Gillet and Germain Hardouyn's print-assisted paintings: prints as underdrawings in sixteenth-century French books of hours
This chapter discusses the necessity of distinguishing between painted prints and print-assisted paintings. While a firm distinction between print and painting can be difficult to delineate, simply designating everything that blurs media boundaries a "hybrid" will flatten the nuances of bo...
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| Format: | Artikel |
| Sprache: | English |
| Veröffentlicht: |
2021
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| Schlagworte: | |
| Zusammenfassung: | This chapter discusses the necessity of distinguishing between painted prints and print-assisted paintings. While a firm distinction between print and painting can be difficult to delineate, simply designating everything that blurs media boundaries a "hybrid" will flatten the nuances of both production and reception. The chapter provides short overview of both books of hours and the Hardouyn brothers. Afterword, the Hardouyn’s octavo metalcut of the Death of the Virgin, which was commissioned from the workshop of Jean Pichore, serves as a case study. Five overpainted impressions of this print are considered in chronological order, demonstrating some of the ways that individual painters elaborated upon the printed design to produce unique miniatures for the Hardouyns. Finally, the chapter explores the theory that the metalcut was intended to function as a printed underdrawing, arguing that the prints in Hardouyn Horae offer scholars a new method of studying both reproductive printmaking (broadly defined) and the role of underdrawing in Renaissance painting ateliers. |
| Beschreibung: | Illustrationen |
| ISBN: | 978-0-367-46511-7 |
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| 520 | 3 | |a This chapter discusses the necessity of distinguishing between painted prints and print-assisted paintings. While a firm distinction between print and painting can be difficult to delineate, simply designating everything that blurs media boundaries a "hybrid" will flatten the nuances of both production and reception. The chapter provides short overview of both books of hours and the Hardouyn brothers. Afterword, the Hardouyn’s octavo metalcut of the Death of the Virgin, which was commissioned from the workshop of Jean Pichore, serves as a case study. Five overpainted impressions of this print are considered in chronological order, demonstrating some of the ways that individual painters elaborated upon the printed design to produce unique miniatures for the Hardouyns. Finally, the chapter explores the theory that the metalcut was intended to function as a printed underdrawing, arguing that the prints in Hardouyn Horae offer scholars a new method of studying both reproductive printmaking (broadly defined) and the role of underdrawing in Renaissance painting ateliers. | |
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| spelling | Warren, Maureen Verfasser (DE-588)143429078 aut Gillet and Germain Hardouyn's print-assisted paintings prints as underdrawings in sixteenth-century French books of hours Maureen Warren 2021 Illustrationen txt rdacontent n rdamedia nc rdacarrier This chapter discusses the necessity of distinguishing between painted prints and print-assisted paintings. While a firm distinction between print and painting can be difficult to delineate, simply designating everything that blurs media boundaries a "hybrid" will flatten the nuances of both production and reception. The chapter provides short overview of both books of hours and the Hardouyn brothers. Afterword, the Hardouyn’s octavo metalcut of the Death of the Virgin, which was commissioned from the workshop of Jean Pichore, serves as a case study. Five overpainted impressions of this print are considered in chronological order, demonstrating some of