The artistry of Bheki Mseleku:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cape Town, South Africa
African Minds
2020
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| Schlagworte: | |
| Online-Zugang: | kostenfrei kostenfrei kostenfrei kostenfrei Inhaltsverzeichnis Klappentext Inhaltsverzeichnis Klappentext |
| Beschreibung: | xxiii, 247 Seiten Notenbeispiele |
| ISBN: | 9781928331667 |
| DOI: | 10.47622/9781928331667 |
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Contents Foreword / vii Preface / x Acknowledgements / xv Explanatory notes / xvi PART ONE - ANALYSIS OF COMPOSITIONS / 1 Chapter 1 - Cycles / 3 ‘Cycle’ (Celebration) /10 ‘Melancholy in Cologne’ {Star Seeding) /13 Aja’ (.Beauty ofSunrise) / 15 ‘Angola’ {Celebration) / 19 Chapter 2 - Lineage / 23 ‘Monk the Priest’ {Home at Last) / 23 ‘Through the Years’ {Timelessness) / 28 ‘The Messenger’ {Celebration) / 32 ‘Supreme Love’ {Celebration) / 34 ‘Woody’s Tune’ {Beauty ofSunrise) / 37 ‘Monk’s Move’ {Beauty of Sunrise) / 46 ‘Nearer Awakening’ {Beauty ofSunrise) / 47 ‘LA Soul Train Blues’ (Star Seeding) / 51 ‘The Age of Inner Knowing’ (Celebration) / 53 Chapter 3 - Roots / 59 ‘Closer to the Source’ {Celebration) / 60 ‘Monwabisi’ {Home at Last) / 66 ‘Mbizo’ {Home at Last) / 70 ‘Nants’ Inkululeko’ {Home at Last) / 71 ‘Home at Last’ {Home at Last) / 73 111
THE ARTISTRY OF BHEKI MSELEKU Chapter 4 - Blueprints / 76 ‘Mamelodi’ (Home at Last) / 76 ‘Adored Value’ (Beauty ofSunrise) / 81 ‘Timelessness’ (Timelessness) / 82 ‘Blues for Afrika’ (Celebration) / 86 Chapter 5 - Aesthetic / 88 One for All, All for One’ (Celebration) / 93 PART TWO ֊ IMPROVISATION / 97 Chapter 6 - Considerations for analysis / 98 The pianist / 99 Stride / 99 Bud Powell voicings / 102 Rootless voicings /104 Modal voicings /106 Construction of the improvised line / 108 Symmetrical scales /114 Scale rendering /117 Bebop phrasing /118 Repetition and common property phrases (licks) /119 Alternate harmony as source for improvisation /122 Chapter 7 - Solo transcriptions / 124 Solo on Adored Value’ (Beauty ofSunrise) /124 Solo on Aja’ (Beauty ofSunrise) I 129 Solo on ‘Angola’ (Celebration) f 133 Solo on ‘Blues for Afrika’ (Celebration) / 140 Solo on ‘Home at Last’ (Home at Last) / 146 Solo on ‘Mamelodi’ (Home at Last) / 150 Solo on ‘Melancholy in Cologne’ (Star Seeding) / 156 Solo on ‘Through the Years’ (Timelessness) / 165 Solo on ‘Timelessness’ (Timelessness) / 170 IV
Contents Appendix А / 177 The South Bank Show with Melvyn Bragg (Ep. Bheki Mseleku, 1992) Appendix В / 187 Transcriptions of compositions / 187 ‘Adored Value’ /188 Aja / 190 ‘Angola’ /192 ‘Blues for Afrika’ / 195 ‘Closer to the Source’ / 197 ‘Cycle’ / 203 ‘Home at Last’ / 205 ‘LA Soul Train Blues’ / 207 ‘Mamelodi’ / 208 ‘Mbizo’ / 210 ‘Melancholy in Cologne’ /211 ‘Monk the Priest’ /212 ‘Monk’s Move’ /217 ‘Monwabisi’ / 219 ‘Nants’ Inkululeko’ / 221 ‘Nearer Awakening’ / 224 One for All, All for One’ / 226 ‘Supreme Love’ (Dedicated to John Coltrane) / 229 ‘The Age of Inner Knowing’ / 230 ‘The Messenger’ (Dedicated to Bud Powell) / 232 ‘Through the Years’ (Lyrics: Abbey Lincoln) / 237 ‘Timelessness’ / 240 ‘Woody’s Tune’ / 242 References / 246
