Popular musicology and identity: essays in honour of Stan Hawkins
"Popular Musicology and Identity consists of original essays in honour of Stan Hawkins, whose work has paved new paths for studying popular music's entwinement with gender, sexuality, ethnicity, class, locality, and a range of other factors. In the new millennium, popular musicological app...
Gespeichert in:
| Weitere Verfasser: | , , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Abingdon, Oxon
Routledge, an imprint of the Taylor & Francis Group
2021
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| Ausgabe: | [First edition] |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "Popular Musicology and Identity consists of original essays in honour of Stan Hawkins, whose work has paved new paths for studying popular music's entwinement with gender, sexuality, ethnicity, class, locality, and a range of other factors. In the new millennium, popular musicological approaches have proliferated and evolved alongside major shifts in the music industry and popular culture. Placing primacy on mapping sociocultural structures against the particularities of musical aesthetics, this book defines popular musicology as less characterised by the musical idioms or historical periods that are studied or the methodological tools that are employed, and more so by a willingness to attend to the plural analytical and interpretive possibilities afforded by musical experiences. With contributions from some of the leading scholars in the field, this book accounts for the state of popular musicology at the onset of the 2020s while also offering a platform for the further advancement of the critical study of popular music and identity"-- |
| Beschreibung: | Description based on print version record |
| Beschreibung: | 1 online resource (xviii, 224 pages : illustrations, music.) |
| ISBN: | 9780429451751 042945175X |
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| 245 | 1 | 0 | |a Popular musicology and identity |b essays in honour of Stan Hawkins |c edited by Kai Arne Hansen, Eirik Askerøi, and Freya Jarman |
| 250 | |a [First edition] | ||
| 264 | 1 | |a Abingdon, Oxon |b Routledge, an imprint of the Taylor & Francis Group |c 2021 | |
| 300 | |a 1 online resource (xviii, 224 pages : |b illustrations, music.) | ||
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| 338 | |b cr |2 rdacarrier | ||
| 500 | |a Description based on print version record | ||
| 520 | |a "Popular Musicology and Identity consists of original essays in honour of Stan Hawkins, whose work has paved new paths for studying popular music's entwinement with gender, sexuality, ethnicity, class, locality, and a range of other factors. In the new millennium, popular musicological approaches have proliferated and evolved alongside major shifts in the music industry and popular culture. Placing primacy on mapping sociocultural structures against the particularities of musical aesthetics, this book defines popular musicology as less characterised by the musical idioms or historical periods that are studied or the methodological tools that are employed, and more so by a willingness to attend to the plural analytical and interpretive possibilities afforded by musical experiences. With contributions from some of the leading scholars in the field, this book accounts for the state of popular musicology at the onset of the 2020s while also offering a platform for the further advancement of the critical study of popular music and identity"-- | ||
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| 650 | 4 | |a Popular music / History and criticism | |
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| 700 | 1 | |a Hansen, Kai Arne |4 edt | |
| 700 | 1 | |a Askerøi, Eirik |4 edt | |
| 700 | 1 | |a Jarman, Freya |4 edt | |
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Datensatz im Suchindex
| _version_ | 1804181977835765760 |
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| author2 | Hansen, Kai Arne Askerøi, Eirik Jarman, Freya |
| author2_role | edt edt edt |
| author2_variant | k a h ka kah e a ea f j fj |
| author_facet | Hansen, Kai Arne Askerøi, Eirik Jarman, Freya |
| building | Verbundindex |
| bvnumber | BV047016574 |
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| ctrlnum | (ZDB-7-TFC)9780429451751 (DE-599)BVBBV047016574 |
| dewey-full | 781.640721 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.640721 |
| dewey-search | 781.640721 |
| dewey-sort | 3781.640721 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| edition | [First edition] |
| format | Electronic eBook |
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| id | DE-604.BV047016574 |
| illustrated | Illustrated |
| index_date | 2024-07-03T15:58:18Z |
| indexdate | 2024-07-10T09:00:14Z |
| institution | BVB |
| isbn | 9780429451751 042945175X |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032424110 |
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| physical | 1 online resource (xviii, 224 pages : illustrations, music.) |
| psigel | ZDB-7-TFC |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Routledge, an imprint of the Taylor & Francis Group |
| record_format | marc |
| spelling | Popular musicology and identity essays in honour of Stan Hawkins edited by Kai Arne Hansen, Eirik Askerøi, and Freya Jarman [First edition] Abingdon, Oxon Routledge, an imprint of the Taylor & Francis Group 2021 1 online resource (xviii, 224 pages : illustrations, music.) txt rdacontent c rdamedia cr rdacarrier Description based on print version record "Popular Musicology and Identity consists of original essays in honour of Stan Hawkins, whose work has paved new paths for studying popular music's entwinement with gender, sexuality, ethnicity, class, locality, and a range of other factors. In the new millennium, popular musicological approaches have proliferated and evolved alongside major shifts in the music industry and popular culture. Placing primacy on mapping sociocultural structures against the particularities of musical aesthetics, this book defines popular musicology as less characterised by the musical idioms or historical periods that are studied or the methodological tools that are employed, and more so by a willingness to attend to the plural analytical and interpretive possibilities afforded by musical experiences. With contributions from some of the leading scholars in the field, this book accounts for the state of popular musicology at the onset of the 2020s while also offering a platform for the further advancement of the critical study of popular music and identity"-- Musicology Popular music / Historiography Popular music / History and criticism Hawkins, Stan hnr Hansen, Kai Arne edt Askerøi, Eirik edt Jarman, Freya edt https://www.taylorfrancis.com/books/9780429451751 Verlag URL des Erstveroeffentlichers Volltext |
| spellingShingle | Popular musicology and identity essays in honour of Stan Hawkins Musicology Popular music / Historiography Popular music / History and criticism |
| title | Popular musicology and identity essays in honour of Stan Hawkins |
| title_auth | Popular musicology and identity essays in honour of Stan Hawkins |
| title_exact_search | Popular musicology and identity essays in honour of Stan Hawkins |
| title_exact_search_txtP | Popular musicology and identity essays in honour of Stan Hawkins |
| title_full | Popular musicology and identity essays in honour of Stan Hawkins edited by Kai Arne Hansen, Eirik Askerøi, and Freya Jarman |
| title_fullStr | Popular musicology and identity essays in honour of Stan Hawkins edited by Kai Arne Hansen, Eirik Askerøi, and Freya Jarman |
| title_full_unstemmed | Popular musicology and identity essays in honour of Stan Hawkins edited by Kai Arne Hansen, Eirik Askerøi, and Freya Jarman |
| title_short | Popular musicology and identity |
| title_sort | popular musicology and identity essays in honour of stan hawkins |
| title_sub | essays in honour of Stan Hawkins |
| topic | Musicology Popular music / Historiography Popular music / History and criticism |
| topic_facet | Musicology Popular music / Historiography Popular music / History and criticism |
| url | https://www.taylorfrancis.com/books/9780429451751 |
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