insightful analysis into a collective biography of gospel icons, When Sunday Comes explores the music's essential place as an outlet for African Americans to express their spiritual and cultural selves"-- | |
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents Acknowledgmentsvii Introduction............................................................ i CHAPTER I Lord Let Me Бе an Instrument: The Artistry and Cultural Politics of Reverend James Cleveland ................. n CHAPTER 2 A Special Kind of Witness: Andraé Crouch, the Growth of Contemporary Christian Music, and the Politics of Race.................................... 42 CHAPTER 3 Hold My Mule: Shirley Caesar and the Gospel of the New South........................................... 65 CHAPTER 4 A Wonderful Change: Walter Hawkins and the Love Alive Explosion .................................. 88 CHAPTER 5 Higher Plane: The Gospel According to Al Green108 CHAPTER 6 The Only Thing Right Left in a Wrong World: The Clark Sisters, the Winans, Commissioned, and the Search for Cultural Authority in the ig8os.............. 121
CHAPTER 7 Ifi Be Lifted: Milton Brunson and the Thompson Community Singers,145 8 CHAPTER Through It All: Vanessa Bell Armstrong and the Perils of Crossover........... CHAPTER 154 9 Hold Up the Light: The Crossover Success of BeBe and CeCe Winans,................................. 164 CHAPTER 10 Outside the County Line: The Southern Soul ofJohn P. Kee .......................................... 177 CHAPTER II We Are the Drum: Take 6, the Sounds of Blackness, and the New Black Aesthetic .............................. 188 EPILOGUE Do You Want a Revolution? Kirk Franklin, Yolanda Adams, and the Beginning of a New Era in Gospel Music......................................... 203 Notes .............. . 215 Selected Bibliography.. . 235 Index .............. .247
|
| adam_txt |
Contents Acknowledgmentsvii Introduction. i CHAPTER I Lord Let Me Бе an Instrument: The Artistry and Cultural Politics of Reverend James Cleveland . n CHAPTER 2 A Special Kind of Witness: Andraé Crouch, the Growth of Contemporary Christian Music, and the Politics of Race. 42 CHAPTER 3 Hold My Mule: Shirley Caesar and the Gospel of the New South. 65 CHAPTER 4 A Wonderful Change: Walter Hawkins and the Love Alive Explosion . 88 CHAPTER 5 Higher Plane: The Gospel According to Al Green108 CHAPTER 6 The Only Thing Right Left in a Wrong World: The Clark Sisters, the Winans, Commissioned, and the Search for Cultural Authority in the ig8os. 121
CHAPTER 7 Ifi Be Lifted: Milton Brunson and the Thompson Community Singers,145 8 CHAPTER Through It All: Vanessa Bell Armstrong and the Perils of Crossover. CHAPTER 154 9 Hold Up the Light: The Crossover Success of BeBe and CeCe Winans,. 164 CHAPTER 10 Outside the County Line: The Southern Soul ofJohn P. Kee . 177 CHAPTER II We Are the Drum: Take 6, the Sounds of Blackness, and the New Black Aesthetic . 188 EPILOGUE Do You Want a Revolution? Kirk Franklin, Yolanda Adams, and the Beginning of a New Era in Gospel Music. 203 Notes . . 215 Selected Bibliography. . 235 Index . .247 |
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| any_adam_object_boolean | 1 |
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| author_role | aut |
| author_sort | Harold, Claudrena N. |
| author_variant | c n h cn cnh |
| building | Verbundindex |
| bvnumber | BV047039756 |
| contents | Lord Let Me Be an Instrument : The Artistry and Cultural Politics of Reverend James Cleveland -- A Special Kind of Witness : Andraé Crouch, the Growth of Contemporary Christian Music, and the Politics of Race 2 -- Hold My Mule : Shirley Caesar and the Gospel of the New South -- A Wonderful Change : Walter Hawkins and the Love Alive Explosion -- Higher Plane : The Gospel According to Al Green -- The Only Thing Right Left in a Wrong World: The Clark Sisters, the Winans, Commissioned, and the Search for Cultural Authority in the 1980s -- If I Be Lifted : Milton Brunson and the Thompson Community Singers -- Through It All : Vanessa Bell Armstrong and the Perils of Crossover -- Hold Up the Light : The Crossover Success of BeBe and CeCe Winans -- Outside the County Line : The Southern Soul of John P. Kee -- We Are the Drum : Take 6, the Sounds of Blackness, and the New Black Aesthetic -- Epilogue. Do You Want a Revolution? Kirk Franklin, Yolanda Adams, and the Beginning of a New Era in Gospel Music |
| ctrlnum | (OCoLC)1249674216 (DE-599)BVBBV047039756 |
| era | Geschichte gnd |
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| series2 | Music in American life |
