Class, gender, and sexuality in Thomas Gainsborough's Blue boy:
The reception of Thomas Gainsborough's Blue Boy from its origins to its appearances in contemporary visual culture reveals how its popularity was achieved and maintained by diverse audiences and in varied venues. Performative manifestations resulted in contradictory characterizations of the pai...
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
London
Routledge
2019
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Schriftenreihe: | Routledge Research in Gender and Art
Routledge research in gender and art |
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | The reception of Thomas Gainsborough's Blue Boy from its origins to its appearances in contemporary visual culture reveals how its popularity was achieved and maintained by diverse audiences and in varied venues. Performative manifestations resulted in contradictory characterizations of the painted youth as an aristocrat or a "regular fellow," as masculine or feminine, or as heterosexual or gay. In private and public spaces where viewers saw the actual painting and where living and rendered replicas circulated, Gainsborough's painting was often the centerpiece where dominant and subordinate classes met, gender identities were enacted, and sexuality was implicitly or overtly expressed |
Beschreibung: | 1 online resource |
ISBN: | 9781351006866 135100686X 1351006843 9781351006835 1351006835 9781351006859 1351006851 9781351006842 |
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author | Hedquist, Valerie |
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spelling | Hedquist, Valerie Verfasser aut Class, gender, and sexuality in Thomas Gainsborough's Blue boy Valerie Hedquist London Routledge 2019 1 online resource txt rdacontent c rdamedia cr rdacarrier Routledge Research in Gender and Art Routledge research in gender and art The reception of Thomas Gainsborough's Blue Boy from its origins to its appearances in contemporary visual culture reveals how its popularity was achieved and maintained by diverse audiences and in varied venues. Performative manifestations resulted in contradictory characterizations of the painted youth as an aristocrat or a "regular fellow," as masculine or feminine, or as heterosexual or gay. In private and public spaces where viewers saw the actual painting and where living and rendered replicas circulated, Gainsborough's painting was often the centerpiece where dominant and subordinate classes met, gender identities were enacted, and sexuality was implicitly or overtly expressed Gainsborough, Thomas / 1727-1788 / Blue boy Gainsborough, Thomas / 1727-1788 / Criticism and interpretation https://www.taylorfrancis.com/books/9781351006866 Verlag URL des Erstveroeffentlichers Volltext |
spellingShingle | Hedquist, Valerie Class, gender, and sexuality in Thomas Gainsborough's Blue boy Gainsborough, Thomas / 1727-1788 / Blue boy Gainsborough, Thomas / 1727-1788 / Criticism and interpretation |
title | Class, gender, and sexuality in Thomas Gainsborough's Blue boy |
title_auth | Class, gender, and sexuality in Thomas Gainsborough's Blue boy |
title_exact_search | Class, gender, and sexuality in Thomas Gainsborough's Blue boy |
title_exact_search_txtP | Class, gender, and sexuality in Thomas Gainsborough's Blue boy |
title_full | Class, gender, and sexuality in Thomas Gainsborough's Blue boy Valerie Hedquist |
title_fullStr | Class, gender, and sexuality in Thomas Gainsborough's Blue boy Valerie Hedquist |
title_full_unstemmed | Class, gender, and sexuality in Thomas Gainsborough's Blue boy Valerie Hedquist |
title_short | Class, gender, and sexuality in Thomas Gainsborough's Blue boy |
title_sort | class gender and sexuality in thomas gainsborough s blue boy |
topic | Gainsborough, Thomas / 1727-1788 / Blue boy Gainsborough, Thomas / 1727-1788 / Criticism and interpretation |
topic_facet | Gainsborough, Thomas / 1727-1788 / Blue boy Gainsborough, Thomas / 1727-1788 / Criticism and interpretation |
url | https://www.taylorfrancis.com/books/9781351006866 |
work_keys_str_mv | AT hedquistvalerie classgenderandsexualityinthomasgainsboroughsblueboy |