Early performance: courts and audiences: shifting paradigms in early English drama studies
"These essays of Sarah Carpenter have been selected to reflect her career's close focus on the relationship of performance and audience. They are drawn from the last 25 years of her writing, and this has enabled the editors to organise them not chronologically but rather to develop her cen...
Gespeichert in:
| 1. Verfasser: | |
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| Weitere Verfasser: | , |
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Abingdon, Oxon
Routledge
2021
|
| Schriftenreihe: | Variorum collected studies series
Collected studies |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "These essays of Sarah Carpenter have been selected to reflect her career's close focus on the relationship of performance and audience. They are drawn from the last 25 years of her writing, and this has enabled the editors to organise them not chronologically but rather to develop her central theme through a range of genres, including morality plays, the interlude, court entertainments, international political spectacle, and the public 'performances' of natural and maintained fools. As a scholar who also has experience of acting and of production, Carpenter is particularly sensitive to the implications of location for creating meaning and generating audience reaction. The essays are focused on a relatively short time-span of 120 years, from the late fifteenth to the turn of the seventeenth century, and thus nuance a period traditionally divided between the late medieval and the early-modern, and between Catholicism and Protestantism. Carpenter shows how the dynamics of theatrical engagement in which the roles of audience and performer are frequently mixed or even reversed offer a more creative route to understanding how the individual and society respond to change"-- |
| Beschreibung: | Description based on online resource; title from digital title page (viewed on July 30, 2020) |
| Beschreibung: | 1 online resource (viii, 233 pages) |
| ISBN: | 9780429269042 0429269048 9781000088786 1000088782 9781000088823 1000088820 9781000088748 100008874X |
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| 520 | |a "These essays of Sarah Carpenter have been selected to reflect her career's close focus on the relationship of performance and audience. They are drawn from the last 25 years of her writing, and this has enabled the editors to organise them not chronologically but rather to develop her central theme through a range of genres, including morality plays, the interlude, court entertainments, international political spectacle, and the public 'performances' of natural and maintained fools. As a scholar who also has experience of acting and of production, Carpenter is particularly sensitive to the implications of location for creating meaning and generating audience reaction. The essays are focused on a relatively short time-span of 120 years, from the late fifteenth to the turn of the seventeenth century, and thus nuance a period traditionally divided between the late medieval and the early-modern, and between Catholicism and Protestantism. Carpenter shows how the dynamics of theatrical engagement in which the roles of audience and performer are frequently mixed or even reversed offer a more creative route to understanding how the individual and society respond to change"-- | ||
| 650 | 4 | |a English drama / To 1500 / History and criticism | |
| 650 | 4 | |a English drama / Early modern and Elizabethan, 1500-1600 | |
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| 650 | 4 | |a Theater / England / History / To 1500 | |
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Datensatz im Suchindex
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| author_facet | Carpenter, Sarah McGavin, John J. 1950- Walker, Greg 1959- |
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| author_sort | Carpenter, Sarah |
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| dewey-full | 822/.109 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 822 - English drama |
| dewey-raw | 822/.109 |
| dewey-search | 822/.109 |
| dewey-sort | 3822 3109 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| discipline_str_mv | Anglistik / Amerikanistik |
| format | Electronic eBook |
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| id | DE-604.BV047016756 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T15:58:18Z |
| indexdate | 2024-07-10T09:00:14Z |
| institution | BVB |
| isbn | 9780429269042 0429269048 9781000088786 1000088782 9781000088823 1000088820 9781000088748 100008874X |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032424292 |
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| physical | 1 online resource (viii, 233 pages) |
| psigel | ZDB-7-TFC |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Routledge |
| record_format | marc |
| series2 | Variorum collected studies series Collected studies |
| spelling | Carpenter, Sarah Verfasser aut Essays Early performance: courts and audiences shifting paradigms in early English drama studies Sarah Carpenter ; edited by John J McGavin and Greg Walker Abingdon, Oxon Routledge 2021 © 2021 1 online resource (viii, 233 pages) txt rdacontent c rdamedia cr rdacarrier Variorum collected studies series Collected studies Description based on online resource; title from digital title page (viewed on July 30, 2020) "These essays of Sarah Carpenter have been selected to reflect her career's close focus on the relationship of performance and audience. They are drawn from the last 25 years of her writing, and this has enabled the editors to organise them not chronologically but rather to develop her central theme through a range of genres, including morality plays, the interlude, court entertainments, international political spectacle, and the public 'performances' of natural and maintained fools. As a scholar who also has experience of acting and of production, Carpenter is particularly sensitive to the implications of location for creating meaning and generating audience reaction. The essays are focused on a relatively short time-span of 120 years, from the late fifteenth to the turn of the seventeenth century, and thus nuance a period traditionally divided between the late medieval and the early-modern, and between Catholicism and Protestantism. Carpenter shows how the dynamics of theatrical engagement in which the roles of audience and performer are frequently mixed or even reversed offer a more creative route to understanding how the individual and society respond to change"-- English drama / To 1500 / History and criticism English drama / Early modern and Elizabethan, 1500-1600 Theater / England / History / Medieval, 500-1500 Theater / England / History / To 1500 McGavin, John J. 1950- edt Walker, Greg 1959- edt https://www.taylorfrancis.com/books/9780429269042 Verlag URL des Erstveroeffentlichers Volltext |
| spellingShingle | Carpenter, Sarah Early performance: courts and audiences shifting paradigms in early English drama studies English drama / To 1500 / History and criticism English drama / Early modern and Elizabethan, 1500-1600 Theater / England / History / Medieval, 500-1500 Theater / England / History / To 1500 |
| title | Early performance: courts and audiences shifting paradigms in early English drama studies |
| title_alt | Essays |
| title_auth | Early performance: courts and audiences shifting paradigms in early English drama studies |
| title_exact_search | Early performance: courts and audiences shifting paradigms in early English drama studies |
| title_exact_search_txtP | Early performance: courts and audiences shifting paradigms in early English drama studies |
| title_full | Early performance: courts and audiences shifting paradigms in early English drama studies Sarah Carpenter ; edited by John J McGavin and Greg Walker |
| title_fullStr | Early performance: courts and audiences shifting paradigms in early English drama studies Sarah Carpenter ; edited by John J McGavin and Greg Walker |
| title_full_unstemmed | Early performance: courts and audiences shifting paradigms in early English drama studies Sarah Carpenter ; edited by John J McGavin and Greg Walker |
| title_short | Early performance: courts and audiences |
| title_sort | early performance courts and audiences shifting paradigms in early english drama studies |
| title_sub | shifting paradigms in early English drama studies |
| topic | English drama / To 1500 / History and criticism English drama / Early modern and Elizabethan, 1500-1600 Theater / England / History / Medieval, 500-1500 Theater / England / History / To 1500 |
| topic_facet | English drama / To 1500 / History and criticism English drama / Early modern and Elizabethan, 1500-1600 Theater / England / History / Medieval, 500-1500 Theater / England / History / To 1500 |
| url | https://www.taylorfrancis.com/books/9780429269042 |
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