Shakespeare's props: memory and cognition
"Shakespeare's most famous props have become transhistorical, transnational metonyms for their plays: a strawberry-spotted handkerchief instantly recalls Othello; a skull, Hamlet. This book reveals the cognitive impact of Shakespeare's props. Departing from the longstanding tendency t...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Routledge
2019
|
| Schriftenreihe: | Routledge studies in Shakespeare
Routledge studies in Shakespeare 36 |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "Shakespeare's most famous props have become transhistorical, transnational metonyms for their plays: a strawberry-spotted handkerchief instantly recalls Othello; a skull, Hamlet. This book reveals the cognitive impact of Shakespeare's props. Departing from the longstanding tendency to conceptualise props as detachable body parts, this monograph argues for props as detachable parts of the mind. Through props, Shakespeare's characters reveal their own cognition and intervene in the cognition of other characters, illuminating and extending their affect. Shakespeare's props are neither static icons nor substitutes for the body, but volatile, malleable, and dangerously exposed extensions of his characters' minds. Recognising them as such offers new readings of the plays, from the way memory becomes a weapon in Hamlet's Elsinore, to the pleasures and perils of Early Modern gift culture in Othello. The book illuminates Shakespeare's exploration of extended cognition, recollection and remembrance at a time when the growth of printing was forcing Renaissance culture to rethink the relationship between memory and the object. Readings in Shakespearean stage history, drawing on much unpublished archival material, reveal how props illuminate cultural priorities: while some props accrue cultural memories, others decay and are forgotten as detritus of the stage"-- |
| Beschreibung: | 1 online resource |
| ISBN: | 9781351967617 1351967614 9781351967600 1351967606 9781315265582 1315265583 9781351967594 1351967592 |
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| 520 | |a "Shakespeare's most famous props have become transhistorical, transnational metonyms for their plays: a strawberry-spotted handkerchief instantly recalls Othello; a skull, Hamlet. This book reveals the cognitive impact of Shakespeare's props. Departing from the longstanding tendency to conceptualise props as detachable body parts, this monograph argues for props as detachable parts of the mind. Through props, Shakespeare's characters reveal their own cognition and intervene in the cognition of other characters, illuminating and extending their affect. Shakespeare's props are neither static icons nor substitutes for the body, but volatile, malleable, and dangerously exposed extensions of his characters' minds. Recognising them as such offers new readings of the plays, from the way memory becomes a weapon in Hamlet's Elsinore, to the pleasures and perils of Early Modern gift culture in Othello. The book illuminates Shakespeare's exploration of extended cognition, recollection and remembrance at a time when the growth of printing was forcing Renaissance culture to rethink the relationship between memory and the object. Readings in Shakespearean stage history, drawing on much unpublished archival material, reveal how props illuminate cultural priorities: while some props accrue cultural memories, others decay and are forgotten as detritus of the stage"-- | ||
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Datensatz im Suchindex
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| author | Duncan, Sophie 1987- |
| author_facet | Duncan, Sophie 1987- |
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| bvnumber | BV047012484 |
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| dewey-full | 822.3/3 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 822 - English drama |
| dewey-raw | 822.3/3 |
| dewey-search | 822.3/3 |
| dewey-sort | 3822.3 13 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| discipline_str_mv | Anglistik / Amerikanistik |
| format | Electronic eBook |
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| id | DE-604.BV047012484 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T15:58:12Z |
| indexdate | 2024-07-10T09:00:07Z |
| institution | BVB |
| isbn | 9781351967617 1351967614 9781351967600 1351967606 9781315265582 1315265583 9781351967594 1351967592 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032420020 |
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| physical | 1 online resource |
| psigel | ZDB-7-TFC |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | Routledge |
| record_format | marc |
| series2 | Routledge studies in Shakespeare |
| spelling | Duncan, Sophie 1987- Verfasser aut Shakespeare's props memory and cognition Sophie Duncan New York, NY Routledge 2019 1 online resource txt rdacontent c rdamedia cr rdacarrier Routledge studies in Shakespeare Routledge studies in Shakespeare 36 "Shakespeare's most famous props have become transhistorical, transnational metonyms for their plays: a strawberry-spotted handkerchief instantly recalls Othello; a skull, Hamlet. This book reveals the cognitive impact of Shakespeare's props. Departing from the longstanding tendency to conceptualise props as detachable body parts, this monograph argues for props as detachable parts of the mind. Through props, Shakespeare's characters reveal their own cognition and intervene in the cognition of other characters, illuminating and extending their affect. Shakespeare's props are neither static icons nor substitutes for the body, but volatile, malleable, and dangerously exposed extensions of his characters' minds. Recognising them as such offers new readings of the plays, from the way memory becomes a weapon in Hamlet's Elsinore, to the pleasures and perils of Early Modern gift culture in Othello. The book illuminates Shakespeare's exploration of extended cognition, recollection and remembrance at a time when the growth of printing was forcing Renaissance culture to rethink the relationship between memory and the object. Readings in Shakespearean stage history, drawing on much unpublished archival material, reveal how props illuminate cultural priorities: while some props accrue cultural memories, others decay and are forgotten as detritus of the stage"-- Shakespeare, William / 1564-1616 / Criticism and interpretation Shakespeare, William / 1564-1616 / Dramatic production Memory in literature Object (Aesthetics) in literature Stage props https://www.taylorfrancis.com/books/9781315265582 Verlag URL des Erstveroeffentlichers Volltext |
| spellingShingle | Duncan, Sophie 1987- Shakespeare's props memory and cognition Shakespeare, William / 1564-1616 / Criticism and interpretation Shakespeare, William / 1564-1616 / Dramatic production Memory in literature Object (Aesthetics) in literature Stage props |
| title | Shakespeare's props memory and cognition |
| title_auth | Shakespeare's props memory and cognition |
| title_exact_search | Shakespeare's props memory and cognition |
| title_exact_search_txtP | Shakespeare's props memory and cognition |
| title_full | Shakespeare's props memory and cognition Sophie Duncan |
| title_fullStr | Shakespeare's props memory and cognition Sophie Duncan |
| title_full_unstemmed | Shakespeare's props memory and cognition Sophie Duncan |
| title_short | Shakespeare's props |
| title_sort | shakespeare s props memory and cognition |
| title_sub | memory and cognition |
| topic | Shakespeare, William / 1564-1616 / Criticism and interpretation Shakespeare, William / 1564-1616 / Dramatic production Memory in literature Object (Aesthetics) in literature Stage props |
| topic_facet | Shakespeare, William / 1564-1616 / Criticism and interpretation Shakespeare, William / 1564-1616 / Dramatic production Memory in literature Object (Aesthetics) in literature Stage props |
| url | https://www.taylorfrancis.com/books/9781315265582 |
| work_keys_str_mv | AT duncansophie shakespearespropsmemoryandcognition |