Cruel Britannia: Sarah Kane's postmodern traumatics
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Bern
Peter Lang AG, Internationaler Verlag der Wissenschaften
2014
|
| Ausgabe: | 1st, New ed |
| Schlagworte: | |
| Online-Zugang: | UER01 BSB01 Volltext |
| Beschreibung: | Online resource; title from title screen (viewed June 27, 2019) |
| Beschreibung: | 1 Online-Ressource (234 Seiten) |
| ISBN: | 9783035107760 |
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| 505 | 8 | |a Cruel Britannia: Sarah Kane's Postmodern Traumatics examines four plays by British playwright Sarah Kane (1971-1999), all written between 1995 and 1999 within the context of the «Cool Britannia», or «In-Yer-Face» London theatre movement of the 1990s. Kane's plays were notorious for their shocking productions and challenging and offensive subject matter. This book analyzes her plays as products of a long history of theatrical convention and experimentation, rather than trend. I read Kane's plays through an optic of trauma theory, and link the trauma to postmodern experience as defined by war, inter-personal violence, repetitive memory, and sex as medium of violence. Kane's plays' unrelenting violence and graphic depictions of violent sex suggest a relationship with theories and practices such as Artaud's theatre of cruelty, and Kroker and Cook's theory of the postmodern as sign of excremental culture and an inherently abject state of being. Through a play by play analysis I conclude that Kane's work suggests that violence and trauma are endemic to postmodern life, and are ultimately apocalyptic due to their culmination in Kane's final play, the suicide text of 4.48 Psychosis | |
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Datensatz im Suchindex
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| author | Armstrong, Jolene |
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| contents | Cruel Britannia: Sarah Kane's Postmodern Traumatics examines four plays by British playwright Sarah Kane (1971-1999), all written between 1995 and 1999 within the context of the «Cool Britannia», or «In-Yer-Face» London theatre movement of the 1990s. Kane's plays were notorious for their shocking productions and challenging and offensive subject matter. This book analyzes her plays as products of a long history of theatrical convention and experimentation, rather than trend. I read Kane's plays through an optic of trauma theory, and link the trauma to postmodern experience as defined by war, inter-personal violence, repetitive memory, and sex as medium of violence. Kane's plays' unrelenting violence and graphic depictions of violent sex suggest a relationship with theories and practices such as Artaud's theatre of cruelty, and Kroker and Cook's theory of the postmodern as sign of excremental culture and an inherently abject state of being. Through a play by play analysis I conclude that Kane's work suggests that violence and trauma are endemic to postmodern life, and are ultimately apocalyptic due to their culmination in Kane's final play, the suicide text of 4.48 Psychosis |
| ctrlnum | (ZDB-114-LAC)9783035107760 (OCoLC)1224009955 (DE-599)BVBBV047020698 |
| discipline | Anglistik / Amerikanistik |
| discipline_str_mv | Anglistik / Amerikanistik |
| edition | 1st, New ed |
| format | Electronic eBook |
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| id | DE-604.BV047020698 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T15:59:05Z |
| indexdate | 2024-07-10T09:00:21Z |
| institution | BVB |
| isbn | 9783035107760 |
| language | English |
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| publishDate | 2014 |
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| publisher | Peter Lang AG, Internationaler Verlag der Wissenschaften |
