Silence Nowhen: Late Modernism, Minimalism, and Silence in the Work of Samuel Beckett
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York
Peter Lang Inc., International Academic Publishers
2013
|
| Ausgabe: | 1st, New ed |
| Schlagworte: | |
| Online-Zugang: | UER01 BSB01 Volltext |
| Beschreibung: | Online resource; title from title screen (viewed June 27, 2019) |
| Beschreibung: | 1 Online-Ressource (260 Seiten) |
| ISBN: | 9781453911020 |
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| 505 | 8 | |a The dramatic and prose works of Samuel Beckett have long been understood as central to twentieth-century literature and particularly to questions about aesthetics, ethics, and the modernism-postmodernism distinction. Duncan McColl Chesney addresses many of the main issues in Beckett criticism by focusing on a key aspect of Beckett's work throughout his long career: silence. Chesney links Beckett's language and silence back to his predecessors, especially Joyce and Proust - laterally to contemporary movements of minimalism in the sister arts and theoretically in in-depth discussions of Blanchot and Adorno. By doing so, Chesney addresses how Beckett's works remain true, to the end, to a minimalist impulse that is essentially modernist or late modernist without giving over to the rising dominant of postmodernism. Chesney delineates a sigetics - a discourse of silence whose main strategies in Beckett are reticence and ellipsis - and through studies of Godot, Endgame, Krapp's Last Tape, Happy Days, the Trilogy, Company, and other works, teases out of Beckett's minimal aesthetics a Beckettian minimal ethics. In brief glimmers in his texts Beckett provides proleptic hints at reconciliation and the possibility of ethical life that are neither theological nor mystical, but that minimally hold to an alternate rationality from that of the reified world of exchange and catastrophe | |
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Datensatz im Suchindex
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| author | Chesney, Duncan McColl |
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| contents | The dramatic and prose works of Samuel Beckett have long been understood as central to twentieth-century literature and particularly to questions about aesthetics, ethics, and the modernism-postmodernism distinction. Duncan McColl Chesney addresses many of the main issues in Beckett criticism by focusing on a key aspect of Beckett's work throughout his long career: silence. Chesney links Beckett's language and silence back to his predecessors, especially Joyce and Proust - laterally to contemporary movements of minimalism in the sister arts and theoretically in in-depth discussions of Blanchot and Adorno. By doing so, Chesney addresses how Beckett's works remain true, to the end, to a minimalist impulse that is essentially modernist or late modernist without giving over to the rising dominant of postmodernism. Chesney delineates a sigetics - a discourse of silence whose main strategies in Beckett are reticence and ellipsis - and through studies of Godot, Endgame, Krapp's Last Tape, Happy Days, the Trilogy, Company, and other works, teases out of Beckett's minimal aesthetics a Beckettian minimal ethics. In brief glimmers in his texts Beckett provides proleptic hints at reconciliation and the possibility of ethical life that are neither theological nor mystical, but that minimally hold to an alternate rationality from that of the reified world of exchange and catastrophe |
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| discipline | Romanistik |
| discipline_str_mv | Romanistik |
| edition | 1st, New ed |
| format | Electronic eBook |
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| illustrated | Not Illustrated |
| index_date | 2024-07-03T15:59:05Z |
| indexdate | 2024-07-10T09:00:20Z |
| institution | BVB |
| isbn | 9781453911020 |
| language | English |
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| publishDate | 2013 |
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| publisher | Peter Lang Inc., International Academic Publishers |
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| spelling | Chesney, Duncan McColl Verfasser aut Silence Nowhen Late Modernism, Minimalism, and Silence in the Work of Samuel Beckett Duncan McColl Chesney 1st, New ed New York Peter Lang Inc., International Academic Publishers 2013 1 Online-Ressource (260 Seiten) txt rdacontent c rdamedia cr rdacarrier Online resource; title from title screen (viewed June 27, 2019) The dramatic and prose works of Samuel Beckett have long been understood as central to twentieth-century literature and particularly to questions about aesthetics, ethics, and the modernism-postmodernism distinction. Duncan McColl Chesney addresses many of the main issues in Beckett criticism by focusing on