Representations of fear: verbalising emotion in ancient Roman folk narrative
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Helsinki
Suomalainen Tiedeakatemia
2020
|
| Schriftenreihe: | Folklore Fellows' communications
320 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | Literaturverzeichnis: Seite 315-354 |
| Beschreibung: | 362 Seiten |
| ISBN: | 9789514111563 |
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Datensatz im Suchindex
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| adam_text | Contents Acknowledgements..................................................................................................................9 Introduction and Background 1 Introduction....................................................................................................................... 13 1.1 Methods and Theory 14 1.2 The Structure of this Book 16 2 Oral Traditions in the Ancient Literature..........................................................................21 2.1 2.2 2.3 2.4 The Functions and Characteristics of Folklore Golden Tales ֊ Storytelling in the Roman World Identifying and Interpreting Folklore In Literature Identifying and Interpreting Folklore in Ancient Literature 22 25 33 35 Coping with Emotions 3 The Study of Emotion and Fear........................................................................................45 3.1 The Study of Emotion 45 3.2 The Study of Fear 49 4 Philosophical Perspectives on Emotion, Fear and Therapy.............................................57 4.1 Aristotle: The Usefulness of Emotion and Arousing Pity and Fear Through Plot 60 4.2 Epicurus and the Epicureans: Therapies for Pain and Fear 66 4.3 The Stoics: The Consolation and Reformation of Emotion as Judgement 72 The Family under Threat 5 The Fear of Losing a Child: Child-Killing Demons and Witches.................................... 85 5.1 Stories of Strix 86 5.2 Stories of Lamia 90 5.3 Stories of Cello and Mormó 94 5.4 Envy and Fear 96 5.5 The Family: Death and Survival 100 5.6 Externalising Threat and Blame, and Mental Preparationfor Future Ills 103 6 The
Negligent Nurse: The Monkey Babysitter and Other Careless Child-Minders.... 109 6.1 The Story of the Monkey Babysitter 110 6.2 Apes in Ancient Thought 112 6.3 The Wet-Nurse - Symbolic Comforter Figure vs. Objectof Anxiety 115 6.4 Fear, Grief, Regret and Remorse 119 6.5 Emotion Work with Sticky Objects and Key Symbols 122 7 Barren Relations: The Lure of Beautiful Witches and Man-Eating Demons.................127 7.1 A Story of Witches and Lamiae in Apu leius 128 7.2 Stories of Man-Eating Demons 143 7.3 Mythological Creatures and Courtesans 147 7.4 Passion, Anger, and Fear 149 7.5 Negative Description, Metaphors, Catharsis and CriticalSpectatorship 156
Loci of Fear in and outside the City 8 Emotional 8.1 8.2 8.3 8.4 Topography................................................................................................. 1 The Concept of Emotional Topography 1 Temporal Aspects of Fear: Night as a Time of Terror 1 Charged Places: Cemeteries, Roads, Crossroads and Inns 1 Dodgy Places: Harbours as Sticky Objects 1i 9 The Fear of Being Left Unburied: Ghosts......................................................................1Í 9.1 Quickly Covered by Sandy Soil: The Restless Spirit of Socrates H 9.2 Murder in Megara 1f 9.3 Haunted Houses: Victims Without Graves 15 9.4 Fear, Superstition and Reverence 2C 9.5 Death Is Nothing to Us and the Folkloric Alternative 21 10 Intruders from the Deep: Octopuses and Killer Whales.............................................. 21 10.1 The Octopus in the Sewers 22 10.2 The Octopus Climbing the Tree 22. 10.3 The Octopus: A Symbol of Intelligence, Deceit andStupidity 2210.4 An Orca in Ostia: Claudius and the Killer Whale 22i 10.5 Fear, Courage, Disgust and Arrogance 22Í 10.6 Being a Slave under Pleasure 232 Conclusions 11 The Therapy of Fear..................................................................................................... 243 11.1 The Verbalisation of Emotion 244 11.2 Externalising Blame: Scapegoats and Sticky Objects 246 11.3 Inns and Harbours as Sticky Places 247 11.4 Emotional Topography 248 11.5 The Therapy of Emotions 250 Appendix: Friends from the Deep Sea - Dolphins............................................................. 255
Notes..................................................................................................................................... 257 List of Abbreviations............................................................................................................ 314 Bibliography......................................................................................................................... 315 Indices................................................................................................................................... 355 1 Historical Persons 355 2 Authors and Works 355 3 Historical and Mythical Places 357 4 Other Names 357 5 Emotions, Feelings, Virtues and Vices 358 6 Supernatural Beings 359 7 Animals 359 8 Magical Plants 360 9 Magic 360 10 Philosophical terms 360 11 Psychological and Therapeutic Terms 360 12 Folklore Terms and Concepts 360 13 Other Theoretical Terms and Concepts 360 14 Socio-Historical Phenomena 361
his book deals with folk narratives expressing some of the basic fears of ancient Roman culture. These included, on the one hand, threats to the survival of the family, especially concerning children, pregnant women ■ and to some extent also young men, and, on the other hand, the hidden dangers of the urban environment, especially places such as sewers, cemetaries, crossroads, inns and harbours. Human existence was precarious in many ways in antiquity: success could swiftly turn into misfortune, health into illness and death, with disastrous consequences for the most important social network in this era, the family. These misfortunes could be difficult to cope with, and adversity, calamity and death had to be made intelligible emotionally. By verbalising fear ֊ in the form of stories of demons, witches, ghosts and wild animals ֊ it could be endowed with a concrete shape. The argument of this book proceeds from the assumption that the act of narrating stories helps us to make sense of our lives and the world we live in. In narrative, we articulate our emotions, thoughts and opinions, voice our hopes and desires, our anxieties and fears. The therapeutic power of stories lies in their ability to provide a space for reflection on the difficulties and anxieties in life. The concept of emotional topography is introduced as an analytical tool in studying the relation between space, emotions and time. Certain places were associated with one range of emotions during the day and another at night, such as a cemetary, which at night evoked dread and disgust. Other places, such as for
example inns, could evoke a sense of unease regardless of the time of day; they were places where horrendous things might take place, where you risked encountering everything from murderous inn-keepers to werewolves.