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| spelling | Armstrong, Jolene Verfasser (DE-588)1053727216 aut Cruel Britannia Sarah Kane's postmodern traumatics Jolene Armstrong 1st, New ed Bern Peter Lang AG, Internationaler Verlag der Wissenschaften 2014 © 2015 1 Online-Ressource (234 Seiten) txt rdacontent c rdamedia cr rdacarrier Online resource; title from title screen (viewed June 27, 2019) Cruel Britannia: Sarah Kane's Postmodern Traumatics examines four plays by British playwright Sarah Kane (1971-1999), all written between 1995 and 1999 within the context of the «Cool Britannia», or «In-Yer-Face» London theatre movement of the 1990s. Kane's plays were notorious for their shocking productions and challenging and offensive subject matter. This book analyzes her plays as products of a long history of theatrical convention and experimentation, rather than trend. I read Kane's plays through an optic of trauma theory, and link the trauma to postmodern experience as defined by war, inter-personal violence, repetitive memory, and sex as medium of violence. Kane's plays' unrelenting violence and graphic depictions of violent sex suggest a relationship with theories and practices such as Artaud's theatre of cruelty, and Kroker and Cook's theory of the postmodern as sign of excremental culture and an inherently abject state of being. Through a play by play analysis I conclude that Kane's work suggests that violence and trauma are endemic to postmodern life, and are ultimately apocalyptic due to their culmination in Kane's final play, the suicide text of 4.48 Psychosis Kane, Sarah 1971-1999 (DE-588)121936422 gnd rswk-swf DRA000000 bisacsh Gewalt Motiv (DE-588)4113748-6 gnd rswk-swf Psychisches Trauma Motiv (DE-588)4578384-6 gnd rswk-swf Postmoderne (DE-588)4115604-3 gnd rswk-swf Kane, Sarah 1971-1999 (DE-588)121936422 p Gewalt Motiv (DE-588)4113748-6 s Psychisches Trauma Motiv (DE-588)4578384-6 s Postmoderne (DE-588)4115604-3 s DE-604 Erscheint auch als Druck-Ausgabe 9783034315654 Erscheint auch als Druck-Ausgabe 9783035195149 Erscheint auch als Druck-Ausgabe 9783035195156 https://www.peterlang.com/view/product/46405?format=EPDF Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Armstrong, Jolene Cruel Britannia Sarah Kane's postmodern traumatics Cruel Britannia: Sarah Kane's Postmodern Traumatics examines four plays by British playwright Sarah Kane (1971-1999), all written between 1995 and 1999 within the context of the «Cool Britannia», or «In-Yer-Face» London theatre movement of the 1990s. Kane's plays were notorious for their shocking productions and challenging and offensive subject matter. This book analyzes her plays as products of a long history of theatrical convention and experimentation, rather than trend. I read Kane's plays through an optic of trauma theory, and link the trauma to postmodern experience as defined by war, inter-personal violence, repetitive memory, and sex as medium of violence. Kane's plays' unrelenting violence and graphic depictions of violent sex suggest a relationship with theories and practices such as Artaud's theatre of cruelty, and Kroker and Cook's theory of the postmodern as sign of excremental culture and an inherently abject state of being. Through a play by play analysis I conclude that Kane's work suggests that violence and trauma are endemic to postmodern life, and are ultimately apocalyptic due to their culmination in Kane's final play, the suicide text of 4.48 Psychosis Kane, Sarah 1971-1999 (DE-588)121936422 gnd DRA000000 bisacsh Gewalt Motiv (DE-588)4113748-6 gnd Psychisches Trauma Motiv (DE-588)4578384-6 gnd Postmoderne (DE-588)4115604-3 gnd |
| subject_GND | (DE-588)121936422 (DE-588)4113748-6 (DE-588)4578384-6 (DE-588)4115604-3 |
| title | Cruel Britannia Sarah Kane's postmodern traumatics |
| title_auth | Cruel Britannia Sarah Kane's postmodern traumatics |
| title_exact_search | Cruel Britannia Sarah Kane's postmodern traumatics |
| title_exact_search_txtP | Cruel Britannia Sarah Kane's postmodern traumatics |
| title_full | Cruel Britannia Sarah Kane's postmodern traumatics Jolene Armstrong |
| title_fullStr | Cruel Britannia Sarah Kane's postmodern traumatics Jolene Armstrong |
| title_full_unstemmed | Cruel Britannia Sarah Kane's postmodern traumatics Jolene Armstrong |
| title_short | Cruel Britannia |
| title_sort | cruel britannia sarah kane s postmodern traumatics |
| title_sub | Sarah Kane's postmodern traumatics |
| topic | Kane, Sarah 1971-1999 (DE-588)121936422 gnd DRA000000 bisacsh Gewalt Motiv (DE-588)4113748-6 gnd Psychisches Trauma Motiv (DE-588)4578384-6 gnd Postmoderne (DE-588)4115604-3 gnd |
| topic_facet | Kane, Sarah 1971-1999 DRA000000 Gewalt Motiv Psychisches Trauma Motiv Postmoderne |
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