Basic cinematography: a creative guide to visual storytelling
"The cinematographer must translate the ideas and emotions contained in a script into something that can be physically seen and felt onscreen, helping the director to fulfil the vision of the film. The shots may look good, but they will not serve the story until the composition, lenses, and lig...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
London
Routledge
2019]
|
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | "The cinematographer must translate the ideas and emotions contained in a script into something that can be physically seen and felt onscreen, helping the director to fulfil the vision of the film. The shots may look good, but they will not serve the story until the composition, lenses, and lighting express, enhance, and reveal the underlying emotions and subtext of the story. By making physical the ideas and emotions of the story, the cinematographer supports blocking as a visual form of the story through these tools. Rather than delve into technical training, Basic Cinematography helps to train the eye and heart of cinematographers as visual storytellers, providing them with a strong foundation for their work, so that they're ready with creative ideas and choices on set in order to make compelling images that support the story. The book includes tools, tables, and worksheets on how to enhance students and experienced filmmakers with strong visual storytelling possibilities, including such features as: - Dramatic script analysis that will help unlock blocking, composition, and lighting ideas that reveal the visual story - Ten tools of composition - Psychological impact of lenses, shot sizes, and camera movement - Six elements of lighting for visual storytelling - What to look for beneath the "hood" of cameras, including using camera log, RAW, and LUTs - Dramatic analysis chart and scene composition chart to help plan your shoots - Case studies from such visually cinematic shows and documentaries as Netflix's Godless, Jessica Jones, The Crown, and Chef's Table, as well as examples from classroom exercises - Features insights from the DP of Jessica Jones, Manuel Billeter, and the DP of Chef's Table, Adam Bricker"-- |
Beschreibung: | 1 online resource |
ISBN: | 9781351182102 1351182102 9781351182119 1351182110 9781351182096 1351182099 9781351182126 1351182129 |
Internformat
MARC
LEADER | 00000nmm a2200000zc 4500 | ||
---|---|---|---|
001 | BV047015559 | ||
003 | DE-604 | ||
005 | 00000000000000.0 | ||
007 | cr|uuu---uuuuu | ||
008 | 201118s2019 |||| o||u| ||||||eng d | ||
020 | |a 9781351182102 |9 978-1-351-18210-2 | ||
020 | |a 1351182102 |9 1-351-18210-2 | ||
020 | |a 9781351182119 |9 978-1-351-18211-9 | ||
020 | |a 1351182110 |9 1-351-18211-0 | ||
020 | |a 9781351182096 |9 978-1-351-18209-6 | ||
020 | |a 1351182099 |9 1-351-18209-9 | ||
020 | |a 9781351182126 |9 978-1-351-18212-6 | ||
020 | |a 1351182129 |9 1-351-18212-9 | ||
024 | 7 | |a 10.4324/9781351182126 |2 doi | |
035 | |a (ZDB-7-TFC)9781351182102 | ||
035 | |a (DE-599)BVBBV047015559 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
082 | 0 | |a 777 |2 23 | |
100 | 1 | |a Lancaster, Kurt |d 1967- |e Verfasser |4 aut | |
245 | 1 | 0 | |a Basic cinematography |b a creative guide to visual storytelling |c Kurt Lancaster |
264 | 1 | |a London |b Routledge |c 2019] | |
300 | |a 1 online resource | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
520 | |a "The cinematographer must translate the ideas and emotions contained in a script into something that can be physically seen and felt onscreen, helping the director to fulfil the vision of the film. The shots may look good, but they will not serve the story until the composition, lenses, and lighting express, enhance, and reveal the underlying emotions and subtext of the story. By making physical the ideas and emotions of the story, the cinematographer supports blocking as a visual form of the story through these tools. Rather than delve into technical training, Basic Cinematography helps to train the eye and heart of cinematographers as visual storytellers, providing them with a strong foundation for their work, so that they're ready with creative ideas and choices on set in order to make compelling images that support the story. The book includes tools, tables, and worksheets on how to enhance students and experienced filmmakers with strong visual storytelling possibilities, including such features as: - Dramatic script analysis that will help unlock blocking, composition, and lighting ideas that reveal the visual story - Ten tools of composition - Psychological impact of lenses, shot sizes, and camera movement - Six elements of lighting for visual storytelling - What to look for beneath the "hood" of cameras, including using camera log, RAW, and LUTs - Dramatic analysis chart and scene composition chart to help plan your shoots - Case studies from such visually cinematic shows and documentaries as Netflix's Godless, Jessica Jones, The Crown, and Chef's Table, as well as examples from classroom exercises - Features insights from the DP of Jessica Jones, Manuel Billeter, and the DP of Chef's Table, Adam Bricker"-- | ||
