A history of the theatre laboratory:

"The term 'theatre laboratory' has entered the regular lexicon of theatre artists, producers, scholars and critics alike. And yet, use of the term is far from unified, often operating as an catch-all for a web of intertwining practices, territories, pedagogies and ideologies. Russian...

Ausführliche Beschreibung

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Bibliographische Detailangaben
1. Verfasser: Brown, Bryan Keith 1976- (VerfasserIn)
Format: Elektronisch E-Book
Sprache:English
Veröffentlicht: Abingdon, Oxon Routledge 2019
Schlagworte:
Online-Zugang:URL des Erstveroeffentlichers
Zusammenfassung:"The term 'theatre laboratory' has entered the regular lexicon of theatre artists, producers, scholars and critics alike. And yet, use of the term is far from unified, often operating as an catch-all for a web of intertwining practices, territories, pedagogies and ideologies. Russian theatre, however, has seen a clear emergence of laboratory practice that can be divided into two distinct organisational structures: the studio and the masterskaya (artisanal guild). By assessing these structures, Bryan Brown offers two archetypes of group organisation that can be applied across the arts and sciences, and reveals a complex history of the laboratory's characteristics and functions that support the term's use in theatre. This book's discursive, historical approach has been informed substantially by contemporary practice, through interviews with, and examinations of, practitioners including Slava Polunin, Anatoli Vassiliev, Sergei Zhenovach and Dmitry Krymov"--
Beschreibung:Description based on online resource; title from digital title page (viewed on December 06, 2018)
Beschreibung:1 online resource (xix, 216 pages)
ISBN:9781315563602
1315563606
9781317191551
1317191552
9781317191544
1317191544
9781317191537
1317191536

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