Pop music production: manufactured pop and boybands of the 1990s
Pop Music Production delves into academic depths around the culture, the business, the songwriting, and most importantly, the pop music production process. Phil Harding balances autobiographical discussion of events and relationships with academic analysis to offer poignant points on the value of pu...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Weitere Verfasser: | |
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York
Routledge, Taylor & Francis Group
2020
|
| Schriftenreihe: | Perspectives on music production
Perspectives on music production |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Pop Music Production delves into academic depths around the culture, the business, the songwriting, and most importantly, the pop music production process. Phil Harding balances autobiographical discussion of events and relationships with academic analysis to offer poignant points on the value of pure popular music, particularly in relation to BoyBands and how creative pop production and songwriting teams function. Included here are practical resources, such as recording studio equipment lists, producer business deal examples and a 12-step mixing technique, where Harding expands upon previously released material to explain how Stay Another Day' by East 17 changed his approach to mixing forever. However, it is important to note that Harding almost downplays his involvement in his career. At no point is he center stage; he humbly discusses his position within the greater scheme of events. Pop Music Production offers cutting-edge analysis of a genre rarely afforded academic attention. This book is aimed at lecturers and students in the subject fields of Music Production, Audio Engineering, Music Technology, Popular Songwriting Studies and Popular Music Culture. It is suitable for all levels of study from FE students through to PhD researchers. Pop Music Production is also designed as a follow-up to Harding's first book PWL from the Factory Floor (2010, Cherry Red Books), a memoir of his time working with 1980s pop production and songwriting powerhouse, Stock Aitken Waterman, at PWL Studios |
| Beschreibung: | Description based on print version record and CIP data provided by publisher |
| Beschreibung: | 1 online resource |
| ISBN: | 9781351189798 1351189794 9781351189781 1351189786 9781351189767 135118976X 9781351189774 1351189778 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV047015661 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 201118s2020 |||| o||u| ||||||eng d | ||
| 020 | |a 9781351189798 |9 978-1-351-18979-8 | ||
| 020 | |a 1351189794 |9 1-351-18979-4 | ||
| 020 | |a 9781351189781 |9 978-1-351-18978-1 | ||
| 020 | |a 1351189786 |9 1-351-18978-6 | ||
| 020 | |a 9781351189767 |9 978-1-351-18976-7 | ||
| 020 | |a 135118976X |9 1-351-18976-X | ||
| 020 | |a 9781351189774 |9 978-1-351-18977-4 | ||
| 020 | |a 1351189778 |9 1-351-18977-8 | ||
| 035 | |a (ZDB-7-TFC)9781351189798 | ||
| 035 | |a (DE-599)BVBBV047015661 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 082 | 0 | |a 781.6409/049 |2 23 | |
| 100 | 1 | |a Harding, Phil |d 1957- |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Pop music production |b manufactured pop and boybands of the 1990s |c Dr Phil Harding ; edited by Mike Collins |
| 264 | 1 | |a New York |b Routledge, Taylor & Francis Group |c 2020 | |
| 264 | 4 | |c © 2020 | |
| 300 | |a 1 online resource | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 490 | 0 | |a Perspectives on music production | |
| 490 | 0 | |a Perspectives on music production | |
| 500 | |a Description based on print version record and CIP data provided by publisher | ||
| 520 | |a Pop Music Production delves into academic depths around the culture, the business, the songwriting, and most importantly, the pop music production process. Phil Harding balances autobiographical discussion of events and relationships with academic analysis to offer poignant points on the value of pure popular music, particularly in relation to BoyBands and how creative pop production and songwriting teams function. Included here are practical resources, such as recording studio equipment lists, producer business deal examples and a 12-step mixing technique, where Harding expands upon previously released material to explain how Stay Another Day' by East 17 changed his approach to mixing forever. However, it is important to note that Harding almost downplays his involvement in his career. At no point is he center stage; he humbly discusses his position within the greater scheme of events. Pop Music Production offers cutting-edge analysis of a genre rarely afforded academic attention. This book is aimed at lecturers and students in the subject fields of Music Production, Audio Engineering, Music Technology, Popular Songwriting Studies and Popular Music Culture. It is suitable for all levels of study from FE students through to PhD researchers. Pop Music Production is also designed as a follow-up to Harding's first book PWL from the Factory Floor (2010, Cherry Red Books), a memoir of his time working with 1980s pop production and songwriting powerhouse, Stock Aitken Waterman, at PWL Studios | ||
