The Paris Fine Art Salon/Le Salon, 1791-1881:
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | Undetermined |
| Veröffentlicht: |
Bern
Peter Lang AG, Internationaler Verlag der Wissenschaften
2015
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| Ausgabe: | 1st, New ed |
| Schlagworte: | |
| Online-Zugang: | UER01 BSB01 Volltext |
| Beschreibung: | Online resource; title from title screen (viewed June 27, 2019) |
| Beschreibung: | 1 Online-Ressource (525 Seiten) |
| ISBN: | 9783035307313 |
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| 505 | 8 | |a Following on from « Ce Salon à quoi tout se ramène »: Le Salon de peinture et de sculpture, 1791-1890, published in 2010 as an earlier volume in this series, this volume contains a selection of the papers given at the first major international conference to be held on the post-1789 Paris Fine Art Salon. Hosted by the University of Exeter in September 2013, the conference had its origins in the research project entitled Painting for the Salon? The French State, Artists and Academy, 1830-1852, funded in 2010-2012 by the UK's Arts and Humanities Research Council, and its purpose was to situate findings of this research within the wider framework of the Salon's nineteenth-century history. In this collection of twenty-three papers, fourteen in English, nine in French, established and new scholars of French art history examine the national and international artistic, political and cultural dimensions of the most important regular exhibition of contemporary art in the nineteenth-century world | |
| 505 | 8 | |a «Colloquium proceedings sometimes do not amount to much. This particular collective volume, however, represents a major contribution to scholarship.» (Robert Lethbridge, Journal of European Studies 45(4) 2015) | |
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Datensatz im Suchindex
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| contents | Following on from « Ce Salon à quoi tout se ramène »: Le Salon de peinture et de sculpture, 1791-1890, published in 2010 as an earlier volume in this series, this volume contains a selection of the papers given at the first major international conference to be held on the post-1789 Paris Fine Art Salon. Hosted by the University of Exeter in September 2013, the conference had its origins in the research project entitled Painting for the Salon? The French State, Artists and Academy, 1830-1852, funded in 2010-2012 by the UK's Arts and Humanities Research Council, and its purpose was to situate findings of this research within the wider framework of the Salon's nineteenth-century history. In this collection of twenty-three papers, fourteen in English, nine in French, established and new scholars of French art history examine the national and international artistic, political and cultural dimensions of the most important regular exhibition of contemporary art in the nineteenth-century world «Colloquium proceedings sometimes do not amount to much. This particular collective volume, however, represents a major contribution to scholarship.» (Robert Lethbridge, Journal of European Studies 45(4) 2015) |
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| discipline | Kunstgeschichte Romanistik |
| discipline_str_mv | Kunstgeschichte Romanistik |
| edition | 1st, New ed |
| era | Geschichte 1791-1881 gnd |
| era_facet | Geschichte 1791-1881 |
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| spelling | The Paris Fine Art Salon/Le Salon, 1791-1881 James Kearns, Alister Mill 1st, New ed Bern Peter Lang AG, Internationaler Verlag der Wissenschaften 2015 1 Online-Ressource (525 Seiten) txt rdacontent c rdamedia cr rdacarrier Online resource; title from title screen (viewed June 27, 2019) Following on from « Ce Salon à quoi tout se ramène »: Le Salon de peinture et de sculpture, 1791-1890, published in 2010 as an earlier volume in this series, this volume contains a selection of the papers given at the first major international conference to be held on the post-1789 Paris Fine Art Salon. Hosted by the University of Exeter in September 2013, the conference had its origins in the research project entitled Painting for the Salon? The French State, Artists and Academy, 1830-1852, funded in 2010-2012 by the UK's Arts and Humanities Research Council, and its purpose was to situate findings of this research within the wider framework of the Salon's nineteenth-century history. In this collection of twenty-three papers, fourteen in English, nine in French, established and new scholars of French art history examine the national and international artistic, political and cultural dimensions of the most important regular exhibition of contemporary art in the nineteenth-century world «Colloquium proceedings sometimes do not amount to much. This particular collective volume, however, represents a major contribution to scholarship.» (Robert Lethbridge, Journal of European Studies 45(4) 2015) Salon Paris (DE-588)4297891-9 gnd rswk-swf Geschichte 1791-1881 gnd rswk-swf (DE-588)1071861417 Konferenzschrift gnd-content Salon Paris (DE-588)4297891-9 f Geschichte 1791-1881 z DE-604 Kearns, James edt Mill, Alister edt Erscheint auch als Druck-Ausgabe 9783034317788 Erscheint auch als Druck-Ausgabe 9783035398168 Erscheint auch als Druck-Ausgabe 9783035398175 https://www.peterlang.com/view/product/46807?format=EPDF Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | The Paris Fine Art Salon/Le Salon, 1791-1881 Following on from « Ce Salon à quoi tout se ramène »: Le Salon de peinture et de sculpture, 1791-1890, published in 2010 as an earlier volume in this series, this volume contains a selection of the papers given at the first major international conference to be held on the post-1789 Paris Fine Art Salon. Hosted by the University of Exeter in September 2013, the conference had its origins in the research project entitled Painting for the Salon? The French State, Artists and Academy, 1830-1852, funded in 2010-2012 by the UK's Arts and Humanities Research Council, and its purpose was to situate findings of this research within the wider framework of the Salon's nineteenth-century history. In this collection of twenty-three papers, fourteen in English, nine in French, established and new scholars of French art history examine the national and international artistic, political and cultural dimensions of the most important regular exhibition of contemporary art in the nineteenth-century world «Colloquium proceedings sometimes do not amount to much. This particular collective volume, however, represents a major contribution to scholarship.» (Robert Lethbridge, Journal of European Studies 45(4) 2015) Salon Paris (DE-588)4297891-9 gnd |
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| title | The Paris Fine Art Salon/Le Salon, 1791-1881 |
| title_auth | The Paris Fine Art Salon/Le Salon, 1791-1881 |
| title_exact_search | The Paris Fine Art Salon/Le Salon, 1791-1881 |
| title_exact_search_txtP | The Paris Fine Art Salon/Le Salon, 1791-1881 |
| title_full | The Paris Fine Art Salon/Le Salon, 1791-1881 James Kearns, Alister Mill |
| title_fullStr | The Paris Fine Art Salon/Le Salon, 1791-1881 James Kearns, Alister Mill |
| title_full_unstemmed | The Paris Fine Art Salon/Le Salon, 1791-1881 James Kearns, Alister Mill |
| title_short | The Paris Fine Art Salon/Le Salon, 1791-1881 |
| title_sort | the paris fine art salon le salon 1791 1881 |
| topic | Salon Paris (DE-588)4297891-9 gnd |
| topic_facet | Salon Paris Konferenzschrift |
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