Gothic cinema:
"Arguing for the need to understand Gothic cinema as an aesthetic mode, this book explores its long history, from its transitional origins in phantasmagoria shows and the first 'trick' films to its postmodern fragmentation in the Gothic pastiches of Tim Burton. But what is Gothic cine...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Abingdon, Oxon ; New York, NY
Routledge, an imprint of the Taylor & Francis Group
2020
|
| Schriftenreihe: | Routledge film guidebooks
Routledge film guidebooks |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "Arguing for the need to understand Gothic cinema as an aesthetic mode, this book explores its long history, from its transitional origins in phantasmagoria shows and the first 'trick' films to its postmodern fragmentation in the Gothic pastiches of Tim Burton. But what is Gothic cinema and when did it begin? Is the iconography of the Gothic film the same, or equivalent to, that of the horror genre? Are the literary origins of the Gothic what solidified its aesthetics? And exactly what cultural roles does the Gothic continue to perform for us today? Gothic Cinema covers topics such as the chiaroscuro experiments of early German cinema, the monster cinema of the 1930s, the rise of the supernatural explained in the old dark house mystery films of the 1920s and the Female Gothics of the 1940s, the introduction of colour photography in the period Gothics of the late 1950s, the European exploitation booms of the 1960s and 1970s, and the animated films and Gothic superheroes that dominate present times. Throughout, Aldana Reyes makes a strong case for a tighter and more intuitive approach to the Gothic on screen that acknowledges its position within wider film industries with their own sets of financial pressures and priorities. This ground-breaking book is the first thorough chronological, transhistorical and transnational study of Gothic cinema, ideal for both new and seasoned scholars, as well as those with a wider interest in the Gothic"-- |
| Beschreibung: | Description based on print version record |
| Beschreibung: | 1 online resource (xiii, 256 pages : illustrations.) |
| ISBN: | 9781315395388 131539538X |
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| 520 | |a "Arguing for the need to understand Gothic cinema as an aesthetic mode, this book explores its long history, from its transitional origins in phantasmagoria shows and the first 'trick' films to its postmodern fragmentation in the Gothic pastiches of Tim Burton. But what is Gothic cinema and when did it begin? Is the iconography of the Gothic film the same, or equivalent to, that of the horror genre? Are the literary origins of the Gothic what solidified its aesthetics? And exactly what cultural roles does the Gothic continue to perform for us today? Gothic Cinema covers topics such as the chiaroscuro experiments of early German cinema, the monster cinema of the 1930s, the rise of the supernatural explained in the old dark house mystery films of the 1920s and the Female Gothics of the 1940s, the introduction of colour photography in the period Gothics of the late 1950s, the European exploitation booms of the 1960s and 1970s, and the animated films and Gothic superheroes that dominate present times. Throughout, Aldana Reyes makes a strong case for a tighter and more intuitive approach to the Gothic on screen that acknowledges its position within wider film industries with their own sets of financial pressures and priorities. This ground-breaking book is the first thorough chronological, transhistorical and transnational study of Gothic cinema, ideal for both new and seasoned scholars, as well as those with a wider interest in the Gothic"-- | ||
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Datensatz im Suchindex
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| author_facet | Aldana Reyes, Xavier |
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| ctrlnum | (ZDB-7-TFC)9781315395388 (DE-599)BVBBV047012791 |
| dewey-full | 791.43/616409 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/616409 |
| dewey-search | 791.43/616409 |
| dewey-sort | 3791.43 6616409 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| discipline_str_mv | Allgemeines |
| format | Electronic eBook |
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| id | DE-604.BV047012791 |
| illustrated | Illustrated |
| index_date | 2024-07-03T15:58:12Z |
| indexdate | 2024-07-10T09:00:07Z |
| institution | BVB |
| isbn | 9781315395388 131539538X |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032420327 |
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| physical | 1 online resource (xiii, 256 pages : illustrations.) |
| psigel | ZDB-7-TFC |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | Routledge, an imprint of the Taylor & Francis Group |
| record_format | marc |
| series2 | Routledge film guidebooks |
| spelling | Aldana Reyes, Xavier Verfasser aut Gothic cinema Xavier Aldana Reyes Abingdon, Oxon ; New York, NY Routledge, an imprint of the Taylor & Francis Group 2020 © 2020 1 online resource (xiii, 256 pages : illustrations.) txt rdacontent c rdamedia cr rdacarrier Routledge film guidebooks Description based on print version record "Arguing for the need to understand Gothic cinema as an aesthetic mode, this book explores its long history, from its transitional origins in phantasmagoria shows and the first 'trick' films to its postmodern fragmentation in the Gothic pastiches of Tim Burton. But what is Gothic cinema and when did it begin? Is the iconography of the Gothic film the same, or equivalent to, that of the horror genre? Are the literary origins of the Gothic what solidified its aesthetics? And exactly what cultural roles does the Gothic continue to perform for us today? Gothic Cinema covers topics such as the chiaroscuro experiments of early German cinema, the monster cinema of the 1930s, the rise of the supernatural explained in the old dark house mystery films of the 1920s and the Female Gothics of the 1940s, the introduction of colour photography in the period Gothics of the late 1950s, the European exploitation booms of the 1960s and 1970s, and the animated films and Gothic superheroes that dominate present times. Throughout, Aldana Reyes makes a strong case for a tighter and more intuitive approach to the Gothic on screen that acknowledges its position within wider film industries with their own sets of financial pressures and priorities. This ground-breaking book is the first thorough chronological, transhistorical and transnational study of Gothic cinema, ideal for both new and seasoned scholars, as well as those with a wider interest in the Gothic"-- Horror films / History and criticism https://www.taylorfrancis.com/books/9781315395388 Verlag URL des Erstveroeffentlichers Volltext |
| spellingShingle | Aldana Reyes, Xavier Gothic cinema Horror films / History and criticism |
| title | Gothic cinema |
| title_auth | Gothic cinema |
| title_exact_search | Gothic cinema |
| title_exact_search_txtP | Gothic cinema |
| title_full | Gothic cinema Xavier Aldana Reyes |
| title_fullStr | Gothic cinema Xavier Aldana Reyes |
| title_full_unstemmed | Gothic cinema Xavier Aldana Reyes |
| title_short | Gothic cinema |
| title_sort | gothic cinema |
| topic | Horror films / History and criticism |
| topic_facet | Horror films / History and criticism |
| url | https://www.taylorfrancis.com/books/9781315395388 |
| work_keys_str_mv | AT aldanareyesxavier gothiccinema |