Despite being entirely self-taught, Mseleku was the most technically sophisticated of jazz musicians, though the abiding experience of hearing him play was one of an unjazzlike simplicity. - John Fordham, The Guardian Bheki Mseleku is widely regarded as one of the most gifted, technically accomplished and emotionally expressive jazz musicians to have emerged from South Africa. His individualistic and eclectic sound draws on American, classical and township influences. He had no apparent formal music training and grew up in a poor village on the outskirts of Durban where, at the fairly late age of seventeen, he discovered that he had an innate ability to play. He has become a key inspiration for aspiring young South African jazz musicians and has left an infinite source of knowledge to draw on. The Artistry of Bheki Mseleku is an in-depth study of the Mseleku’s compositional works and improvisational style. The annotated transcriptions and analysis bring into focus the exquisite skill and artistry that ultimately caught the eye of some of the most celebrated international jazz musicians in the world. Andrew Lilley is an associate professor the at the University of Cape Town, and assistant director of the South African College of Music where he lectures in jazz piano, theory and improvisation. He is a graduate of Berklee College of Music in Boston where he studied with the celebrated hard bop pianist and composer Donald Brown, and with Enja recording artist Bruce Barth. He holds degrees from the University of Cape Town. He is a well-respected member of the South African
musical fraternity and appears on numerous recordings with local and international artists. ISBN Ч7в-1-Ч2бЭ31-ЬЬ-7 978192833166790000 OPEN ACCESS 9 781928 33166
Contents Foreword / vii Preface / x Acknowledgements / xv Explanatory notes / xvi PART ONE - ANALYSIS OF COMPOSITIONS / 1 Chapter 1 - Cycles / 3 ‘Cycle’ (Celebration) /10 ‘Melancholy in Cologne’ {Star Seeding) /13 Aja’ (.Beauty ofSunrise) / 15 ‘Angola’ {Celebration) / 19 Chapter 2 - Lineage / 23 ‘Monk the Priest’ {Home at Last) / 23 ‘Through the Years’ {Timelessness) / 28 ‘The Messenger’ {Celebration) / 32 ‘Supreme Love’ {Celebration) / 34 ‘Woody’s Tune’ {Beauty ofSunrise) / 37 ‘Monk’s Move’ {Beauty of Sunrise) / 46 ‘Nearer Awakening’ {Beauty ofSunrise) / 47 ‘LA Soul Train Blues’ (Star Seeding) / 51 ‘The Age of Inner Knowing’ (Celebration) / 53 Chapter 3 - Roots / 59 ‘Closer to the Source’ {Celebration) / 60 ‘Monwabisi’ {Home at Last) / 66 ‘Mbizo’ {Home at Last) / 70 ‘Nants’ Inkululeko’ {Home at Last) / 71 ‘Home at Last’ {Home at Last) / 73 111
THE ARTISTRY OF BHEKI MSELEKU Chapter 4 - Blueprints / 76 ‘Mamelodi’ (Home at Last) / 76 ‘Adored Value’ (Beauty ofSunrise) / 81 ‘Timelessness’ (Timelessness) / 82 ‘Blues for Afrika’ (Celebration) / 86 Chapter 5 - Aesthetic / 88 One for All, All for One’ (Celebration) / 93 PART TWO ֊ IMPROVISATION / 97 Chapter 6 - Considerations for analysis / 98 The pianist / 99 Stride / 99 Bud Powell voicings / 102 Rootless voicings /104 Modal voicings /106 Construction of the improvised line / 108 Symmetrical scales /114 Scale rendering /117 Bebop phrasing /118 Repetition and common property phrases (licks) /119 Alternate harmony as source for improvisation /122 Chapter 7 - Solo transcriptions / 124 Solo on Adored Value’ (Beauty ofSunrise) /124 Solo on Aja’ (Beauty ofSunrise) I 129 Solo on ‘Angola’ (Celebration) f 133 Solo on ‘Blues for Afrika’ (Celebration) / 140 Solo on ‘Home at Last’ (Home at Last) / 146 Solo on ‘Mamelodi’ (Home at Last) / 150 Solo on ‘Melancholy in Cologne’ (Star Seeding) / 156 Solo on ‘Through the Years’ (Timelessness) / 165 Solo on ‘Timelessness’ (Timelessness) / 170 IV
Contents Appendix А / 177 The South Bank Show with Melvyn Bragg (Ep. Bheki Mseleku, 1992) Appendix В / 187 Transcriptions of compositions / 187 ‘Adored Value’ /188 Aja / 190 ‘Angola’ /192 ‘Blues for Afrika’ / 195 ‘Closer to the Source’ / 197 ‘Cycle’ / 203 ‘Home at Last’ / 205 ‘LA Soul Train Blues’ / 207 ‘Mamelodi’ / 208 ‘Mbizo’ / 210 ‘Melancholy in Cologne’ /211 ‘Monk the Priest’ /212 ‘Monk’s Move’ /217 ‘Monwabisi’ / 219 ‘Nants’ Inkululeko’ / 221 ‘Nearer Awakening’ / 224 One for All, All for One’ / 226 ‘Supreme Love’ (Dedicated to John Coltrane) / 229 ‘The Age of Inner Knowing’ / 230 ‘The Messenger’ (Dedicated to Bud Powell) / 232 ‘Through the Years’ (Lyrics: Abbey Lincoln) / 237 ‘Timelessness’ / 240 ‘Woody’s Tune’ / 242 References / 246