650 | 4 | |a Cinematography | |
650 | 4 | |a Motion pictures / Technique | |
856 | 4 | 0 | |u https://www.taylorfrancis.com/books/9781351182126 |x Verlag |z URL des Erstveroeffentlichers |3 Volltext |
912 | |a ZDB-7-TFC | ||
999 | |a oai:aleph.bib-bvb.de:BVB01-032423096 |
Datensatz im Suchindex
_version_ | 1804181975888560128 |
---|---|
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | Lancaster, Kurt 1967- |
author_facet | Lancaster, Kurt 1967- |
author_role | aut |
author_sort | Lancaster, Kurt 1967- |
author_variant | k l kl |
building | Verbundindex |
bvnumber | BV047015559 |
collection | ZDB-7-TFC |
ctrlnum | (ZDB-7-TFC)9781351182102 (DE-599)BVBBV047015559 |
dewey-full | 777 |
dewey-hundreds | 700 - The arts |
dewey-ones | 777 - Cinematography and videography |
dewey-raw | 777 |
dewey-search | 777 |
dewey-sort | 3777 |
dewey-tens | 770 - Photography, computer art, cinematography |
discipline | Kunstgeschichte |
discipline_str_mv | Kunstgeschichte |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03086nmm a2200409zc 4500</leader><controlfield tag="001">BV047015559</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">201118s2019 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781351182102</subfield><subfield code="9">978-1-351-18210-2</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1351182102</subfield><subfield code="9">1-351-18210-2</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781351182119</subfield><subfield code="9">978-1-351-18211-9</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1351182110</subfield><subfield code="9">1-351-18211-0</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781351182096</subfield><subfield code="9">978-1-351-18209-6</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1351182099</subfield><subfield code="9">1-351-18209-9</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781351182126</subfield><subfield code="9">978-1-351-18212-6</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1351182129</subfield><subfield code="9">1-351-18212-9</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.4324/9781351182126</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-7-TFC)9781351182102</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047015559</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">777</subfield><subfield code="2">23</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Lancaster, Kurt</subfield><subfield code="d">1967-</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Basic cinematography</subfield><subfield code="b">a creative guide to visual storytelling</subfield><subfield code="c">Kurt Lancaster</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">London</subfield><subfield code="b">Routledge</subfield><subfield code="c">2019]</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">"The cinematographer must translate the ideas and emotions contained in a script into something that can be physically seen and felt onscreen, helping the director to fulfil the vision of the film. The shots may look good, but they will not serve the story until the composition, lenses, and lighting express, enhance, and reveal the underlying emotions and subtext of the story. By making physical the ideas and emotions of the story, the cinematographer supports blocking as a visual form of the story through these tools. Rather than delve into technical training, Basic Cinematography helps to train the eye and heart of cinematographers as visual storytellers, providing them with a strong foundation for their work, so that they're ready with creative ideas and choices on set in order to make compelling images that support the story. The book includes tools, tables, and worksheets on how to enhance students and experienced filmmakers with strong visual storytelling possibilities, including such features as: - Dramatic script analysis that will help unlock blocking, composition, and lighting ideas that reveal the visual story - Ten tools of composition - Psychological impact of lenses, shot sizes, and camera movement - Six elements of lighting for visual storytelling - What to look for beneath the "hood" of cameras, including using camera log, RAW, and LUTs - Dramatic analysis chart and scene composition chart to help plan your shoots - Case studies from such visually cinematic shows and documentaries as Netflix's Godless, Jessica Jones, The Crown, and Chef's Table, as well as examples from classroom exercises - Features insights from the DP of Jessica Jones, Manuel Billeter, and the DP of Chef's Table, Adam Bricker"--</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Cinematography</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion pictures / Technique</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.taylorfrancis.com/books/9781351182126</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveroeffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-7-TFC</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032423096</subfield></datafield></record></collection> |
id | DE-604.BV047015559 |
illustrated | Not Illustrated |
index_date | 2024-07-03T15:58:16Z |
indexdate | 2024-07-10T09:00:12Z |
institution | BVB |
isbn | 9781351182102 1351182102 9781351182119 1351182110 9781351182096 1351182099 9781351182126 1351182129 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032423096 |
open_access_boolean | |
physical | 1 online resource |
psigel | ZDB-7-TFC |
publishDate | 2019 |
publishDateSearch | 2019 |
publishDateSort | 2019 |
publisher | Routledge |
record_format | marc |
spelling | Lancaster, Kurt 1967- Verfasser aut Basic cinematography a creative guide to visual storytelling Kurt Lancaster London Routledge 2019] 1 online resource txt rdacontent c rdamedia cr rdacarrier "The cinematographer must translate the ideas and emotions contained in a script into something that can be physically seen and felt onscreen, helping the director to fulfil the vision of the film. The shots may look good, but they will not serve the story until the composition, lenses, and lighting express, enhance, and reveal the underlying emotions and subtext of the story. By making physical the ideas and emotions of the story, the cinematographer supports blocking as a visual form of the story through these tools. Rather than delve into technical training, Basic Cinematography helps to train the eye and heart of cinematographers as visual storytellers, providing them with a strong foundation for their work, so that they're ready with creative ideas and choices on set in order to make compelling images that support the story. The book includes tools, tables, and worksheets on how to enhance students and experienced filmmakers with strong visual storytelling possibilities, including such features as: - Dramatic script analysis that will help unlock blocking, composition, and lighting ideas that reveal the visual story - Ten tools of composition - Psychological impact of lenses, shot sizes, and camera movement - Six elements of lighting for visual storytelling - What to look for beneath the "hood" of cameras, including using camera log, RAW, and LUTs - Dramatic analysis chart and scene composition chart to help plan your shoots - Case studies from such visually cinematic shows and documentaries as Netflix's Godless, Jessica Jones, The Crown, and Chef's Table, as well as examples from classroom exercises - Features insights from the DP of Jessica Jones, Manuel Billeter, and the DP of Chef's Table, Adam Bricker"-- Cinematography Motion pictures / Technique https://www.taylorfrancis.com/books/9781351182126 Verlag URL des Erstveroeffentlichers Volltext |
spellingShingle | Lancaster, Kurt 1967- Basic cinematography a creative guide to visual storytelling Cinematography Motion pictures / Technique |
title | Basic cinematography a creative guide to visual storytelling |
title_auth | Basic cinematography a creative guide to visual storytelling |
title_exact_search | Basic cinematography a creative guide to visual storytelling |
title_exact_search_txtP | Basic cinematography a creative guide to visual storytelling |
title_full | Basic cinematography a creative guide to visual storytelling Kurt Lancaster |
title_fullStr | Basic cinematography a creative guide to visual storytelling Kurt Lancaster |
title_full_unstemmed | Basic cinematography a creative guide to visual storytelling Kurt Lancaster |
title_short | Basic cinematography |
title_sort | basic cinematography a creative guide to visual storytelling |
title_sub | a creative guide to visual storytelling |
topic | Cinematography Motion pictures / Technique |
topic_facet | Cinematography Motion pictures / Technique |
url | https://www.taylorfrancis.com/books/9781351182126 |
work_keys_str_mv | AT lancasterkurt basiccinematographyacreativeguidetovisualstorytelling |