|
| adam_txt |
Contents Acknowledgements.9 Introduction and Background 1 Introduction. 13 1.1 Methods and Theory 14 1.2 The Structure of this Book 16 2 Oral Traditions in the Ancient Literature.21 2.1 2.2 2.3 2.4 The Functions and Characteristics of Folklore Golden Tales ֊ Storytelling in the Roman World Identifying and Interpreting Folklore In Literature Identifying and Interpreting Folklore in Ancient Literature 22 25 33 35 Coping with Emotions 3 The Study of Emotion and Fear.45 3.1 The Study of Emotion 45 3.2 The Study of Fear 49 4 Philosophical Perspectives on Emotion, Fear and Therapy.57 4.1 Aristotle: The Usefulness of Emotion and Arousing Pity and Fear Through Plot 60 4.2 Epicurus and the Epicureans: Therapies for Pain and Fear 66 4.3 The Stoics: The Consolation and Reformation of Emotion as Judgement 72 The Family under Threat 5 The Fear of Losing a Child: Child-Killing Demons and Witches. 85 5.1 Stories of Strix 86 5.2 Stories of Lamia 90 5.3 Stories of Cello and Mormó 94 5.4 Envy and Fear 96 5.5 The Family: Death and Survival 100 5.6 Externalising Threat and Blame, and Mental Preparationfor Future Ills 103 6 The
Negligent Nurse: The Monkey Babysitter and Other Careless Child-Minders. 109 6.1 The Story of the Monkey Babysitter 110 6.2 Apes in Ancient Thought 112 6.3 The Wet-Nurse - Symbolic Comforter Figure vs. Objectof Anxiety 115 6.4 Fear, Grief, Regret and Remorse 119 6.5 Emotion Work with Sticky Objects and Key Symbols 122 7 Barren Relations: The Lure of Beautiful Witches and Man-Eating Demons.127 7.1 A Story of Witches and Lamiae in Apu leius 128 7.2 Stories of Man-Eating Demons 143 7.3 Mythological Creatures and Courtesans 147 7.4 Passion, Anger, and Fear 149 7.5 Negative Description, Metaphors, Catharsis and CriticalSpectatorship 156
Loci of Fear in and outside the City 8 Emotional 8.1 8.2 8.3 8.4 Topography. 1 The Concept of Emotional Topography 1 Temporal Aspects of Fear: Night as a Time of Terror 1 Charged Places: Cemeteries, Roads, Crossroads and Inns 1 Dodgy Places: Harbours as Sticky Objects 1i 9 The Fear of Being Left Unburied: Ghosts.1Í 9.1 Quickly Covered by Sandy Soil: The Restless Spirit of Socrates H 9.2 Murder in Megara 1f 9.3 Haunted Houses: Victims Without Graves 15 9.4 Fear, Superstition and Reverence 2C 9.5 "Death Is Nothing to Us" and the Folkloric Alternative 21 10 Intruders from the Deep: Octopuses and Killer Whales. 21 10.1 The Octopus in the Sewers 22 10.2 The Octopus Climbing the Tree 22. 10.3 The Octopus: A Symbol of Intelligence, Deceit andStupidity 2210.4 An Orca in Ostia: Claudius and the Killer Whale 22i 10.5 Fear, Courage, Disgust and Arrogance 22Í 10.6 Being a Slave under Pleasure 232 Conclusions 11 The Therapy of Fear. 243 11.1 The Verbalisation of Emotion 244 11.2 Externalising Blame: Scapegoats and Sticky Objects 246 11.3 Inns and Harbours as Sticky Places 247 11.4 Emotional Topography 248 11.5 The Therapy of Emotions 250 Appendix: Friends from the Deep Sea - Dolphins. 255
Notes. 257 List of Abbreviations. 314 Bibliography. 315 Indices. 355 1 Historical Persons 355 2 Authors and Works 355 3 Historical and Mythical Places 357 4 Other Names 357 5 Emotions, Feelings, Virtues and Vices 358 6 Supernatural Beings 359 7 Animals 359 8 Magical Plants 360 9 Magic 360 10 Philosophical terms 360 11 Psychological and Therapeutic Terms 360 12 Folklore Terms and Concepts 360 13 Other Theoretical Terms and Concepts 360 14 Socio-Historical Phenomena 361
his book deals with folk narratives expressing some of the basic fears of ancient Roman culture. These included, on the one hand, threats to the survival of the family, especially concerning children, pregnant women ■ and to some extent also young men, and, on the other hand, the hidden dangers of the urban environment, especially places such as sewers, cemetaries, crossroads, inns and harbours. Human existence was precarious in many ways in antiquity: success could swiftly turn into misfortune, health into illness and death, with disastrous consequences for the most important social network in this era, the family. These misfortunes