Despite being entirely self-taught, Mseleku was the most technically sophisticated of jazz musicians, though the abiding experience of hearing him play was one of an unjazzlike simplicity. - John Fordham, The Guardian Bheki Mseleku is widely regarded as one of the most gifted, technically accomplished and emotionally expressive jazz musicians to have emerged from South Africa. His individualistic and eclectic sound draws on American, classical and township influences. He had no apparent formal music training and grew up in a poor village on the outskirts of Durban where, at the fairly late age of seventeen, he discovered that he had an innate ability to play. He has become a key inspiration for aspiring young South African jazz musicians and has left an infinite source of knowledge to draw on. The Artistry of Bheki Mseleku is an in-depth study of the Mseleku’s compositional works and improvisational style. The annotated transcriptions and analysis bring into focus the exquisite skill and artistry that ultimately caught the eye of some of the most celebrated international jazz musicians in the world. Andrew Lilley is an associate professor the at the University of Cape Town, and assistant director of the South African College of Music where he lectures in jazz piano, theory and improvisation. He is a graduate of Berklee College of Music in Boston where he studied with the celebrated hard bop pianist and composer Donald Brown, and with Enja recording artist Bruce Barth. He holds degrees from the University of Cape Town. He is a well-respected member of the South African
musical fraternity and appears on numerous recordings with local and international artists. ISBN Ч7в-1-Ч2бЭ31-ЬЬ-7 978192833166790000 OPEN ACCESS 9 781928 33166 |
| adam_txt |
Contents Foreword / vii Preface / x Acknowledgements / xv Explanatory notes / xvi PART ONE - ANALYSIS OF COMPOSITIONS / 1 Chapter 1 - Cycles / 3 ‘Cycle’ (Celebration) /10 ‘Melancholy in Cologne’ {Star Seeding) /13 Aja’ (.Beauty ofSunrise) / 15 ‘Angola’ {Celebration) / 19 Chapter 2 - Lineage / 23 ‘Monk the Priest’ {Home at Last) / 23 ‘Through the Years’ {Timelessness) / 28 ‘The Messenger’ {Celebration) / 32 ‘Supreme Love’ {Celebration) / 34 ‘Woody’s Tune’ {Beauty ofSunrise) / 37 ‘Monk’s Move’ {Beauty of Sunrise) / 46 ‘Nearer Awakening’ {Beauty ofSunrise) / 47 ‘LA Soul Train Blues’ (Star Seeding) / 51 ‘The Age of Inner Knowing’ (Celebration) / 53 Chapter 3 - Roots / 59 ‘Closer to the Source’ {Celebration) / 60 ‘Monwabisi’ {Home at Last) / 66 ‘Mbizo’ {Home at Last) / 70 ‘Nants’ Inkululeko’ {Home at Last) / 71 ‘Home at Last’ {Home at Last) / 73 111
THE ARTISTRY OF BHEKI MSELEKU Chapter 4 - Blueprints / 76 ‘Mamelodi’ (Home at Last) / 76 ‘Adored Value’ (Beauty ofSunrise) / 81 ‘Timelessness’ (Timelessness) / 82 ‘Blues for Afrika’ (Celebration) / 86 Chapter 5 - Aesthetic / 88 One for All, All for One’ (Celebration) / 93 PART TWO ֊ IMPROVISATION / 97 Chapter 6 - Considerations for analysis / 98 The pianist / 99 Stride / 99 Bud Powell voicings / 102 Rootless voicings /104 Modal voicings /106 Construction of the improvised line / 108 Symmetrical scales /114 Scale rendering /117 Bebop phrasing /118 Repetition and common property phrases (licks) /119 Alternate harmony as source for improvisation /122 Chapter 7 - Solo transcriptions / 124 Solo on Adored Value’ (Beauty ofSunrise) /124 Solo on Aja’ (Beauty ofSunrise) I 129 Solo on ‘Angola’ (Celebration) f 133 Solo on ‘Blues for Afrika’ (Celebration) / 140 Solo on ‘Home at Last’ (Home at Last) / 146 Solo on ‘Mamelodi’ (Home at Last) / 150 Solo on ‘Melancholy in Cologne’ (Star Seeding) / 156 Solo on ‘Through the Years’ (Timelessness) / 165 Solo on ‘Timelessness’ (Timelessness) / 170 IV
