Sound and the ancient senses:
Sound leaves no ruins and no residues, even though it is experienced constantly. It is ubiquitous but fleeting. Even silence has sound, even absence resonates. Sound and the Ancient Senses aims to hear the lost sounds of antiquity, from the sounds of the human body to those of the gods, from the bat...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Abingdon, Oxon
Routledge
2019
|
| Schriftenreihe: | The senses in antiquity
Senses in antiquity |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Sound leaves no ruins and no residues, even though it is experienced constantly. It is ubiquitous but fleeting. Even silence has sound, even absence resonates. Sound and the Ancient Senses aims to hear the lost sounds of antiquity, from the sounds of the human body to those of the gods, from the bathhouse to the Forum, from the chirp of a cicada to the music of the spheres. Sound plays so great a role in shaping our environments as to make it a sounding board for thinking about the self and its connection to others, as well as about space and ecology, emotions and experience, mortality and the divine, orality and textuality. From antiquity to the present day, poets and philosophers have strained to hear the ways that sounds structure our world and identities. This volume looks at theories and practices of hearing and producing sounds in ritual contexts, medicine, mourning, music, poetry, drama, erotics, philosophy, rhetoric, linguistics, vocality, and on the page, and shows how ancient ideas of sound still shape how and what we hear today. As the first comprehensive introduction to the soundscapes of antiquity, this volume makes a significant contribution to the burgeoning fields of sound and voice studies and is the final volume of the Senses in Antiquity series |
| Beschreibung: | Description based on print version record |
| Beschreibung: | 1 online resource (x, 290 pages : illustrations.) |
| ISBN: | 9781315648248 1315648245 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV047013716 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 201118s2019 |||| o||u| ||||||eng d | ||
| 020 | |a 9781315648248 |c electronic bk. |9 978-1-315-64824-8 | ||
| 020 | |a 1315648245 |c electronic bk. |9 1-315-64824-5 | ||
| 035 | |a (ZDB-7-TFC)9781315648248 | ||
| 035 | |a (DE-599)BVBBV047013716 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 082 | 0 | |a 152.1/509 |2 23 | |
| 245 | 1 | 0 | |a Sound and the ancient senses |c edited by Shane Butler and Sarah Nooter |
| 264 | 1 | |a Abingdon, Oxon |b Routledge |c 2019 | |
| 264 | 4 | |c © 2019 | |
| 300 | |a 1 online resource (x, 290 pages : |b illustrations.) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 490 | 0 | |a The senses in antiquity | |
| 490 | 0 | |a Senses in antiquity | |
| 500 | |a Description based on print version record | ||
| 520 | |a Sound leaves no ruins and no residues, even though it is experienced constantly. It is ubiquitous but fleeting. Even silence has sound, even absence resonates. Sound and the Ancient Senses aims to hear the lost sounds of antiquity, from the sounds of the human body to those of the gods, from the bathhouse to the Forum, from the chirp of a cicada to the music of the spheres. Sound plays so great a role in shaping our environments as to make it a sounding board for thinking about the self and its connection to others, as well as about space and ecology, emotions and experience, mortality and the divine, orality and textuality. From antiquity to the present day, poets and philosophers have strained to hear the ways that sounds structure our world and identities. This volume looks at theories and practices of hearing and producing sounds in ritual contexts, medicine, mourning, music, poetry, drama, erotics, philosophy, rhetoric, linguistics, vocality, and on the page, and shows how ancient ideas of sound still shape how and what we hear today. As the first comprehensive introduction to the soundscapes of antiquity, this volume makes a significant contribution to the burgeoning fields of sound and voice studies and is the final volume of the Senses in Antiquity series | ||
| 650 | 4 | |a Sound / Psychological aspects | |
| 650 | 4 | |a Sound / Religious aspects | |
| 650 | 4 | |a Senses and sensation / History | |
| 700 | 1 | |a Butler, Shane |d 1970- |4 edt | |
| 700 | 1 | |a Nooter, Sarah |4 edt | |
| 856 | 4 | 0 | |u https://www.taylorfrancis.com/books/9781315648248 |x Verlag |z URL des Erstveroeffentlichers |3 Volltext |
| 912 | |a ZDB-7-TFC | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-032421253 | ||
Datensatz im Suchindex
| _version_ | 1804181972535214080 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author2 | Butler, Shane 1970- Nooter, Sarah |
| author2_role | edt edt |
| author2_variant | s b sb s n sn |
| author_facet | Butler, Shane 1970- Nooter, Sarah |
| building | Verbundindex |
| bvnumber | BV047013716 |
| collection | ZDB-7-TFC |
| ctrlnum | (ZDB-7-TFC)9781315648248 (DE-599)BVBBV047013716 |
| dewey-full | 152.1/509 |
| dewey-hundreds | 100 - Philosophy & psychology |
| dewey-ones | 152 - Perception, movement, emotions & drives |
| dewey-raw | 152.1/509 |
| dewey-search | 152.1/509 |
| dewey-sort | 3152.1 3509 |
| dewey-tens | 150 - Psychology |
| discipline | Psychologie |
