Presence through sound: music and place in East Asia
"Presence Through Sound narrates and analyses, through a range of case studies on selected music of China, Japan, Korea, Taiwan and Tibet, some of the many ways in which music and 'place' intersect and are interwoven with meaning in East Asia. It explores how place is significant to t...
Gespeichert in:
Weitere Verfasser: | , |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Abingdon, Oxon
Routledge
2020
|
Schriftenreihe: | SOAS studies in music
SOAS studies in music |
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | "Presence Through Sound narrates and analyses, through a range of case studies on selected music of China, Japan, Korea, Taiwan and Tibet, some of the many ways in which music and 'place' intersect and are interwoven with meaning in East Asia. It explores how place is significant to the many contexts in which music is made and experienced, especially in contemporary forms of long-standing traditions but also in other landscapes such as popular music, in the design of performance spaces, and in environmentally-centred art music. It shows how music creates and challenges borders, giving significance to geographical and cartographic spaces at local, national and international levels, and illustrates how music is used to interpret relationships with ecology and environment, spirituality and community, and state and nation. The volume brings together scholars from Australia, China, Denmark, Japan, Korea, Taiwan and the UK, each of whom explores a specific genre or topic in depth. Each nuanced account finds distinct and at times different aspects to be significant, and in demonstrating the ability of music to mediate the imaging of place, and how those who create and consume music use it to inhabit the intimate and project themselves out into their surroundings, points to interconnections across the region and beyond in respect to perception, conception, expression, and interpretation. In Presence Through Sound, ethnomusicology meets anthropology, literature and linguistics, area studies, and - particularly pertinent to East Asia in the twenty-first century - local musicologies. It serves a broad academic readership and provides an essential resource for all those interested in East Asia"-- |
Beschreibung: | Description based on online resource; title from digital title page (viewed on July 21, 2020) |
Beschreibung: | 1 online resource (xi, 245 pages) illustrations, maps |
ISBN: | 9781000095944 1000095940 9780429326295 0429326297 9781000095968 1000095967 9781000095951 1000095959 |
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520 | |a "Presence Through Sound narrates and analyses, through a range of case studies on selected music of China, Japan, Korea, Taiwan and Tibet, some of the many ways in which music and 'place' intersect and are interwoven with meaning in East Asia. It explores how place is significant to the many contexts in which music is made and experienced, especially in contemporary forms of long-standing traditions but also in other landscapes such as popular music, in the design of performance spaces, and in environmentally-centred art music. It shows how music creates and challenges borders, giving significance to geographical and cartographic spaces at local, national and international levels, and illustrates how music is used to interpret relationships with ecology and environment, spirituality and community, and state and nation. The volume brings together scholars from Australia, China, Denmark, Japan, Korea, Taiwan and the UK, each of whom explores a specific genre or topic in depth. Each nuanced account finds distinct and at times different aspects to be significant, and in demonstrating the ability of music to mediate the imaging of place, and how those who create and consume music use it to inhabit the intimate and project themselves out into their surroundings, points to interconnections across the region and beyond in respect to perception, conception, expression, and interpretation. In Presence Through Sound, ethnomusicology meets anthropology, literature and linguistics, area studies, and - particularly pertinent to East Asia in the twenty-first century - local musicologies. It serves a broad academic readership and provides an essential resource for all those interested in East Asia"-- | ||
650 | 4 | |a East Asians / Music / History and criticism | |
650 | 4 | |a Music / East Asia / History and criticism | |
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Datensatz im Suchindex
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adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author2 | Howard, Keith 1956- Ingram, Catherine |
author2_role | edt edt |
author2_variant | k h kh c i ci |
author_GND | (DE-588)131567136 |
author_facet | Howard, Keith 1956- Ingram, Catherine |
building | Verbundindex |
bvnumber | BV047017042 |
collection | ZDB-7-TFC |
