The Construction of European Holocaust Memory: German and Polish Cinema after 1989:
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Frankfurt a.M.
Peter Lang GmbH, Internationaler Verlag der Wissenschaften
2013
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Ausgabe: | 1st, New ed |
Schlagworte: | |
Online-Zugang: | UER01 BSB01 URL des Erstveröffentlichers |
Beschreibung: | Online resource; title from title screen (viewed June 27, 2019) |
Beschreibung: | 1 Online-Ressource (192 Seiten) |
ISBN: | 9783653038132 |
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505 | 8 | |a Is a common European Holocaust memory possible? The author approaches this question by analyzing Polish and German cinema after 1989, and the public debates on the past that have surrounded the filmic narratives. Of all media, cinema has exerted the broadest impact in the formation of collective memory regarding the Holocaust. Despite the distance in time, and especially since the fall of communism, this traumatic chapter in European history has come into ever sharper focus. Film makers have refracted evolving public awareness and in turn projected the dramas and images that inculcate mass opinion. This work examines these dynamic trends with regard to selected Polish and German feature films. The author shows how cinema opened hitherto taboo aspects to discussion. She reveals both a deep divide between the two countries, as well as significant similar trends in the memory of events | |
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author | Pakier, Malgorzata |
author_facet | Pakier, Malgorzata |
author_role | aut |
author_sort | Pakier, Malgorzata |
author_variant | m p mp |
building | Verbundindex |
bvnumber | BV047019809 |
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collection | ZDB-114-LAC |
contents | Is a common European Holocaust memory possible? The author approaches this question by analyzing Polish and German cinema after 1989, and the public debates on the past that have surrounded the filmic narratives. Of all media, cinema has exerted the broadest impact in the formation of collective memory regarding the Holocaust. Despite the distance in time, and especially since the fall of communism, this traumatic chapter in European history has come into ever sharper focus. Film makers have refracted evolving public awareness and in turn projected the dramas and images that inculcate mass opinion. This work examines these dynamic trends with regard to selected Polish and German feature films. The author shows how cinema opened hitherto taboo aspects to discussion. She reveals both a deep divide between the two countries, as well as significant similar trends in the memory of events |
ctrlnum | (ZDB-114-LAC)9783653038132 (OCoLC)1224011578 (DE-599)BVBBV047019809 |
discipline | Allgemeines Slavistik |
discipline_str_mv | Allgemeines Slavistik |
edition | 1st, New ed |
era | Geschichte 1990-2000 gnd |
era_facet | Geschichte 1990-2000 |
format | Electronic eBook |
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geographic_facet | Polen Deutschland |
id | DE-604.BV047019809 |
illustrated | Not Illustrated |
index_date | 2024-07-03T15:59:04Z |
indexdate | 2024-07-10T09:00:19Z |
institution | BVB |
isbn | 9783653038132 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032427292 |
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publishDate | 2013 |
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publisher | Peter Lang GmbH, Internationaler Verlag der Wissenschaften |
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spelling | Pakier, Malgorzata Verfasser aut The Construction of European Holocaust Memory: German and Polish Cinema after 1989 Malgorzata Pakier 1st, New ed Frankfurt a.M. Peter Lang GmbH, Internationaler Verlag der Wissenschaften 2013 1 Online-Ressource (192 Seiten) txt rdacontent c rdamedia cr rdacarrier Online resource; title from title screen (viewed June 27, 2019) Is a common European Holocaust memory possible? The author approaches this question by analyzing Polish and German cinema after 1989, and the public debates on the past that have surrounded the filmic narratives. Of all media, cinema has exerted the broadest impact in the formation of collective memory regarding the Holocaust. Despite the distance in time, and especially since the fall of communism, this traumatic chapter in European history has come into ever sharper focus. Film makers have refracted evolving public awareness and in turn projected the dramas and images that inculcate mass opinion. This work examines these dynamic trends with regard to selected Polish and German feature films. The author shows how cinema opened hitherto taboo aspects to discussion. She reveals both a deep divide between the two countries, as well as significant similar trends in the memory of events Geschichte 1990-2000 gnd rswk-swf Nationalsozialismus Motiv (DE-588)4115345-5 gnd rswk-swf Judenverfolgung Motiv (DE-588)4136040-0 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Polen (DE-588)4046496-9 gnd rswk-swf Deutschland (DE-588)4011882-4 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content (DE-588)1071861417 Konferenzschrift gnd-content Deutschland (DE-588)4011882-4 g Polen (DE-588)4046496-9 g Film (DE-588)4017102-4 s Nationalsozialismus Motiv (DE-588)4115345-5 s Judenverfolgung Motiv (DE-588)4136040-0 s Geschichte 1990-2000 z DE-604 Erscheint auch als Druck-Ausgabe 9783631619032 https://www.peterlang.com/view/product/15159?format=EPDF Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Pakier, Malgorzata The Construction of European Holocaust Memory: German and Polish Cinema after 1989 Is a common European Holocaust memory possible? The author approaches this question by analyzing Polish and German cinema after 1989, and the public debates on the past that have surrounded the filmic narratives. Of all media, cinema has exerted the broadest impact in the formation of collective memory regarding the Holocaust. Despite the distance in time, and especially since the fall of communism, this traumatic chapter in European history has come into ever sharper focus. Film makers have refracted evolving public awareness and in turn projected the dramas and images that inculcate mass opinion. This work examines these dynamic trends with regard to selected Polish and German feature films. The author shows how cinema opened hitherto taboo aspects to discussion. She reveals both a deep divide between the two countries, as well as significant similar trends in the memory of events Nationalsozialismus Motiv (DE-588)4115345-5 gnd Judenverfolgung Motiv (DE-588)4136040-0 gnd Film (DE-588)4017102-4 gnd |
subject_GND | (DE-588)4115345-5 (DE-588)4136040-0 (DE-588)4017102-4 (DE-588)4046496-9 (DE-588)4011882-4 (DE-588)4113937-9 (DE-588)1071861417 |
title | The Construction of European Holocaust Memory: German and Polish Cinema after 1989 |
title_auth | The Construction of European Holocaust Memory: German and Polish Cinema after 1989 |
title_exact_search | The Construction of European Holocaust Memory: German and Polish Cinema after 1989 |
title_exact_search_txtP | The Construction of European Holocaust Memory: German and Polish Cinema after 1989 |
title_full | The Construction of European Holocaust Memory: German and Polish Cinema after 1989 Malgorzata Pakier |
title_fullStr | The Construction of European Holocaust Memory: German and Polish Cinema after 1989 Malgorzata Pakier |
title_full_unstemmed | The Construction of European Holocaust Memory: German and Polish Cinema after 1989 Malgorzata Pakier |
title_short | The Construction of European Holocaust Memory: German and Polish Cinema after 1989 |
title_sort | the construction of european holocaust memory german and polish cinema after 1989 |
topic | Nationalsozialismus Motiv (DE-588)4115345-5 gnd Judenverfolgung Motiv (DE-588)4136040-0 gnd Film (DE-588)4017102-4 gnd |
topic_facet | Nationalsozialismus Motiv Judenverfolgung Motiv Film Polen Deutschland Hochschulschrift Konferenzschrift |
url | https://www.peterlang.com/view/product/15159?format=EPDF |
work_keys_str_mv | AT pakiermalgorzata theconstructionofeuropeanholocaustmemorygermanandpolishcinemaafter1989 |