The solfeggio tradition: a forgotten art of melody in the long eighteenth century
"This book is the first study of the solfeggio tradition, which was fundamental to the training of European musicians, c. 1680-1830. It addresses one of the last major gaps in historical research on 18th-century performance and pedagogy. The method flourished in Italian conservatories for disad...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Oxford University Press
[2020]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis |
| Zusammenfassung: | "This book is the first study of the solfeggio tradition, which was fundamental to the training of European musicians, c. 1680-1830. It addresses one of the last major gaps in historical research on 18th-century performance and pedagogy. The method flourished in Italian conservatories for disadvantaged children, especially at Naples. The presence of large manuscript collections in European archives (almost 300 in Italy alone) testifies to the importance of this kind of exercise. Drawing on research into over a thousand manuscript sources, the book reconstructs the way that professional musicians in Europe learned and thus conceived the fundamentals of music. It reveals an approach that differs radically from modern assumptions. Solfeggi underpinned an art of melody that allowed practitioners to improvise and compose fluently. Part I provides contextual information on apprenticeship, the church music industry, its associated schools, and the continued significance of plainchant to music education. Part II reconstructs the real lessons of an apprentice over the course of three or four years, from spoken to sung solfeggio. Part III surveys the primary sources, classifying solfeggi into four main types and outlining their historical origins, characteristic features, and pedagogical purposes"-- |
| Beschreibung: | xix, 410 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9780197514085 |
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| 505 | 8 | |a Introduction. Discovering solfeggio -- Context : Apprenticeship, plainchant, and the rudiments. Sepperl's Story : A case study in music and social mobility ; The church music industry ; Eighteenth-century plainchant -- for beginners ; Canto fermo and Canto figurato -- Theory and practice : Lessons in the art of melody. Speaking solfeggio ; Singing solfeggio ; Learning la sol fa mi, with some hints on musical grammar ; Solano and Sabbatini on modulation -- The solfeggio repertory : Types, styles, and genres. Defining solfeggio ; Unaccompanied solfeggio ; Accompanied solfeggio ; Solfeggio and partimento. Epilogue. Alternative systems and the end of the great tradition | |
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents List ofFigures Acknowledgments Glossary of Technical Terms 1. Introduction: Discovering Solfeggio ix xi xiii 1 I. CONTEXT: APPRENTICESHIP, PLAINCHANT, AND THE RUDIMENTS 2. Sepperľs Story: A Case Study in Music and Social Mobility 23 3. The Church Music Industry 31 4. Eighteenth-Century Plainchant—For Beginners 37 5. Canto Fermo and Canto Figurato 58 II. THEORY AND PRACTICE: LESSONS IN THE ART OF MELODY 6. Speaking Solfeggio Solmization Solutions Appendix: Ambiguities, Complexities, and Supplementary Guidelines 85 113 120 7. Singing Solfeggio 128 8. Learning la-sol-fa-mi, with Some Hints on Musical Grammar 156 9. Solano and Sabbatini on Modulation 213 III. THE SOLFEGGIO REPERTORY: TYPES, STYLES, AND GENRES 10. Defining Solfeggio 239 11. Unaccompanied Solfeggio 249 12. Accompanied Solfeggio 266 13. Solfeggio and Partimento 288 14. Epilogue: Alternative Systems and the End of the Great Tradition 298 Notes Bibliography Index 309 339 399
Contents List ofFigures Acknowledgments Glossary of Technical Terms 1. Introduction: Discovering Solfeggio ix xi xiii 1 I. CONTEXT: APPRENTICESHIP, PLAINCHANT, AND THE RUDIMENTS 2. Sepperľs Story: A Case Study in Music and Social Mobility 23 3. The Church Music Industry 31 4. Eighteenth-Century Plainchant—For Beginners 37 5. Canto Fermo and Canto Figurato 58 II. THEORY AND PRACTICE: LESSONS IN THE ART OF MELODY 6. Speaking Solfeggio Solmization Solutions Appendix: Ambiguities, Complexities, and Supplementary Guidelines 85 113 120 7. Singing Solfeggio 128 8. Learning la-sol-fa-mi, with Some Hints on Musical Grammar 156 9. Solano and Sabbatini on Modulation 213 III. THE SOLFEGGIO REPERTORY: TYPES, STYLES, AND GENRES 10. Defining Solfeggio 239 11. Unaccompanied Solfeggio 249 12. Accompanied Solfeggio 266 13. Solfeggio and Partimento 288 14. Epilogue: Alternative Systems and the End of the Great Tradition 298 Notes Bibliography Index 309 339 399