| 650 | 4 | |a Popular music / 1991-2000 / History and criticism | |
| 650 | 4 | |a Popular music / Production and direction / History | |
| 650 | 4 | |a Boy bands / History | |
| 700 | 1 | |a Collins, Mike |d 1949- |4 edt | |
| 856 | 4 | 0 | |u https://www.taylorfrancis.com/books/9781351189798 |x Verlag |z URL des Erstveroeffentlichers |3 Volltext |
| 912 | |a ZDB-7-TFC | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-032423198 | ||
Datensatz im Suchindex
| _version_ | 1804181976466325504 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Harding, Phil 1957- |
| author2 | Collins, Mike 1949- |
| author2_role | edt |
| author2_variant | m c mc |
| author_facet | Harding, Phil 1957- Collins, Mike 1949- |
| author_role | aut |
| author_sort | Harding, Phil 1957- |
| author_variant | p h ph |
| building | Verbundindex |
| bvnumber | BV047015661 |
| collection | ZDB-7-TFC |
| ctrlnum | (ZDB-7-TFC)9781351189798 (DE-599)BVBBV047015661 |
| dewey-full | 781.6409/049 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.6409/049 |
| dewey-search | 781.6409/049 |
| dewey-sort | 3781.6409 249 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03223nmm a2200469zc 4500</leader><controlfield tag="001">BV047015661</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">201118s2020 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781351189798</subfield><subfield code="9">978-1-351-18979-8</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1351189794</subfield><subfield code="9">1-351-18979-4</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781351189781</subfield><subfield code="9">978-1-351-18978-1</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1351189786</subfield><subfield code="9">1-351-18978-6</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781351189767</subfield><subfield code="9">978-1-351-18976-7</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">135118976X</subfield><subfield code="9">1-351-18976-X</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781351189774</subfield><subfield code="9">978-1-351-18977-4</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1351189778</subfield><subfield code="9">1-351-18977-8</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-7-TFC)9781351189798</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047015661</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">781.6409/049</subfield><subfield code="2">23</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Harding, Phil</subfield><subfield code="d">1957-</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Pop music production</subfield><subfield code="b">manufactured pop and boybands of the 1990s</subfield><subfield code="c">Dr Phil Harding ; edited by Mike Collins</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York</subfield><subfield code="b">Routledge, Taylor & Francis Group</subfield><subfield code="c">2020</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2020</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Perspectives on music production</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Perspectives on music production</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Description based on print version record and CIP data provided by publisher</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Pop Music Production delves into academic depths around the culture, the business, the songwriting, and most importantly, the pop music production process. Phil Harding balances autobiographical discussion of events and relationships with academic analysis to offer poignant points on the value of pure popular music, particularly in relation to BoyBands and how creative pop production and songwriting teams function. Included here are practical resources, such as recording studio equipment lists, producer business deal examples and a 12-step mixing technique, where Harding expands upon previously released material to explain how Stay Another Day' by East 17 changed his approach to mixing forever. However, it is important to note that Harding almost downplays his involvement in his career. At no point is he center stage; he humbly discusses his position within the greater scheme of events. Pop Music Production offers cutting-edge analysis of a genre rarely afforded academic attention. This book is aimed at lecturers and students in the subject fields of Music Production, Audio Engineering, Music Technology, Popular Songwriting Studies and Popular Music Culture. It is suitable for all levels of study from FE students through to PhD researchers. Pop Music Production is also designed as a follow-up to Harding's first book PWL from the Factory Floor (2010, Cherry Red Books), a memoir of his time working with 1980s pop production and songwriting powerhouse, Stock Aitken Waterman, at PWL Studios</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Popular music / 1991-2000 / History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Popular music / Production and direction / History</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Boy bands / History</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Collins, Mike</subfield><subfield code="d">1949-</subfield><subfield code="4">edt</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.taylorfrancis.com/books/9781351189798</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveroeffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-7-TFC</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032423198</subfield></datafield></record></collection> |