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dewey-full | 780.9/5 |
dewey-hundreds | 700 - The arts |
dewey-ones | 780 - Music |
dewey-raw | 780.9/5 |
dewey-search | 780.9/5 |
dewey-sort | 3780.9 15 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
discipline_str_mv | Musikwissenschaft |
format | Electronic eBook |
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id | DE-604.BV047017042 |
illustrated | Illustrated |
index_date | 2024-07-03T15:58:19Z |
indexdate | 2024-07-10T09:00:15Z |
institution | BVB |
isbn | 9781000095944 1000095940 9780429326295 0429326297 9781000095968 1000095967 9781000095951 1000095959 |
language | English |
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open_access_boolean | |
physical | 1 online resource (xi, 245 pages) illustrations, maps |
psigel | ZDB-7-TFC |
publishDate | 2020 |
publishDateSearch | 2020 |
publishDateSort | 2020 |
publisher | Routledge |
record_format | marc |
series2 | SOAS studies in music |
spelling | Presence through sound music and place in East Asia edited by Keith Howard and Catherine Ingram Abingdon, Oxon Routledge 2020 © 2020 1 online resource (xi, 245 pages) illustrations, maps txt rdacontent c rdamedia cr rdacarrier SOAS studies in music Description based on online resource; title from digital title page (viewed on July 21, 2020) "Presence Through Sound narrates and analyses, through a range of case studies on selected music of China, Japan, Korea, Taiwan and Tibet, some of the many ways in which music and 'place' intersect and are interwoven with meaning in East Asia. It explores how place is significant to the many contexts in which music is made and experienced, especially in contemporary forms of long-standing traditions but also in other landscapes such as popular music, in the design of performance spaces, and in environmentally-centred art music. It shows how music creates and challenges borders, giving significance to geographical and cartographic spaces at local, national and international levels, and illustrates how music is used to interpret relationships with ecology and environment, spirituality and community, and state and nation. The volume brings together scholars from Australia, China, Denmark, Japan, Korea, Taiwan and the UK, each of whom explores a specific genre or topic in depth. Each nuanced account finds distinct and at times different aspects to be significant, and in demonstrating the ability of music to mediate the imaging of place, and how those who create and consume music use it to inhabit the intimate and project themselves out into their surroundings, points to interconnections across the region and beyond in respect to perception, conception, expression, and interpretation. In Presence Through Sound, ethnomusicology meets anthropology, literature and linguistics, area studies, and - particularly pertinent to East Asia in the twenty-first century - local musicologies. It serves a broad academic readership and provides an essential resource for all those interested in East Asia"-- East Asians / Music / History and criticism Music / East Asia / History and criticism Music / Social aspects / East Asia Music and geography / East Asia Ethnicity in music Howard, Keith 1956- (DE-588)131567136 edt Ingram, Catherine edt https://www.taylorfrancis.com/books/9780429326295 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Presence through sound music and place in East Asia East Asians / Music / History and criticism Music / East Asia / History and criticism Music / Social aspects / East Asia Music and geography / East Asia Ethnicity in music |
title | Presence through sound music and place in East Asia |
title_auth | Presence through sound music and place in East Asia |
title_exact_search | Presence through sound music and place in East Asia |
title_exact_search_txtP | Presence through sound music and place in East Asia |
title_full | Presence through sound music and place in East Asia edited by Keith Howard and Catherine Ingram |
title_fullStr | Presence through sound music and place in East Asia edited by Keith Howard and Catherine Ingram |
title_full_unstemmed | Presence through sound music and place in East Asia edited by Keith Howard and Catherine Ingram |
title_short | Presence through sound |
title_sort | presence through sound music and place in east asia |
title_sub | music and place in East Asia |
topic | East Asians / Music / History and criticism Music / East Asia / History and criticism Music / Social aspects / East Asia Music and geography / East Asia Ethnicity in music |
topic_facet | East Asians / Music / History and criticism Music / East Asia / History and criticism Music / Social aspects / East Asia Music and geography / East Asia Ethnicity in music |
url | https://www.taylorfrancis.com/books/9780429326295 |
work_keys_str_mv | AT howardkeith presencethroughsoundmusicandplaceineastasia AT ingramcatherine presencethroughsoundmusicandplaceineastasia |