|
| adam_txt |
Contents List ofFigures Acknowledgments Glossary of Technical Terms 1. Introduction: Discovering Solfeggio ix xi xiii 1 I. CONTEXT: APPRENTICESHIP, PLAINCHANT, AND THE RUDIMENTS 2. Sepperľs Story: A Case Study in Music and Social Mobility 23 3. The Church Music Industry 31 4. Eighteenth-Century Plainchant—For Beginners 37 5. Canto Fermo and Canto Figurato 58 II. THEORY AND PRACTICE: LESSONS IN THE ART OF MELODY 6. Speaking Solfeggio Solmization Solutions Appendix: Ambiguities, Complexities, and Supplementary Guidelines 85 113 120 7. Singing Solfeggio 128 8. Learning la-sol-fa-mi, with Some Hints on Musical Grammar 156 9. Solano and Sabbatini on Modulation 213 III. THE SOLFEGGIO REPERTORY: TYPES, STYLES, AND GENRES 10. Defining Solfeggio 239 11. Unaccompanied Solfeggio 249 12. Accompanied Solfeggio 266 13. Solfeggio and Partimento 288 14. Epilogue: Alternative Systems and the End of the Great Tradition 298 Notes Bibliography Index 309 339 399
Contents List ofFigures Acknowledgments Glossary of Technical Terms 1. Introduction: Discovering Solfeggio ix xi xiii 1 I. CONTEXT: APPRENTICESHIP, PLAINCHANT, AND THE RUDIMENTS 2. Sepperľs Story: A Case Study in Music and Social Mobility 23 3. The Church Music Industry 31 4. Eighteenth-Century Plainchant—For Beginners 37 5. Canto Fermo and Canto Figurato 58 II. THEORY AND PRACTICE: LESSONS IN THE ART OF MELODY 6. Speaking Solfeggio Solmization Solutions Appendix: Ambiguities, Complexities, and Supplementary Guidelines 85 113 120 7. Singing Solfeggio 128 8. Learning la-sol-fa-mi, with Some Hints on Musical Grammar 156 9. Solano and Sabbatini on Modulation 213 III. THE SOLFEGGIO REPERTORY: TYPES, STYLES, AND GENRES 10. Defining Solfeggio 239 11. Unaccompanied Solfeggio 249 12. Accompanied Solfeggio 266 13. Solfeggio and Partimento 288 14. Epilogue: Alternative Systems and the End of the Great Tradition 298 Notes Bibliography Index 309 339 399 |
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| contents | Introduction. Discovering solfeggio -- Context : Apprenticeship, plainchant, and the rudiments. Sepperl's Story : A case study in music and social mobility ; The church music industry ; Eighteenth-century plainchant -- for beginners ; Canto fermo and Canto figurato -- Theory and practice : Lessons in the art of melody. Speaking solfeggio ; Singing solfeggio ; Learning la sol fa mi, with some hints on musical grammar ; Solano and Sabbatini on modulation -- The solfeggio repertory : Types, styles, and genres. Defining solfeggio ; Unaccompanied solfeggio ; Accompanied solfeggio ; Solfeggio and partimento. Epilogue. Alternative systems and the end of the great tradition |
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| era_facet | Geschichte 1680-1830 |
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| publisher | Oxford University Press |
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| spelling | Baragwanath, Nicholas ca. 20./21. Jh. Verfasser (DE-588)1025724933 aut The solfeggio tradition a forgotten art of melody in the long eighteenth century Nicholas Baragwanath New York, NY Oxford University Press [2020] © 2020 xix, 410 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Introduction. Discovering solfeggio -- Context : Apprenticeship, plainchant, and the rudiments. Sepperl's Story : A case study in music and social mobility ; The church music industry ; Eighteenth-century plainchant -- for beginners ; Canto fermo and Canto figurato -- Theory and practice : Lessons in the art of melody. Speaking solfeggio ; Singing solfeggio ; Learning la sol fa mi, with some hints on musical grammar ; Solano and Sabbatini on modulation -- The solfeggio repertory : Types, styles, and genres. Defining solfeggio ; Unaccompanied solfeggio ; Accompanied solfeggio ; Solfeggio and partimento. Epilogue. Alternative systems and the end of the great tradition "This book is the first study of the solfeggio tradition, which was fundamental to the training of European musicians, c. 1680-1830. It addresses one of the last major gaps in historical research on 18th-century performance and