could be difficult to cope with, and adversity, calamity and death had to be made intelligible emotionally. By verbalising fear ֊ in the form of stories of demons, witches, ghosts and wild animals ֊ it could be endowed with a concrete shape. The argument of this book proceeds from the assumption that the act of narrating stories helps us to make sense of our lives and the world we live in. In narrative, we articulate our emotions, thoughts and opinions, voice our hopes and desires, our anxieties and fears. The therapeutic power of stories lies in their ability to provide a space for reflection on the difficulties and anxieties in life. The concept of emotional topography is introduced as an analytical tool in studying the relation between space, emotions and time. Certain places were associated with one range of emotions during the day and another at night, such as a cemetary, which at night evoked dread and disgust. Other places, such as for
example inns, could evoke a sense of unease regardless of the time of day; they were places where horrendous things might take place, where you risked encountering everything from murderous inn-keepers to werewolves. |
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| spelling | Asplund Ingemark, Camilla 1974- Verfasser (DE-588)112673859X aut Representations of fear verbalising emotion in ancient Roman folk narrative Camilla Asplung Ingemark & Dominic Ingemark Helsinki Suomalainen Tiedeakatemia 2020 362 Seiten txt rdacontent n rdamedia nc rdacarrier Folklore Fellows' communications 320 Literaturverzeichnis: Seite 315-354 Volkserzählung (DE-588)4136947-6 gnd rswk-swf Latein (DE-588)4114364-4 gnd rswk-swf Angst Motiv (DE-588)4245657-5 gnd rswk-swf Angst & Furcht (DE-2581)TH000005859 gbd Gefühle, Emotionen (DE-2581)TH000006027 gbd Latein (DE-588)4114364-4 s Volkserzählung (DE-588)4136947-6 s Angst Motiv (DE-588)4245657-5 s DE-604 Ingemark, Dominic 1968- Verfasser (DE-588)1184848858 aut Folklore Fellows' communications 320 (DE-604)BV005376928 320 Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032426338&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032426338&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Asplund Ingemark, Camilla 1974- Ingemark, Dominic 1968- Representations of fear verbalising emotion in ancient Roman folk narrative Folklore Fellows' communications Volkserzählung (DE-588)4136947-6 gnd Latein (DE-588)4114364-4 gnd Angst Motiv (DE-588)4245657-5 gnd |
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| title | Representations of fear verbalising emotion in ancient Roman folk narrative |
| title_auth | Representations of fear verbalising emotion in ancient Roman folk narrative |
| title_exact_search | Representations of fear verbalising emotion in ancient Roman folk narrative |
| title_exact_search_txtP | Representations of fear verbalising emotion in ancient Roman folk narrative |
| title_full | Representations of fear verbalising emotion in ancient Roman folk narrative Camilla Asplung Ingemark & Dominic Ingemark |
| title_fullStr | Representations of fear verbalising emotion in ancient Roman folk narrative Camilla Asplung Ingemark & Dominic Ingemark |
| title_full_unstemmed | Representations of fear verbalising emotion in ancient Roman folk narrative Camilla Asplung Ingemark & Dominic Ingemark |
| title_short | Representations of fear |
| title_sort | representations of fear verbalising emotion in ancient roman folk narrative |
| title_sub | verbalising emotion in ancient Roman folk narrative |
| topic | Volkserzählung (DE-588)4136947-6 gnd Latein (DE-588)4114364-4 gnd Angst Motiv (DE-588)4245657-5 gnd |
| topic_facet | Volkserzählung Latein Angst Motiv |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032426338&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032426338&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV005376928 |
| work_keys_str_mv | AT asplundingemarkcamilla representationsoffearverbalisingemotioninancientromanfolknarrative AT ingemarkdominic representationsoffearverbalisingemotioninancientromanfolknarrative |