| discipline_str_mv | Psychologie |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02620nmm a2200397zc 4500</leader><controlfield tag="001">BV047013716</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">201118s2019 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781315648248</subfield><subfield code="c">electronic bk.</subfield><subfield code="9">978-1-315-64824-8</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1315648245</subfield><subfield code="c">electronic bk.</subfield><subfield code="9">1-315-64824-5</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-7-TFC)9781315648248</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047013716</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">152.1/509</subfield><subfield code="2">23</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Sound and the ancient senses</subfield><subfield code="c">edited by Shane Butler and Sarah Nooter</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Abingdon, Oxon</subfield><subfield code="b">Routledge</subfield><subfield code="c">2019</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2019</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (x, 290 pages :</subfield><subfield code="b">illustrations.)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">The senses in antiquity</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Senses in antiquity</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Description based on print version record</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Sound leaves no ruins and no residues, even though it is experienced constantly. It is ubiquitous but fleeting. Even silence has sound, even absence resonates. Sound and the Ancient Senses aims to hear the lost sounds of antiquity, from the sounds of the human body to those of the gods, from the bathhouse to the Forum, from the chirp of a cicada to the music of the spheres. Sound plays so great a role in shaping our environments as to make it a sounding board for thinking about the self and its connection to others, as well as about space and ecology, emotions and experience, mortality and the divine, orality and textuality. From antiquity to the present day, poets and philosophers have strained to hear the ways that sounds structure our world and identities. This volume looks at theories and practices of hearing and producing sounds in ritual contexts, medicine, mourning, music, poetry, drama, erotics, philosophy, rhetoric, linguistics, vocality, and on the page, and shows how ancient ideas of sound still shape how and what we hear today. As the first comprehensive introduction to the soundscapes of antiquity, this volume makes a significant contribution to the burgeoning fields of sound and voice studies and is the final volume of the Senses in Antiquity series</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Sound / Psychological aspects</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Sound / Religious aspects</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Senses and sensation / History</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Butler, Shane</subfield><subfield code="d">1970-</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Nooter, Sarah</subfield><subfield code="4">edt</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.taylorfrancis.com/books/9781315648248</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveroeffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-7-TFC</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032421253</subfield></datafield></record></collection> |
| id | DE-604.BV047013716 |
| illustrated | Illustrated |
| index_date | 2024-07-03T15:58:14Z |
| indexdate | 2024-07-10T09:00:09Z |
| institution | BVB |
| isbn | 9781315648248 1315648245 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032421253 |
| open_access_boolean | |
| physical | 1 online resource (x, 290 pages : illustrations.) |
| psigel | ZDB-7-TFC |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | Routledge |
| record_format | marc |
| series2 | The senses in antiquity Senses in antiquity |
| spelling | Sound and the ancient senses edited by Shane Butler and Sarah Nooter Abingdon, Oxon Routledge 2019 © 2019 1 online resource (x, 290 pages : illustrations.) txt rdacontent c rdamedia cr rdacarrier The senses in antiquity Senses in antiquity Description based on print version record Sound leaves no ruins and no residues, even though it is experienced constantly. It is ubiquitous but fleeting. Even silence has sound, even absence resonates. Sound and the Ancient Senses aims to hear the lost sounds of antiquity, from the sounds of the human body to those of the gods, from the bathhouse to the Forum, from the chirp of a cicada to the music of the spheres. Sound plays so great a role in shaping our environments as to make it a sounding board for thinking about the self and its connection to others, as well as about space and ecology, emotions and experience, mortality and the divine, orality and textuality. From antiquity to the present day, poets and philosophers have strained to hear the ways that sounds structure our world and identities. This volume looks at theories and practices of hearing and producing sounds in ritual contexts, medicine, mourning, music, poetry, drama, erotics, philosophy, rhetoric, linguistics, vocality, and on the page, and shows how ancient ideas of sound still shape how and what we hear today. As the first comprehensive introduction to the soundscapes of antiquity, this volume makes a significant contribution to the burgeoning fields of sound and voice studies and is the final volume of the Senses in Antiquity series Sound / Psychological aspects Sound / Religious aspects Senses and sensation / History Butler, Shane 1970- edt Nooter, Sarah edt https://www.taylorfrancis.com/books/9781315648248 Verlag URL des Erstveroeffentlichers Volltext |
| spellingShingle | Sound and the ancient senses Sound / Psychological aspects Sound / Religious aspects Senses and sensation / History |
| title | Sound and the ancient senses |
| title_auth | Sound and the ancient senses |
| title_exact_search | Sound and the ancient senses |
| title_exact_search_txtP | Sound and the ancient senses |
| title_full | Sound and the ancient senses edited by Shane Butler and Sarah Nooter |
| title_fullStr | Sound and the ancient senses edited by Shane Butler and Sarah Nooter |
| title_full_unstemmed | Sound and the ancient senses edited by Shane Butler and Sarah Nooter |
| title_short | Sound and the ancient senses |
| title_sort | sound and the ancient senses |
| topic | Sound / Psychological aspects Sound / Religious aspects Senses and sensation / History |
| topic_facet | Sound / Psychological aspects Sound / Religious aspects Senses and sensation / History |
| url | https://www.taylorfrancis.com/books/9781315648248 |
| work_keys_str_mv | AT butlershane soundandtheancientsenses AT nootersarah soundandtheancientsenses |