God's song and music's meanings: theology, liturgy, and musicology in dialogue
Taking seriously the practice and not just the theory of music, this ground-breaking collection of essays establishes a new standard for the interdisciplinary conversation between theology, musicology, and liturgical studies. The public making of music in our society happens more often in the contex...
Gespeichert in:
Weitere Verfasser: | , , |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Abingdon, Oxon
Routledge
2020
|
Schriftenreihe: | Routledge studies in theology, imagination, and the arts
|
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | Taking seriously the practice and not just the theory of music, this ground-breaking collection of essays establishes a new standard for the interdisciplinary conversation between theology, musicology, and liturgical studies. The public making of music in our society happens more often in the context of chapels, churches, and cathedrals than anywhere else. The command to sing and make music to God makes music an essential part of the DNA of Christian worship. The book's three main parts address questions about the history, the performative contexts, and the nature of music. Its opening four chapters traces how accounts of music and its relation to God, the cosmos, and the human person have changed dramatically through Western history, from the patristic period through medieval, Reformation and modern times. A second section examines the role of music in worship, and asks what--if anything--makes a piece of music suitable for religious use. The final part of the book shows how the serious discussion of music opens onto considerations of time, tradition, ontology, anthropology, providence, and the nature of God. A pioneering set of explorations by a distinguished group of international scholars, this book will be of interest to anyone interested in Christianity's long relationship with music, including those working in the fields of theology, musicology, and liturgical studies |
Beschreibung: | Description based on online resource; title from digital title page (viewed on August 21, 2019) |
Beschreibung: | 1 online resource |
ISBN: | 9781315585314 1315585316 9781317126386 1317126386 9781317126393 1317126394 9781317126409 1317126408 |
Internformat
MARC
LEADER | 00000nmm a2200000zc 4500 | ||
---|---|---|---|
001 | BV047013355 | ||
003 | DE-604 | ||
005 | 00000000000000.0 | ||
007 | cr|uuu---uuuuu | ||
008 | 201118s2020 |||| o||u| ||||||eng d | ||
020 | |a 9781315585314 |9 978-1-315-58531-4 | ||
020 | |a 1315585316 |9 1-315-58531-6 | ||
020 | |a 9781317126386 |9 978-1-317-12638-6 | ||
020 | |a 1317126386 |9 1-317-12638-6 | ||
020 | |a 9781317126393 |9 978-1-317-12639-3 | ||
020 | |a 1317126394 |9 1-317-12639-4 | ||
020 | |a 9781317126409 |9 978-1-317-12640-9 | ||
020 | |a 1317126408 |9 1-317-12640-8 | ||
035 | |a (ZDB-7-TFC)9781315585314 | ||
035 | |a (DE-599)BVBBV047013355 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
082 | 0 | |a 781.71 |2 23 | |
245 | 1 | 0 | |a God's song and music's meanings |b theology, liturgy, and musicology in dialogue |c edited by James Hawkey, Ben Quash, and Vernon White |
264 | 1 | |a Abingdon, Oxon |b Routledge |c 2020 | |
300 | |a 1 online resource | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
490 | 0 | |a Routledge studies in theology, imagination, and the arts | |
500 | |a Description based on online resource; title from digital title page (viewed on August 21, 2019) | ||
520 | |a Taking seriously the practice and not just the theory of music, this ground-breaking collection of essays establishes a new standard for the interdisciplinary conversation between theology, musicology, and liturgical studies. The public making of music in our society happens more often in the context of chapels, churches, and cathedrals than anywhere else. The command to sing and make music to God makes music an essential part of the DNA of Christian worship. The book's three main parts address questions about the history, the performative contexts, and the nature of music. Its opening four chapters traces how accounts of music and its relation to God, the cosmos, and the human person have changed dramatically through Western history, from the patristic period through medieval, Reformation and modern times. A second section examines the role of music in worship, and asks what--if anything--makes a piece of music suitable for religious use. The final part of the book shows how the serious discussion of music opens onto considerations of time, tradition, ontology, anthropology, providence, and the nature of God. A pioneering set of explorations by a distinguished group of international scholars, this book will be of interest to anyone interested in Christianity's long relationship with music, including those working in the fields of theology, musicology, and liturgical studies | ||
650 | 4 | |a Music / Religious aspects / Christianity | |