Contents Appendix А / 177 The South Bank Show with Melvyn Bragg (Ep. Bheki Mseleku, 1992) Appendix В / 187 Transcriptions of compositions / 187 ‘Adored Value’ /188 Aja / 190 ‘Angola’ /192 ‘Blues for Afrika’ / 195 ‘Closer to the Source’ / 197 ‘Cycle’ / 203 ‘Home at Last’ / 205 ‘LA Soul Train Blues’ / 207 ‘Mamelodi’ / 208 ‘Mbizo’ / 210 ‘Melancholy in Cologne’ /211 ‘Monk the Priest’ /212 ‘Monk’s Move’ /217 ‘Monwabisi’ / 219 ‘Nants’ Inkululeko’ / 221 ‘Nearer Awakening’ / 224 One for All, All for One’ / 226 ‘Supreme Love’ (Dedicated to John Coltrane) / 229 ‘The Age of Inner Knowing’ / 230 ‘The Messenger’ (Dedicated to Bud Powell) / 232 ‘Through the Years’ (Lyrics: Abbey Lincoln) / 237 ‘Timelessness’ / 240 ‘Woody’s Tune’ / 242 References / 246
Despite being entirely self-taught, Mseleku was the most technically sophisticated of jazz musicians, though the abiding experience of hearing him play was one of an unjazzlike simplicity. - John Fordham, The Guardian Bheki Mseleku is widely regarded as one of the most gifted, technically accomplished and emotionally expressive jazz musicians to have emerged from South Africa. His individualistic and eclectic sound draws on American, classical and township influences. He had no apparent formal music training and grew up in a poor village on the outskirts of Durban where, at the fairly late age of seventeen, he discovered that he had an innate ability to play. He has become a key inspiration for aspiring young South African jazz musicians and has left an infinite source of knowledge to draw on. The Artistry of Bheki Mseleku is an in-depth study of the Mseleku’s compositional works and improvisational style. The annotated transcriptions and analysis bring into focus the exquisite skill and artistry that ultimately caught the eye of some of the most celebrated international jazz musicians in the world. Andrew Lilley is an associate professor the at the University of Cape Town, and assistant director of the South African College of Music where he lectures in jazz piano, theory and improvisation. He is a graduate of Berklee College of Music in Boston where he studied with the celebrated hard bop pianist and composer Donald Brown, and with Enja recording artist Bruce Barth. He holds degrees from the University of Cape Town. He is a well-respected member of the South African
musical fraternity and appears on numerous recordings with local and international artists. ISBN Ч7в-1-Ч2бЭ31-ЬЬ-7 978192833166790000 OPEN ACCESS 9 781928 33166
Contents Foreword / vii Preface / x Acknowledgements / xv Explanatory notes / xvi PART ONE - ANALYSIS OF COMPOSITIONS / 1 Chapter 1 - Cycles / 3 ‘Cycle’ (Celebration) /10 ‘Melancholy in Cologne’ {Star Seeding) /13 Aja’ (.Beauty ofSunrise) / 15 ‘Angola’ {Celebration) / 19 Chapter 2 - Lineage / 23 ‘Monk the Priest’ {Home at Last) / 23 ‘Through the Years’ {Timelessness) / 28 ‘The Messenger’ {Celebration) / 32 ‘Supreme Love’ {Celebration) / 34 ‘Woody’s Tune’ {Beauty ofSunrise) / 37 ‘Monk’s Move’ {Beauty of Sunrise) / 46 ‘Nearer Awakening’ {Beauty ofSunrise) / 47 ‘LA Soul Train Blues’ (Star Seeding) / 51 ‘The Age of Inner Knowing’ (Celebration) / 53 Chapter 3 - Roots / 59 ‘Closer to the Source’ {Celebration) / 60 ‘Monwabisi’ {Home at Last) / 66 ‘Mbizo’ {Home at Last) / 70 ‘Nants’ Inkululeko’ {Home at Last) / 71 ‘Home at Last’ {Home at Last) / 73 111