| spelling | Harold, Claudrena N. Verfasser (DE-588)1049474023 aut When Sunday comes gospel music in the soul and hip-hop eras Claudrena N Harold Urbana University of Illinois Press [2020] X, 251 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Music in American life Lord Let Me Be an Instrument : The Artistry and Cultural Politics of Reverend James Cleveland -- A Special Kind of Witness : Andraé Crouch, the Growth of Contemporary Christian Music, and the Politics of Race 2 -- Hold My Mule : Shirley Caesar and the Gospel of the New South -- A Wonderful Change : Walter Hawkins and the Love Alive Explosion -- Higher Plane : The Gospel According to Al Green -- The Only Thing Right Left in a Wrong World: The Clark Sisters, the Winans, Commissioned, and the Search for Cultural Authority in the 1980s -- If I Be Lifted : Milton Brunson and the Thompson Community Singers -- Through It All : Vanessa Bell Armstrong and the Perils of Crossover -- Hold Up the Light : The Crossover Success of BeBe and CeCe Winans -- Outside the County Line : The Southern Soul of John P. Kee -- We Are the Drum : Take 6, the Sounds of Blackness, and the New Black Aesthetic -- Epilogue. Do You Want a Revolution? Kirk Franklin, Yolanda Adams, and the Beginning of a New Era in Gospel Music "Gospel music evolved in often surprising directions during the post-Civil Rights era. Claudrena N. Harold's in-depth look at late-century gospel focuses on musicians like Yolanda Adams, Andraé Crouch, the Clark Sisters, Al Green, Take 6, and the Winans, and on the network of black record shops, churches, and businesses that nurtured the music. Harold details the creative shifts, sonic innovations, theological tensions, and political assertions that transformed the music, and revisits the debates within the community over groundbreaking recordings and gospel's incorporation of rhythm and blues, funk, hip-hop, and other popular forms. At the same time, she details how sociopolitical and cultural developments like the Black Power Movement and the emergence of the Christian Right shaped both the art and attitudes of African American performers. Weaving insightful analysis into a collective biography of gospel icons, When Sunday Comes explores the music's essential place as an outlet for African Americans to express their spiritual and cultural selves"-- Geschichte gnd rswk-swf Gospelsänger (DE-588)4462779-8 gnd rswk-swf Sozialer Wandel (DE-588)4077587-2 gnd rswk-swf Gospelsong (DE-588)4137312-1 gnd rswk-swf Schwarze (DE-588)4116433-7 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf Gospel music / 20th century / History and criticism African Americans / Music / History and criticism African Americans / Music Gospel music 1900-1999 Criticism, interpretation, etc USA (DE-588)4078704-7 g Schwarze (DE-588)4116433-7 s Gospelsänger (DE-588)4462779-8 s Gospelsong (DE-588)4137312-1 s Sozialer Wandel (DE-588)4077587-2 s Geschichte z DE-604 Erscheint auch als Online-Ausgabe 9780252052453 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032446852&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Harold, Claudrena N. When Sunday comes gospel music in the soul and hip-hop eras Lord Let Me Be an Instrument : The Artistry and Cultural Politics of Reverend James Cleveland -- A Special Kind of Witness : Andraé Crouch, the Growth of Contemporary Christian Music, and the Politics of Race 2 -- Hold My Mule : Shirley Caesar and the Gospel of the New South -- A Wonderful Change : Walter Hawkins and the Love Alive Explosion -- Higher Plane : The Gospel According to Al Green -- The Only Thing Right Left in a Wrong World: The Clark Sisters, the Winans, Commissioned, and the Search for Cultural Authority in the 1980s -- If I Be Lifted : Milton Brunson and the Thompson Community Singers -- Through It All : Vanessa Bell Armstrong and the Perils of Crossover -- Hold Up the Light : The Crossover Success of BeBe and CeCe Winans -- Outside the County Line : The Southern Soul of John P. Kee -- We Are the Drum : Take 6, the Sounds of Blackness, and the New Black Aesthetic -- Epilogue. Do You Want a Revolution? Kirk Franklin, Yolanda Adams, and the Beginning of a New Era in Gospel Music Gospelsänger (DE-588)4462779-8 gnd Sozialer Wandel (DE-588)4077587-2 gnd Gospelsong (DE-588)4137312-1 gnd Schwarze (DE-588)4116433-7 gnd |
| subject_GND | (DE-588)4462779-8 (DE-588)4077587-2 (DE-588)4137312-1 (DE-588)4116433-7 (DE-588)4078704-7 |
| title | When Sunday comes gospel music in the soul and hip-hop eras |
| title_auth | When Sunday comes gospel music in the soul and hip-hop eras |
| title_exact_search | When Sunday comes gospel music in the soul and hip-hop eras |
| title_exact_search_txtP | When Sunday comes gospel music in the soul and hip-hop eras |
| title_full | When Sunday comes gospel music in the soul and hip-hop eras Claudrena N Harold |
| title_fullStr | When Sunday comes gospel music in the soul and hip-hop eras Claudrena N Harold |
| title_full_unstemmed | When Sunday comes gospel music in the soul and hip-hop eras Claudrena N Harold |
| title_short | When Sunday comes |
| title_sort | when sunday comes gospel music in the soul and hip hop eras |
| title_sub | gospel music in the soul and hip-hop eras |
| topic | Gospelsänger (DE-588)4462779-8 gnd Sozialer Wandel (DE-588)4077587-2 gnd Gospelsong (DE-588)4137312-1 gnd Schwarze (DE-588)4116433-7 gnd |
| topic_facet | Gospelsänger Sozialer Wandel Gospelsong Schwarze USA |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032446852&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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