650 | 4 | |a Music / Philosophy and aesthetics | |
650 | 4 | |a Music in churches | |
650 | 4 | |a Church music | |
700 | 1 | |a Hawkey, James |d 1979- |4 edt | |
700 | 1 | |a Quash, Ben |4 edt | |
700 | 1 | |a White, Vernon |d 1953- |4 edt | |
856 | 4 | 0 | |u https://www.taylorfrancis.com/books/9781315585314 |x Verlag |z URL des Erstveroeffentlichers |3 Volltext |
912 | |a ZDB-7-TFC | ||
999 | |a oai:aleph.bib-bvb.de:BVB01-032420891 |
Datensatz im Suchindex
_version_ | 1804181971871465472 |
---|---|
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author2 | Hawkey, James 1979- Quash, Ben White, Vernon 1953- |
author2_role | edt edt edt |
author2_variant | j h jh b q bq v w vw |
author_facet | Hawkey, James 1979- Quash, Ben White, Vernon 1953- |
building | Verbundindex |
bvnumber | BV047013355 |
collection | ZDB-7-TFC |
ctrlnum | (ZDB-7-TFC)9781315585314 (DE-599)BVBBV047013355 |
dewey-full | 781.71 |
dewey-hundreds | 700 - The arts |
dewey-ones | 781 - General principles and musical forms |
dewey-raw | 781.71 |
dewey-search | 781.71 |
dewey-sort | 3781.71 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
discipline_str_mv | Musikwissenschaft |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03102nmm a2200469zc 4500</leader><controlfield tag="001">BV047013355</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">201118s2020 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781315585314</subfield><subfield code="9">978-1-315-58531-4</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1315585316</subfield><subfield code="9">1-315-58531-6</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781317126386</subfield><subfield code="9">978-1-317-12638-6</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1317126386</subfield><subfield code="9">1-317-12638-6</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781317126393</subfield><subfield code="9">978-1-317-12639-3</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1317126394</subfield><subfield code="9">1-317-12639-4</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781317126409</subfield><subfield code="9">978-1-317-12640-9</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1317126408</subfield><subfield code="9">1-317-12640-8</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-7-TFC)9781315585314</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047013355</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">781.71</subfield><subfield code="2">23</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">God's song and music's meanings</subfield><subfield code="b">theology, liturgy, and musicology in dialogue</subfield><subfield code="c">edited by James Hawkey, Ben Quash, and Vernon White</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Abingdon, Oxon</subfield><subfield code="b">Routledge</subfield><subfield code="c">2020</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Routledge studies in theology, imagination, and the arts</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Description based on online resource; title from digital title page (viewed on August 21, 2019)</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Taking seriously the practice and not just the theory of music, this ground-breaking collection of essays establishes a new standard for the interdisciplinary conversation between theology, musicology, and liturgical studies. The public making of music in our society happens more often in the context of chapels, churches, and cathedrals than anywhere else. The command to sing and make music to God makes music an essential part of the DNA of Christian worship. The book's three main parts address questions about the history, the performative contexts, and the nature of music. Its opening four chapters traces how accounts of music and its relation to God, the cosmos, and the human person have changed dramatically through Western history, from the patristic period through medieval, Reformation and modern times. A second section examines the role of music in worship, and asks what--if anything--makes a piece of music suitable for religious use. The final part of the book shows how the serious discussion of music opens onto considerations of time, tradition, ontology, anthropology, providence, and the nature of God. A pioneering set of explorations by a distinguished group of international scholars, this book will be of interest to anyone interested in Christianity's long relationship with music, including those working in the fields of theology, musicology, and liturgical studies</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music / Religious aspects / Christianity</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music / Philosophy and aesthetics</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music in churches</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Church music</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Hawkey, James</subfield><subfield code="d">1979-</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Quash, Ben</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">White, Vernon</subfield><subfield code="d">1953-</subfield><subfield code="4">edt</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.taylorfrancis.com/books/9781315585314</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveroeffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-7-TFC</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032420891</subfield></datafield></record></collection> |