THE ARTISTRY OF BHEKI MSELEKU Chapter 4 - Blueprints / 76 ‘Mamelodi’ (Home at Last) / 76 ‘Adored Value’ (Beauty ofSunrise) / 81 ‘Timelessness’ (Timelessness) / 82 ‘Blues for Afrika’ (Celebration) / 86 Chapter 5 - Aesthetic / 88 One for All, All for One’ (Celebration) / 93 PART TWO ֊ IMPROVISATION / 97 Chapter 6 - Considerations for analysis / 98 The pianist / 99 Stride / 99 Bud Powell voicings / 102 Rootless voicings /104 Modal voicings /106 Construction of the improvised line / 108 Symmetrical scales /114 Scale rendering /117 Bebop phrasing /118 Repetition and common property phrases (licks) /119 Alternate harmony as source for improvisation /122 Chapter 7 - Solo transcriptions / 124 Solo on Adored Value’ (Beauty ofSunrise) /124 Solo on Aja’ (Beauty ofSunrise) I 129 Solo on ‘Angola’ (Celebration) f 133 Solo on ‘Blues for Afrika’ (Celebration) / 140 Solo on ‘Home at Last’ (Home at Last) / 146 Solo on ‘Mamelodi’ (Home at Last) / 150 Solo on ‘Melancholy in Cologne’ (Star Seeding) / 156 Solo on ‘Through the Years’ (Timelessness) / 165 Solo on ‘Timelessness’ (Timelessness) / 170 IV
Contents Appendix А / 177 The South Bank Show with Melvyn Bragg (Ep. Bheki Mseleku, 1992) Appendix В / 187 Transcriptions of compositions / 187 ‘Adored Value’ /188 Aja / 190 ‘Angola’ /192 ‘Blues for Afrika’ / 195 ‘Closer to the Source’ / 197 ‘Cycle’ / 203 ‘Home at Last’ / 205 ‘LA Soul Train Blues’ / 207 ‘Mamelodi’ / 208 ‘Mbizo’ / 210 ‘Melancholy in Cologne’ /211 ‘Monk the Priest’ /212 ‘Monk’s Move’ /217 ‘Monwabisi’ / 219 ‘Nants’ Inkululeko’ / 221 ‘Nearer Awakening’ / 224 One for All, All for One’ / 226 ‘Supreme Love’ (Dedicated to John Coltrane) / 229 ‘The Age of Inner Knowing’ / 230 ‘The Messenger’ (Dedicated to Bud Powell) / 232 ‘Through the Years’ (Lyrics: Abbey Lincoln) / 237 ‘Timelessness’ / 240 ‘Woody’s Tune’ / 242 References / 246
Despite being entirely self-taught, Mseleku was the most technically sophisticated of jazz musicians, though the abiding experience of hearing him play was one of an unjazzlike simplicity. - John Fordham, The Guardian Bheki Mseleku is widely regarded as one of the most gifted, technically accomplished and emotionally expressive jazz musicians to have emerged from South Africa. His individualistic and eclectic sound draws on American, classical and township influences. He had no apparent formal music training and grew up in a poor village on the outskirts of Durban where, at the fairly late age of seventeen, he discovered that he had an innate ability to play. He has become a key inspiration for aspiring young South African jazz musicians and has left an infinite source of knowledge to draw on. The Artistry of Bheki Mseleku is an in-depth study of the Mseleku’s compositional works and improvisational style. The annotated transcriptions and analysis bring into focus the exquisite skill and artistry that ultimately caught the eye of some of the most celebrated international jazz musicians in the world. Andrew Lilley is an associate professor the at the University of Cape Town, and assistant director of the South African College of Music where he lectures in jazz piano, theory and improvisation. He is a graduate of Berklee College of Music in Boston where he studied with the celebrated hard bop pianist and composer Donald Brown, and with Enja recording artist Bruce Barth. He holds degrees from the University of Cape Town. He is a well-respected member of the South African
musical fraternity and appears on numerous recordings with local and international artists. ISBN Ч7в-1-Ч2бЭ31-ЬЬ-7 978192833166790000 OPEN ACCESS 9 781928 33166 |
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| id | DE-604.BV047024844 |
| illustrated | Illustrated |
| index_date | 2024-07-03T16:00:33Z |
| indexdate | 2025-01-23T23:01:27Z |
| institution | BVB |
| isbn | 9781928331667 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032432239 |
| oclc_num | 1227481349 |
