Contemporary sculpture and the critique of display cultures: tainted goods

In this book, Dan Adler addresses recent tendencies in contemporary art toward assemblage sculpture and how these works incorporate tainted materials - often things left on the side of the road, according to the logic and progress of the capitalist machine - and combine them in ways that allow each...

Ausführliche Beschreibung

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Bibliographische Detailangaben
1. Verfasser: Adler, Daniel (VerfasserIn)
Format: Elektronisch E-Book
Sprache:English
Veröffentlicht: New York, NY Routledge 2018
Schriftenreihe:Routledge focus
Routledge focus on art history and visual studies
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Online-Zugang:URL des Erstveroeffentlichers
Zusammenfassung:In this book, Dan Adler addresses recent tendencies in contemporary art toward assemblage sculpture and how these works incorporate tainted materials - often things left on the side of the road, according to the logic and progress of the capitalist machine - and combine them in ways that allow each element to retain a degree of empirical specificity. Adler develops a range of aesthetic models through which these practices can be understood to function critically. Each chapter focuses on a single exhibition: Isa Genzken's "OIL" (German Pavilion, Venice Biennale, 2007), Geoffrey Farmer's midcareer survey (Musée d'art contemporain, Montréal, 2008), Rachel Harrison's "Consider the Lobster" (CCS Bard Hessel Museum of Art, 2009), and Liz Magor's "The Mouth and Other Storage Facilities" (Henry Art Gallery, Seattle, 2008)
Beschreibung:1 online resource
ISBN:9781351049184
1351049186
9781351049160
135104916X
9781351049177
1351049178
9781351049153
1351049151

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