the ways that individual painters elaborated upon the printed design to produce unique miniatures for the Hardouyns. Finally, the chapter explores the theory that the metalcut was intended to function as a printed underdrawing, arguing that the prints in Hardouyn Horae offer scholars a new method of studying both reproductive printmaking (broadly defined) and the role of underdrawing in Renaissance painting ateliers. Hardouyn, Germain (DE-588)124407226 gnd rswk-swf Pichore, Jean (DE-588)130446823 gnd rswk-swf Hardouyn, Gilles 1455-1529 (DE-588)124407269 gnd rswk-swf Geschichte 1524 gnd rswk-swf Vorzeichnung (DE-588)4137016-8 gnd rswk-swf Druckgrafik (DE-588)4113357-2 gnd rswk-swf Metallschnitt (DE-588)4169632-3 gnd rswk-swf Malerei (DE-588)4037220-0 gnd rswk-swf Stundenbuch (DE-588)4077984-1 gnd rswk-swf Hardouyn, Germain (DE-588)124407226 p Hardouyn, Gilles 1455-1529 (DE-588)124407269 p Pichore, Jean (DE-588)130446823 p Druckgrafik (DE-588)4113357-2 s Metallschnitt (DE-588)4169632-3 s Malerei (DE-588)4037220-0 s Vorzeichnung (DE-588)4137016-8 s Stundenbuch (DE-588)4077984-1 s Geschichte 1524 z DE-604 The reception of the printed image in the fifteenth and sixteenth centuries / edited by Grażyna Jurkowlaniec and Magdalena Herman New York ; London, 2021 Seite [81]-96, pl. Routledge Research in Art History (DE-604)BV046915737 978-0-367-46511-7 |
| spellingShingle | Warren, Maureen Gillet and Germain Hardouyn's print-assisted paintings prints as underdrawings in sixteenth-century French books of hours Hardouyn, Germain (DE-588)124407226 gnd Pichore, Jean (DE-588)130446823 gnd Hardouyn, Gilles 1455-1529 (DE-588)124407269 gnd Vorzeichnung (DE-588)4137016-8 gnd Druckgrafik (DE-588)4113357-2 gnd Metallschnitt (DE-588)4169632-3 gnd Malerei (DE-588)4037220-0 gnd Stundenbuch (DE-588)4077984-1 gnd |
| subject_GND | (DE-588)124407226 (DE-588)130446823 (DE-588)124407269 (DE-588)4137016-8 (DE-588)4113357-2 (DE-588)4169632-3 (DE-588)4037220-0 (DE-588)4077984-1 |
| title | Gillet and Germain Hardouyn's print-assisted paintings prints as underdrawings in sixteenth-century French books of hours |
| title_auth | Gillet and Germain Hardouyn's print-assisted paintings prints as underdrawings in sixteenth-century French books of hours |
| title_exact_search | Gillet and Germain Hardouyn's print-assisted paintings prints as underdrawings in sixteenth-century French books of hours |
| title_exact_search_txtP | Gillet and Germain Hardouyn's print-assisted paintings prints as underdrawings in sixteenth-century French books of hours |
| title_full | Gillet and Germain Hardouyn's print-assisted paintings prints as underdrawings in sixteenth-century French books of hours Maureen Warren |
| title_fullStr | Gillet and Germain Hardouyn's print-assisted paintings prints as underdrawings in sixteenth-century French books of hours Maureen Warren |
| title_full_unstemmed | Gillet and Germain Hardouyn's print-assisted paintings prints as underdrawings in sixteenth-century French books of hours Maureen Warren |
| title_short | Gillet and Germain Hardouyn's print-assisted paintings |
| title_sort | gillet and germain hardouyn s print assisted paintings prints as underdrawings in sixteenth century french books of hours |
| title_sub | prints as underdrawings in sixteenth-century French books of hours |
| topic | Hardouyn, Germain (DE-588)124407226 gnd Pichore, Jean (DE-588)130446823 gnd Hardouyn, Gilles 1455-1529 (DE-588)124407269 gnd Vorzeichnung (DE-588)4137016-8 gnd Druckgrafik (DE-588)4113357-2 gnd Metallschnitt (DE-588)4169632-3 gnd Malerei (DE-588)4037220-0 gnd Stundenbuch (DE-588)4077984-1 gnd |
| topic_facet | Hardouyn, Germain Pichore, Jean Hardouyn, Gilles 1455-1529 Vorzeichnung Druckgrafik Metallschnitt Malerei Stundenbuch |
| work_keys_str_mv | AT warrenmaureen gilletandgermainhardouynsprintassistedpaintingsprintsasunderdrawingsinsixteenthcenturyfrenchbooksofhours |