| open_access_boolean | 1 |
| owner | DE-12 DE-210 DE-521 DE-1102 DE-1046 DE-1028 DE-1050 DE-573 DE-M347 DE-92 DE-1051 DE-898 DE-BY-UBR DE-859 DE-860 DE-1049 DE-861 DE-863 DE-BY-FWS DE-862 DE-BY-FWS DE-Re13 DE-BY-UBR DE-Y3 DE-255 DE-Y7 DE-Y2 DE-70 DE-2174 DE-127 DE-22 DE-BY-UBG DE-155 DE-BY-UBR DE-91 DE-BY-TUM DE-384 DE-473 DE-BY-UBG DE-19 DE-BY-UBM DE-355 DE-BY-UBR DE-703 DE-20 DE-706 DE-824 DE-29 DE-739 |
| owner_facet | DE-12 DE-210 DE-521 DE-1102 DE-1046 DE-1028 DE-1050 DE-573 DE-M347 DE-92 DE-1051 DE-898 DE-BY-UBR DE-859 DE-860 DE-1049 DE-861 DE-863 DE-BY-FWS DE-862 DE-BY-FWS DE-Re13 DE-BY-UBR DE-Y3 DE-255 DE-Y7 DE-Y2 DE-70 DE-2174 DE-127 DE-22 DE-BY-UBG DE-155 DE-BY-UBR DE-91 DE-BY-TUM DE-384 DE-473 DE-BY-UBG DE-19 DE-BY-UBM DE-355 DE-BY-UBR DE-703 DE-20 DE-706 DE-824 DE-29 DE-739 |
| physical | xxiii, 247 Seiten Notenbeispiele |
| psigel | ZDB-94-OAB ZDB-6-PMU |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | African Minds |
| record_format | marc |
| spelling | Lilley, Andrew Verfasser (DE-588)1219669652 aut The artistry of Bheki Mseleku Andrew Lilley The musical artistry of Bheki Mseleku Cape Town, South Africa African Minds 2020 xxiii, 247 Seiten Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Mseleku, Bheki 1955-2008 (DE-588)13486543X gnd rswk-swf Mseleku, Bheki 1955-2008 (DE-588)13486543X p DE-604 Erscheint auch als Online-Ausgabe 10.47622/9781928331667 978-1-928331-67-4 Erscheint auch als Online-Ausgabe, ePub 10.47622/9781928331667 978-1-928331-68-1 https://directory.doabooks.org/handle/20.500.12854/72607 Verlag kostenfrei Volltext https://muse.jhu.edu/book/78533 Aggregator kostenfrei Volltext https://directory.doabooks.org/handle/20.500.12854/54126 Verlag kostenfrei Volltext https://doi.org/10.47622/9781928331667 Resolving-System kostenfrei Volltext Digitalisierung UB Bayreuth - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032432239&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Bayreuth - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032432239&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext Digitalisierung UB Bayreuth - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032432239&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Bayreuth - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032432239&sequence=000007&line_number=0004&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Lilley, Andrew The artistry of Bheki Mseleku Mseleku, Bheki 1955-2008 (DE-588)13486543X gnd |
| subject_GND | (DE-588)13486543X |
| title | The artistry of Bheki Mseleku |
| title_alt | The musical artistry of Bheki Mseleku |
| title_auth | The artistry of Bheki Mseleku |
| title_exact_search | The artistry of Bheki Mseleku |
| title_exact_search_txtP | The artistry of Bheki Mseleku |
| title_full | The artistry of Bheki Mseleku Andrew Lilley |
| title_fullStr | The artistry of Bheki Mseleku Andrew Lilley |
| title_full_unstemmed | The artistry of Bheki Mseleku Andrew Lilley |
| title_short | The artistry of Bheki Mseleku |
| title_sort | the artistry of bheki mseleku |
| topic | Mseleku, Bheki 1955-2008 (DE-588)13486543X gnd |
| topic_facet | Mseleku, Bheki 1955-2008 |
| url | https://directory.doabooks.org/handle/20.500.12854/72607 https://muse.jhu.edu/book/78533 https://directory.doabooks.org/handle/20.500.12854/54126 https://doi.org/10.47622/9781928331667 http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032432239&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032432239&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032432239&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032432239&sequence=000007&line_number=0004&func_code=DB_RECORDS&service_type=MEDIA |
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