The grand theater of the world: music, space, and the performance of identity in early modern Rome
Music and space in the early modern world shaped each other in profound ways, and this is particularly apparent when considering Rome, a city that defined itself as the "grande teatro del mondo". The aim of this book is to consider music and space as fundamental elements in the performance...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Abingdon, Oxon
Routledge, an imprint of the Taylor & Francis Group
2020
|
| Schriftenreihe: | Ashgate interdisciplinary studies in opera
Ashgate interdisciplinary studies in opera |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Music and space in the early modern world shaped each other in profound ways, and this is particularly apparent when considering Rome, a city that defined itself as the "grande teatro del mondo". The aim of this book is to consider music and space as fundamental elements in the performance of identity in early modern Rome. Rome's unique milieu, as defined by spiritual and political power, as well as diplomacy and competition between aristocratic families, offers an exceptionally wide array of musical spaces and practices to be explored from an interdisciplinary perspective. Space is viewed as the theatrical backdrop against which to study a variety of musical practices in their functions as signifiers of social and political meanings. The editors wish to go beyond the traditional distinction between music theatrical spectacles - namely opera - and other musical genres and practices to offer a more comprehensive perspective on the ways in which not only dramatic, but also instrumental music and even the sounds of voices and objects in the streets relied on the theatrical dimension of space for their effectiveness in conveying social and political messages. While most chapters deal with musical performances, some focus on specific aspects of the Roman soundscape, or are even intentionally "silent", dealing with visual arts and architecture in their performative and theatrical aspects. The latter offer a perspective that creates a visual counterpoint to the ways in which music and sound shaped space |
| Beschreibung: | Description based on print version record |
| Beschreibung: | 1 online resource (xiii, 235 pages, 13 pages of plates) illustrations (some color) |
| ISBN: | 9781315465890 1315465892 |
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| spelling | The grand theater of the world music, space, and the performance of identity in early modern Rome edited by Valeria De Lucca and Christine Jeanneret Abingdon, Oxon Routledge, an imprint of the Taylor & Francis Group 2020 1 online resource (xiii, 235 pages, 13 pages of plates) illustrations (some color) txt rdacontent c rdamedia cr rdacarrier Ashgate interdisciplinary studies in opera Description based on print version record Music and space in the early modern world shaped each other in profound ways, and this is particularly apparent when considering Rome, a city that defined itself as the "grande teatro del mondo". The aim of this book is to consider music and space as fundamental elements in the performance of identity in early modern Rome. Rome's unique milieu, as defined by spiritual and political power, as well as diplomacy and competition between aristocratic families, offers an exceptionally wide array of musical spaces and practices to be explored from an interdisciplinary perspective. Space is viewed as the theatrical backdrop against which to study a variety of musical practices in their functions as signifiers of social and political meanings. The editors wish to go beyond the traditional distinction between music theatrical spectacles - namely opera - and other musical genres and practices to offer a more comprehensive perspective on the ways in which not only dramatic, but also instrumental music and even the sounds of voices and objects in the streets relied on the theatrical dimension of space for their effectiveness in conveying social and political messages. While most chapters deal with musical performances, some focus on specific aspects of the Roman soundscape, or are even intentionally "silent", dealing with visual arts and architecture in their performative and theatrical aspects. The latter offer a perspective that creates a visual counterpoint to the ways in which music and sound shaped space Music / Social aspects / Italy / Rome / History / 17th century Sound / Social aspects / Italy / Rome / History / 17th century Rome (Italy) / Social life and customs / 17th century De Lucca, Valeria edt Jeanneret, Christine edt https://www.taylorfrancis.com/books/9781315465890 Verlag URL des Erstveroeffentlichers Volltext |
| spellingShingle | The grand theater of the world music, space, and the performance of identity in early modern Rome Music / Social aspects / Italy / Rome / History / 17th century Sound / Social aspects / Italy / Rome / History / 17th century Rome (Italy) / Social life and customs / 17th century |
| title | The grand theater of the world music, space, and the performance of identity in early modern Rome |
| title_auth | The grand theater of the world music, space, and the performance of identity in early modern Rome |
| title_exact_search | The grand theater of the world music, space, and the performance of identity in early modern Rome |
| title_exact_search_txtP | The grand theater of the world music, space, and the performance of identity in early modern Rome |
| title_full | The grand theater of the world music, space, and the performance of identity in early modern Rome edited by Valeria De Lucca and Christine Jeanneret |
| title_fullStr | The grand theater of the world music, space, and the performance of identity in early modern Rome edited by Valeria De Lucca and Christine Jeanneret |
| title_full_unstemmed | The grand theater of the world music, space, and the performance of identity in early modern Rome edited by Valeria De Lucca and Christine Jeanneret |
| title_short | The grand theater of the world |
| title_sort | the grand theater of the world music space and the performance of identity in early modern rome |
| title_sub | music, space, and the performance of identity in early modern Rome |
| topic | Music / Social aspects / Italy / Rome / History / 17th century Sound / Social aspects / Italy / Rome / History / 17th century Rome (Italy) / Social life and customs / 17th century |
| topic_facet | Music / Social aspects / Italy / Rome / History / 17th century Sound / Social aspects / Italy / Rome / History / 17th century Rome (Italy) / Social life and customs / 17th century |
| url | https://www.taylorfrancis.com/books/9781315465890 |
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