pedagogy. The method flourished in Italian conservatories for disadvantaged children, especially at Naples. The presence of large manuscript collections in European archives (almost 300 in Italy alone) testifies to the importance of this kind of exercise. Drawing on research into over a thousand manuscript sources, the book reconstructs the way that professional musicians in Europe learned and thus conceived the fundamentals of music. It reveals an approach that differs radically from modern assumptions. Solfeggi underpinned an art of melody that allowed practitioners to improvise and compose fluently. Part I provides contextual information on apprenticeship, the church music industry, its associated schools, and the continued significance of plainchant to music education. Part II reconstructs the real lessons of an apprentice over the course of three or four years, from spoken to sung solfeggio. Part III surveys the primary sources, classifying solfeggi into four main types and outlining their historical origins, characteristic features, and pedagogical purposes"-- Geschichte 1680-1830 gnd rswk-swf Solmisation (DE-588)4195059-8 gnd rswk-swf A-prima-vista-Spiel (DE-588)4142828-6 gnd rswk-swf Musikerziehung (DE-588)4040843-7 gnd rswk-swf Europa (DE-588)4015701-5 gnd rswk-swf Solmization / History / 18th century Sight-singing / History / 18th century Music / Instruction and study / History / 18th century Music / Instruction and study Sight-singing Solmization 1700-1799 History Europa (DE-588)4015701-5 g Musikerziehung (DE-588)4040843-7 s Solmisation (DE-588)4195059-8 s A-prima-vista-Spiel (DE-588)4142828-6 s Geschichte 1680-1830 z DE-604 Erscheint auch als Online-Ausgabe, EPUB 978-0-19-751410-8 Erscheint auch als Online-Ausgabe 978-0-19-751411-5 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032446412&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032446412&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Baragwanath, Nicholas ca. 20./21. Jh The solfeggio tradition a forgotten art of melody in the long eighteenth century Introduction. Discovering solfeggio -- Context : Apprenticeship, plainchant, and the rudiments. Sepperl's Story : A case study in music and social mobility ; The church music industry ; Eighteenth-century plainchant -- for beginners ; Canto fermo and Canto figurato -- Theory and practice : Lessons in the art of melody. Speaking solfeggio ; Singing solfeggio ; Learning la sol fa mi, with some hints on musical grammar ; Solano and Sabbatini on modulation -- The solfeggio repertory : Types, styles, and genres. Defining solfeggio ; Unaccompanied solfeggio ; Accompanied solfeggio ; Solfeggio and partimento. Epilogue. Alternative systems and the end of the great tradition Solmisation (DE-588)4195059-8 gnd A-prima-vista-Spiel (DE-588)4142828-6 gnd Musikerziehung (DE-588)4040843-7 gnd |
| subject_GND | (DE-588)4195059-8 (DE-588)4142828-6 (DE-588)4040843-7 (DE-588)4015701-5 |
| title | The solfeggio tradition a forgotten art of melody in the long eighteenth century |
| title_auth | The solfeggio tradition a forgotten art of melody in the long eighteenth century |
| title_exact_search | The solfeggio tradition a forgotten art of melody in the long eighteenth century |
| title_exact_search_txtP | The solfeggio tradition a forgotten art of melody in the long eighteenth century |
| title_full | The solfeggio tradition a forgotten art of melody in the long eighteenth century Nicholas Baragwanath |
| title_fullStr | The solfeggio tradition a forgotten art of melody in the long eighteenth century Nicholas Baragwanath |
| title_full_unstemmed | The solfeggio tradition a forgotten art of melody in the long eighteenth century Nicholas Baragwanath |
| title_short | The solfeggio tradition |
| title_sort | the solfeggio tradition a forgotten art of melody in the long eighteenth century |
| title_sub | a forgotten art of melody in the long eighteenth century |
| topic | Solmisation (DE-588)4195059-8 gnd A-prima-vista-Spiel (DE-588)4142828-6 gnd Musikerziehung (DE-588)4040843-7 gnd |
| topic_facet | Solmisation A-prima-vista-Spiel Musikerziehung Europa |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032446412&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032446412&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
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Inhaltsverzeichnis