id | DE-604.BV047013355 |
illustrated | Not Illustrated |
index_date | 2024-07-03T15:58:13Z |
indexdate | 2024-07-10T09:00:08Z |
institution | BVB |
isbn | 9781315585314 1315585316 9781317126386 1317126386 9781317126393 1317126394 9781317126409 1317126408 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032420891 |
open_access_boolean | |
physical | 1 online resource |
psigel | ZDB-7-TFC |
publishDate | 2020 |
publishDateSearch | 2020 |
publishDateSort | 2020 |
publisher | Routledge |
record_format | marc |
series2 | Routledge studies in theology, imagination, and the arts |
spelling | God's song and music's meanings theology, liturgy, and musicology in dialogue edited by James Hawkey, Ben Quash, and Vernon White Abingdon, Oxon Routledge 2020 1 online resource txt rdacontent c rdamedia cr rdacarrier Routledge studies in theology, imagination, and the arts Description based on online resource; title from digital title page (viewed on August 21, 2019) Taking seriously the practice and not just the theory of music, this ground-breaking collection of essays establishes a new standard for the interdisciplinary conversation between theology, musicology, and liturgical studies. The public making of music in our society happens more often in the context of chapels, churches, and cathedrals than anywhere else. The command to sing and make music to God makes music an essential part of the DNA of Christian worship. The book's three main parts address questions about the history, the performative contexts, and the nature of music. Its opening four chapters traces how accounts of music and its relation to God, the cosmos, and the human person have changed dramatically through Western history, from the patristic period through medieval, Reformation and modern times. A second section examines the role of music in worship, and asks what--if anything--makes a piece of music suitable for religious use. The final part of the book shows how the serious discussion of music opens onto considerations of time, tradition, ontology, anthropology, providence, and the nature of God. A pioneering set of explorations by a distinguished group of international scholars, this book will be of interest to anyone interested in Christianity's long relationship with music, including those working in the fields of theology, musicology, and liturgical studies Music / Religious aspects / Christianity Music / Philosophy and aesthetics Music in churches Church music Hawkey, James 1979- edt Quash, Ben edt White, Vernon 1953- edt https://www.taylorfrancis.com/books/9781315585314 Verlag URL des Erstveroeffentlichers Volltext |
spellingShingle | God's song and music's meanings theology, liturgy, and musicology in dialogue Music / Religious aspects / Christianity Music / Philosophy and aesthetics Music in churches Church music |
title | God's song and music's meanings theology, liturgy, and musicology in dialogue |
title_auth | God's song and music's meanings theology, liturgy, and musicology in dialogue |
title_exact_search | God's song and music's meanings theology, liturgy, and musicology in dialogue |
title_exact_search_txtP | God's song and music's meanings theology, liturgy, and musicology in dialogue |
title_full | God's song and music's meanings theology, liturgy, and musicology in dialogue edited by James Hawkey, Ben Quash, and Vernon White |
title_fullStr | God's song and music's meanings theology, liturgy, and musicology in dialogue edited by James Hawkey, Ben Quash, and Vernon White |
title_full_unstemmed | God's song and music's meanings theology, liturgy, and musicology in dialogue edited by James Hawkey, Ben Quash, and Vernon White |
title_short | God's song and music's meanings |
title_sort | god s song and music s meanings theology liturgy and musicology in dialogue |
title_sub | theology, liturgy, and musicology in dialogue |
topic | Music / Religious aspects / Christianity Music / Philosophy and aesthetics Music in churches Church music |
topic_facet | Music / Religious aspects / Christianity Music / Philosophy and aesthetics Music in churches Church music |
url | https://www.taylorfrancis.com/books/9781315585314 |
work_keys_str_mv | AT hawkeyjames godssongandmusicsmeaningstheologyliturgyandmusicologyindialogue AT quashben godssongandmusicsmeaningstheologyliturgyandmusicologyindialogue AT whitevernon godssongandmusicsmeaningstheologyliturgyandmusicologyindialogue |