a key aspect of Beckett's work throughout his long career: silence. Chesney links Beckett's language and silence back to his predecessors, especially Joyce and Proust - laterally to contemporary movements of minimalism in the sister arts and theoretically in in-depth discussions of Blanchot and Adorno. By doing so, Chesney addresses how Beckett's works remain true, to the end, to a minimalist impulse that is essentially modernist or late modernist without giving over to the rising dominant of postmodernism. Chesney delineates a sigetics - a discourse of silence whose main strategies in Beckett are reticence and ellipsis - and through studies of Godot, Endgame, Krapp's Last Tape, Happy Days, the Trilogy, Company, and other works, teases out of Beckett's minimal aesthetics a Beckettian minimal ethics. In brief glimmers in his texts Beckett provides proleptic hints at reconciliation and the possibility of ethical life that are neither theological nor mystical, but that minimally hold to an alternate rationality from that of the reified world of exchange and catastrophe Beckett, Samuel 1906-1989 (DE-588)118508172 gnd rswk-swf Minimalismus Literatur (DE-588)4573460-4 gnd rswk-swf Stille Motiv (DE-588)4369129-8 gnd rswk-swf Moderne (DE-588)4039827-4 gnd rswk-swf Schweigen Motiv (DE-588)4180446-6 gnd rswk-swf Beckett, Samuel 1906-1989 (DE-588)118508172 p Stille Motiv (DE-588)4369129-8 s Schweigen Motiv (DE-588)4180446-6 s Minimalismus Literatur (DE-588)4573460-4 s Moderne (DE-588)4039827-4 s DE-604 Erscheint auch als Druck-Ausgabe 9781433122477 https://www.peterlang.com/view/product/30330?format=EPDF Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Chesney, Duncan McColl Silence Nowhen Late Modernism, Minimalism, and Silence in the Work of Samuel Beckett The dramatic and prose works of Samuel Beckett have long been understood as central to twentieth-century literature and particularly to questions about aesthetics, ethics, and the modernism-postmodernism distinction. Duncan McColl Chesney addresses many of the main issues in Beckett criticism by focusing on a key aspect of Beckett's work throughout his long career: silence. Chesney links Beckett's language and silence back to his predecessors, especially Joyce and Proust - laterally to contemporary movements of minimalism in the sister arts and theoretically in in-depth discussions of Blanchot and Adorno. By doing so, Chesney addresses how Beckett's works remain true, to the end, to a minimalist impulse that is essentially modernist or late modernist without giving over to the rising dominant of postmodernism. Chesney delineates a sigetics - a discourse of silence whose main strategies in Beckett are reticence and ellipsis - and through studies of Godot, Endgame, Krapp's Last Tape, Happy Days, the Trilogy, Company, and other works, teases out of Beckett's minimal aesthetics a Beckettian minimal ethics. In brief glimmers in his texts Beckett provides proleptic hints at reconciliation and the possibility of ethical life that are neither theological nor mystical, but that minimally hold to an alternate rationality from that of the reified world of exchange and catastrophe Beckett, Samuel 1906-1989 (DE-588)118508172 gnd Minimalismus Literatur (DE-588)4573460-4 gnd Stille Motiv (DE-588)4369129-8 gnd Moderne (DE-588)4039827-4 gnd Schweigen Motiv (DE-588)4180446-6 gnd |
| subject_GND | (DE-588)118508172 (DE-588)4573460-4 (DE-588)4369129-8 (DE-588)4039827-4 (DE-588)4180446-6 |
| title | Silence Nowhen Late Modernism, Minimalism, and Silence in the Work of Samuel Beckett |
| title_auth | Silence Nowhen Late Modernism, Minimalism, and Silence in the Work of Samuel Beckett |
| title_exact_search | Silence Nowhen Late Modernism, Minimalism, and Silence in the Work of Samuel Beckett |
| title_exact_search_txtP | Silence Nowhen Late Modernism, Minimalism, and Silence in the Work of Samuel Beckett |
| title_full | Silence Nowhen Late Modernism, Minimalism, and Silence in the Work of Samuel Beckett Duncan McColl Chesney |
| title_fullStr | Silence Nowhen Late Modernism, Minimalism, and Silence in the Work of Samuel Beckett Duncan McColl Chesney |
| title_full_unstemmed | Silence Nowhen Late Modernism, Minimalism, and Silence in the Work of Samuel Beckett Duncan McColl Chesney |
| title_short | Silence Nowhen |
| title_sort | silence nowhen late modernism minimalism and silence in the work of samuel beckett |
| title_sub | Late Modernism, Minimalism, and Silence in the Work of Samuel Beckett |
| topic | Beckett, Samuel 1906-1989 (DE-588)118508172 gnd Minimalismus Literatur (DE-588)4573460-4 gnd Stille Motiv (DE-588)4369129-8 gnd Moderne (DE-588)4039827-4 gnd Schweigen Motiv (DE-588)4180446-6 gnd |
| topic_facet | Beckett, Samuel 1906-1989 Minimalismus Literatur Stille Motiv Moderne Schweigen Motiv |
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