| id | DE-604.BV047015661 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T15:58:16Z |
| indexdate | 2024-07-10T09:00:12Z |
| institution | BVB |
| isbn | 9781351189798 1351189794 9781351189781 1351189786 9781351189767 135118976X 9781351189774 1351189778 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032423198 |
| open_access_boolean | |
| physical | 1 online resource |
| psigel | ZDB-7-TFC |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | Routledge, Taylor & Francis Group |
| record_format | marc |
| series2 | Perspectives on music production |
| spelling | Harding, Phil 1957- Verfasser aut Pop music production manufactured pop and boybands of the 1990s Dr Phil Harding ; edited by Mike Collins New York Routledge, Taylor & Francis Group 2020 © 2020 1 online resource txt rdacontent c rdamedia cr rdacarrier Perspectives on music production Description based on print version record and CIP data provided by publisher Pop Music Production delves into academic depths around the culture, the business, the songwriting, and most importantly, the pop music production process. Phil Harding balances autobiographical discussion of events and relationships with academic analysis to offer poignant points on the value of pure popular music, particularly in relation to BoyBands and how creative pop production and songwriting teams function. Included here are practical resources, such as recording studio equipment lists, producer business deal examples and a 12-step mixing technique, where Harding expands upon previously released material to explain how Stay Another Day' by East 17 changed his approach to mixing forever. However, it is important to note that Harding almost downplays his involvement in his career. At no point is he center stage; he humbly discusses his position within the greater scheme of events. Pop Music Production offers cutting-edge analysis of a genre rarely afforded academic attention. This book is aimed at lecturers and students in the subject fields of Music Production, Audio Engineering, Music Technology, Popular Songwriting Studies and Popular Music Culture. It is suitable for all levels of study from FE students through to PhD researchers. Pop Music Production is also designed as a follow-up to Harding's first book PWL from the Factory Floor (2010, Cherry Red Books), a memoir of his time working with 1980s pop production and songwriting powerhouse, Stock Aitken Waterman, at PWL Studios Popular music / 1991-2000 / History and criticism Popular music / Production and direction / History Boy bands / History Collins, Mike 1949- edt https://www.taylorfrancis.com/books/9781351189798 Verlag URL des Erstveroeffentlichers Volltext |
| spellingShingle | Harding, Phil 1957- Pop music production manufactured pop and boybands of the 1990s Popular music / 1991-2000 / History and criticism Popular music / Production and direction / History Boy bands / History |
| title | Pop music production manufactured pop and boybands of the 1990s |
| title_auth | Pop music production manufactured pop and boybands of the 1990s |
| title_exact_search | Pop music production manufactured pop and boybands of the 1990s |
| title_exact_search_txtP | Pop music production manufactured pop and boybands of the 1990s |
| title_full | Pop music production manufactured pop and boybands of the 1990s Dr Phil Harding ; edited by Mike Collins |
| title_fullStr | Pop music production manufactured pop and boybands of the 1990s Dr Phil Harding ; edited by Mike Collins |
| title_full_unstemmed | Pop music production manufactured pop and boybands of the 1990s Dr Phil Harding ; edited by Mike Collins |
| title_short | Pop music production |
| title_sort | pop music production manufactured pop and boybands of the 1990s |
| title_sub | manufactured pop and boybands of the 1990s |
| topic | Popular music / 1991-2000 / History and criticism Popular music / Production and direction / History Boy bands / History |
| topic_facet | Popular music / 1991-2000 / History and criticism Popular music / Production and direction / History Boy bands / History |
| url | https://www.taylorfrancis.com/books/9781351189798 |
| work_keys_str_mv | AT hardingphil popmusicproductionmanufacturedpopandboybandsofthe1990s AT collinsmike popmusicproductionmanufacturedpopandboybandsofthe1990s |