Rethinking difference in gender, sexuality, and popular music: theory and politics of ambiguity
"In studies of gender and sexuality in popular music, the concept of difference is often a crucial analytic used to detect social agency; however, the alternative analytic of ambiguity has never been systematically examined. While difference?from heterosexual norms is taken to be the multivalen...
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Milton Park, Abingdon, Oxon
Routledge, Taylor & Francis
2018
|
| Ausgabe: | First edition |
| Schriftenreihe: | Routledge studies in popular music
Routledge studies in popular music |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "In studies of gender and sexuality in popular music, the concept of difference is often a crucial analytic used to detect social agency; however, the alternative analytic of ambiguity has never been systematically examined. While difference?from heterosexual norms is taken to be the multivalent sign of resistance, oppression, and self-invention, it can lead to inflated claims of the degree and power of difference. This book offers critically-oriented case studies that examine the theory and politics of ambiguity. Ambiguity means that there are both positive and negative implications in any gender and sexuality practices, both sameness and difference from heteronormativity, and unfixed possibility in the diverse nature of discourse and practice (rather than just "difference" among fixed multiplicities). Covering popular music from around the globe, contributors present a diverse array of approaches through music, sound, psyche, body, dance, performance, race, ethnicity, power, discourse, and history. A wide variety of popular music genres are broached, including gay circuit remixes, punk rock, Goth music, cross-dress performance, billboard 100 songs, global pop, and nineteenth century minstrelsy. The authors examine the ambiguities of performance and reception, and address the vexed question of whether it is possible for genuinely new forms of gender and sexuality to emerge musically. This book makes a distinctive contribution to studies of gender and sexuality in popular music, and will be of interest to fields including Popular Music Studies, Musicology/Ethnomusicology, Cultural Studies, Queer Studies, Sound Studies, and Media Studies."--Provided by publisher |
| Beschreibung: | 1 online resource (x, 197 pages) illustrations |
| ISBN: | 9781315660455 |
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| dewey-full | 781.6408 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.6408 |
| dewey-search | 781.6408 |
| dewey-sort | 3781.6408 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| edition | First edition |
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| spelling | Rethinking difference in gender, sexuality, and popular music theory and politics of ambiguity edited by Gavin S.K. Lee First edition Milton Park, Abingdon, Oxon Routledge, Taylor & Francis 2018 © 2018 1 online resource (x, 197 pages) illustrations txt rdacontent c rdamedia cr rdacarrier Routledge studies in popular music "In studies of gender and sexuality in popular music, the concept of difference is often a crucial analytic used to detect social agency; however, the alternative analytic of ambiguity has never been systematically examined. While difference?from heterosexual norms is taken to be the multivalent sign of resistance, oppression, and self-invention, it can lead to inflated claims of the degree and power of difference. This book offers critically-oriented case studies that examine the theory and politics of ambiguity. Ambiguity means that there are both positive and negative implications in any gender and sexuality practices, both sameness and difference from heteronormativity, and unfixed possibility in the diverse nature of discourse and practice (rather than just "difference" among fixed multiplicities). Covering popular music from around the globe, contributors present a diverse array of approaches through music, sound, psyche, body, dance, performance, race, ethnicity, power, discourse, and history. A wide variety of popular music genres are broached, including gay circuit remixes, punk rock, Goth music, cross-dress performance, billboard 100 songs, global pop, and nineteenth century minstrelsy. The authors examine the ambiguities of performance and reception, and address the vexed question of whether it is possible for genuinely new forms of gender and sexuality to emerge musically. This book makes a distinctive contribution to studies of gender and sexuality in popular music, and will be of interest to fields including Popular Music Studies, Musicology/Ethnomusicology, Cultural Studies, Queer Studies, Sound Studies, and Media Studies."--Provided by publisher Gender identity in music Homosexuality in music Popular music / Social aspects Geschlechtsidentität (DE-588)4181116-1 gnd rswk-swf Popmusik (DE-588)4046781-8 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Popmusik (DE-588)4046781-8 s Geschlechtsidentität (DE-588)4181116-1 s DE-604 Lee, Gavin ca. 20./21. Jh. (DE-588)1079224378 edt Erscheint auch als Druck-Ausgabe, Hardcover 978-1-138-96005-3 https://www.taylorfrancis.com/books/9781315660455 Verlag Volltext |
| spellingShingle | Rethinking difference in gender, sexuality, and popular music theory and politics of ambiguity Gender identity in music Homosexuality in music Popular music / Social aspects Geschlechtsidentität (DE-588)4181116-1 gnd Popmusik (DE-588)4046781-8 gnd |
| subject_GND | (DE-588)4181116-1 (DE-588)4046781-8 (DE-588)4143413-4 |
| title | Rethinking difference in gender, sexuality, and popular music theory and politics of ambiguity |
| title_auth | Rethinking difference in gender, sexuality, and popular music theory and politics of ambiguity |
| title_exact_search | Rethinking difference in gender, sexuality, and popular music theory and politics of ambiguity |
| title_exact_search_txtP | Rethinking difference in gender, sexuality, and popular music theory and politics of ambiguity |
| title_full | Rethinking difference in gender, sexuality, and popular music theory and politics of ambiguity edited by Gavin S.K. Lee |
| title_fullStr | Rethinking difference in gender, sexuality, and popular music theory and politics of ambiguity edited by Gavin S.K. Lee |
| title_full_unstemmed | Rethinking difference in gender, sexuality, and popular music theory and politics of ambiguity edited by Gavin S.K. Lee |
| title_short | Rethinking difference in gender, sexuality, and popular music |
| title_sort | rethinking difference in gender sexuality and popular music theory and politics of ambiguity |
| title_sub | theory and politics of ambiguity |
| topic | Gender identity in music Homosexuality in music Popular music / Social aspects Geschlechtsidentität (DE-588)4181116-1 gnd Popmusik (DE-588)4046781-8 gnd |
| topic_facet | Gender identity in music Homosexuality in music Popular music / Social aspects Geschlechtsidentität Popmusik Aufsatzsammlung |
| url | https://www.taylorfrancis.com/books/9781315660455 |
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