Insane acquaintances: visual modernism and public taste in Britain, 1910-1951
Insane Acquaintances explores a range of exhibitions, organisations and institutions that mediated and promoted modernism in Britain. In a series of case studies on subjects ranging from the first Postimpressionist exhibition in London in 1910, the teaching of modernist art in schools, the decoratio...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London
The British Academy
2020
|
| Ausgabe: | First edition |
| Schriftenreihe: | British Academy monograph
|
| Schlagworte: | |
| Zusammenfassung: | Insane Acquaintances explores a range of exhibitions, organisations and institutions that mediated and promoted modernism in Britain. In a series of case studies on subjects ranging from the first Postimpressionist exhibition in London in 1910, the teaching of modernist art in schools, the decoration and design of the modernist home, the International Surrealist exhibition in London in 1936 and the Festival of Britain in 1951, Insane Acquaintances charts some of the ways in which modernism not only sought to improve the quality of art but also the quality of art's reception in Britain. It also provides an institutional history of some of the groups and organisations that fostered modernist art in Britain during that period. |
| Beschreibung: | 191 Seiten, 8 ungezählte Seiten Tafeln Illustrationen 24 cm |
| ISBN: | 9780197266755 |
Internformat
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| 505 | 8 | |a 1: Revolutionising 'Bird's Custard Isle' -- 2: PostimpressionismTM -- 3 :'A revolution of incalculable effect': modernism and the teaching of art in schools -- 4: 'But is it possible to live in such a motley setting?': the modernist interior in Britain -- 5: 'A Transformed World': Herbert Read, British surrealism and the institutionalisation of modernism -- 6: Conclusion: 'Half-Baked if you like': modernist afterlives in Britain, 1945-1951 -- Bibliography -- Index | |
| 520 | 3 | |a Insane Acquaintances explores a range of exhibitions, organisations and institutions that mediated and promoted modernism in Britain. In a series of case studies on subjects ranging from the first Postimpressionist exhibition in London in 1910, the teaching of modernist art in schools, the decoration and design of the modernist home, the International Surrealist exhibition in London in 1936 and the Festival of Britain in 1951, Insane Acquaintances charts some of the ways in which modernism not only sought to improve the quality of art but also the quality of art's reception in Britain. It also provides an institutional history of some of the groups and organisations that fostered modernist art in Britain during that period. | |
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Datensatz im Suchindex
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| bvnumber | BV047034171 |
| contents | 1: Revolutionising 'Bird's Custard Isle' -- 2: PostimpressionismTM -- 3 :'A revolution of incalculable effect': modernism and the teaching of art in schools -- 4: 'But is it possible to live in such a motley setting?': the modernist interior in Britain -- 5: 'A Transformed World': Herbert Read, British surrealism and the institutionalisation of modernism -- 6: Conclusion: 'Half-Baked if you like': modernist afterlives in Britain, 1945-1951 -- Bibliography -- Index |
| ctrlnum | (OCoLC)1230237571 (DE-599)BVBBV047034171 |
| edition | First edition |
| era | Geschichte 1910-1951 gnd |
| era_facet | Geschichte 1910-1951 |
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| spelling | Moore, Abd al-Hayy 1940-2016 Verfasser (DE-588)12415817X aut Insane acquaintances visual modernism and public taste in Britain, 1910-1951 Daniel Moore First edition London The British Academy 2020 Oxford ; New York, NY Oxford University Press 2020 191 Seiten, 8 ungezählte Seiten Tafeln Illustrationen 24 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier British Academy monograph 1: Revolutionising 'Bird's Custard Isle' -- 2: PostimpressionismTM -- 3 :'A revolution of incalculable effect': modernism and the teaching of art in schools -- 4: 'But is it possible to live in such a motley setting?': the modernist interior in Britain -- 5: 'A Transformed World': Herbert Read, British surrealism and the institutionalisation of modernism -- 6: Conclusion: 'Half-Baked if you like': modernist afterlives in Britain, 1945-1951 -- Bibliography -- Index Insane Acquaintances explores a range of exhibitions, organisations and institutions that mediated and promoted modernism in Britain. In a series of case studies on subjects ranging from the first Postimpressionist exhibition in London in 1910, the teaching of modernist art in schools, the decoration and design of the modernist home, the International Surrealist exhibition in London in 1936 and the Festival of Britain in 1951, Insane Acquaintances charts some of the ways in which modernism not only sought to improve the quality of art but also the quality of art's reception in Britain. It also provides an institutional history of some of the groups and organisations that fostered modernist art in Britain during that period. Geschichte 1910-1951 gnd rswk-swf Gesellschaft (DE-588)4020588-5 gnd rswk-swf Zeitgeschmack (DE-588)4368836-6 gnd rswk-swf Moderne (DE-588)4039827-4 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Großbritannien (DE-588)4022153-2 gnd rswk-swf Modernism (Art) / Great Britain Modernism (Art) Great Britain Großbritannien (DE-588)4022153-2 g Moderne (DE-588)4039827-4 s Kunst (DE-588)4114333-4 s Gesellschaft (DE-588)4020588-5 s Zeitgeschmack (DE-588)4368836-6 s Geschichte 1910-1951 z DE-604 |
| spellingShingle | Moore, Abd al-Hayy 1940-2016 Insane acquaintances visual modernism and public taste in Britain, 1910-1951 1: Revolutionising 'Bird's Custard Isle' -- 2: PostimpressionismTM -- 3 :'A revolution of incalculable effect': modernism and the teaching of art in schools -- 4: 'But is it possible to live in such a motley setting?': the modernist interior in Britain -- 5: 'A Transformed World': Herbert Read, British surrealism and the institutionalisation of modernism -- 6: Conclusion: 'Half-Baked if you like': modernist afterlives in Britain, 1945-1951 -- Bibliography -- Index Gesellschaft (DE-588)4020588-5 gnd Zeitgeschmack (DE-588)4368836-6 gnd Moderne (DE-588)4039827-4 gnd Kunst (DE-588)4114333-4 gnd |
| subject_GND | (DE-588)4020588-5 (DE-588)4368836-6 (DE-588)4039827-4 (DE-588)4114333-4 (DE-588)4022153-2 |
| title | Insane acquaintances visual modernism and public taste in Britain, 1910-1951 |
| title_auth | Insane acquaintances visual modernism and public taste in Britain, 1910-1951 |
| title_exact_search | Insane acquaintances visual modernism and public taste in Britain, 1910-1951 |
| title_exact_search_txtP | Insane acquaintances visual modernism and public taste in Britain, 1910-1951 |
| title_full | Insane acquaintances visual modernism and public taste in Britain, 1910-1951 Daniel Moore |
| title_fullStr | Insane acquaintances visual modernism and public taste in Britain, 1910-1951 Daniel Moore |
| title_full_unstemmed | Insane acquaintances visual modernism and public taste in Britain, 1910-1951 Daniel Moore |
| title_short | Insane acquaintances |
| title_sort | insane acquaintances visual modernism and public taste in britain 1910 1951 |
| title_sub | visual modernism and public taste in Britain, 1910-1951 |
| topic | Gesellschaft (DE-588)4020588-5 gnd Zeitgeschmack (DE-588)4368836-6 gnd Moderne (DE-588)4039827-4 gnd Kunst (DE-588)4114333-4 gnd |
| topic_facet | Gesellschaft Zeitgeschmack Moderne Kunst Großbritannien |
| work_keys_str_mv | AT mooreabdalhayy insaneacquaintancesvisualmodernismandpublictasteinbritain19101951 |