The music profession in Britain 1780-1920: new perspectives on status and identity
Professionalisation was a key feature of the changing nature of work and society in the nineteenth century, with formal accreditation, registration and organisation becoming increasingly common. Trades and occupations sought protection and improved status via alignment with the professions: an attem...
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Abingdon, Oxon
Routledge
2018
|
| Schriftenreihe: | Music in nineteenth-century Britain
Music in nineteenth-century Britain |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Professionalisation was a key feature of the changing nature of work and society in the nineteenth century, with formal accreditation, registration and organisation becoming increasingly common. Trades and occupations sought protection and improved status via alignment with the professions: an attempt to impose order and standards amid rapid social change, urbanisation and technological development. The structures and expectations governing the music profession were no exception, and were central to changing perceptions of musicians and music itself during the long nineteenth century. The central themes of status and identity run throughout this book, charting ways in which the music profession engaged with its place in society. Contributors investigate the ways in which musicians viewed their own identities, public perceptions of the working musician, the statuses of different sectors of the profession and attempts to manipulate both status and identity. Ten chapters examine a range of sectors of the music profession, from publishers and performers to teachers and military musicians, and overall themes include class, gender and formal accreditation. The chapters demonstrate the wide range of sectors within the music profession, the different ways in which these took on status and identity, and the unique position of professional musicians both to adopt and to challenge social norms |
| Beschreibung: | 1 online resource (x, 230 pages) |
| ISBN: | 9781351965743 1351965743 9781315265001 1315265001 9781351965750 1351965751 9781351965736 1351965735 |
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| dewey-sort | 3780.23 241 |
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| discipline | Musikwissenschaft |
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| id | DE-604.BV047012467 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T15:58:12Z |
| indexdate | 2024-07-10T09:00:07Z |
| institution | BVB |
| isbn | 9781351965743 1351965743 9781315265001 1315265001 9781351965750 1351965751 9781351965736 1351965735 |
| language | English |
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| physical | 1 online resource (x, 230 pages) |
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| series2 | Music in nineteenth-century Britain |
| spelling | The music profession in Britain 1780-1920 new perspectives on status and identity edited by Rosemary Golding Abingdon, Oxon Routledge 2018 1 online resource (x, 230 pages) txt rdacontent c rdamedia cr rdacarrier Music in nineteenth-century Britain Professionalisation was a key feature of the changing nature of work and society in the nineteenth century, with formal accreditation, registration and organisation becoming increasingly common. Trades and occupations sought protection and improved status via alignment with the professions: an attempt to impose order and standards amid rapid social change, urbanisation and technological development. The structures and expectations governing the music profession were no exception, and were central to changing perceptions of musicians and music itself during the long nineteenth century. The central themes of status and identity run throughout this book, charting ways in which the music profession engaged with its place in society. Contributors investigate the ways in which musicians viewed their own identities, public perceptions of the working musician, the statuses of different sectors of the profession and attempts to manipulate both status and identity. Ten chapters examine a range of sectors of the music profession, from publishers and performers to teachers and military musicians, and overall themes include class, gender and formal accreditation. The chapters demonstrate the wide range of sectors within the music profession, the different ways in which these took on status and identity, and the unique position of professional musicians both to adopt and to challenge social norms Musicians / England / Social conditions / 19th century Musicians / England / Economic conditions / 19th century Music / Economic aspects / England / History / 19th century Music / Social aspects / England / History / 19th century Music trade / England / History / 19th century Golding, Rosemary edt https://www.taylorfrancis.com/books/9781315265001 Verlag URL des Erstveroeffentlichers Volltext |
| spellingShingle | The music profession in Britain 1780-1920 new perspectives on status and identity Musicians / England / Social conditions / 19th century Musicians / England / Economic conditions / 19th century Music / Economic aspects / England / History / 19th century Music / Social aspects / England / History / 19th century Music trade / England / History / 19th century |
| title | The music profession in Britain 1780-1920 new perspectives on status and identity |
| title_auth | The music profession in Britain 1780-1920 new perspectives on status and identity |
| title_exact_search | The music profession in Britain 1780-1920 new perspectives on status and identity |
| title_exact_search_txtP | The music profession in Britain 1780-1920 new perspectives on status and identity |
| title_full | The music profession in Britain 1780-1920 new perspectives on status and identity edited by Rosemary Golding |
| title_fullStr | The music profession in Britain 1780-1920 new perspectives on status and identity edited by Rosemary Golding |
| title_full_unstemmed | The music profession in Britain 1780-1920 new perspectives on status and identity edited by Rosemary Golding |
| title_short | The music profession in Britain 1780-1920 |
| title_sort | the music profession in britain 1780 1920 new perspectives on status and identity |
| title_sub | new perspectives on status and identity |
| topic | Musicians / England / Social conditions / 19th century Musicians / England / Economic conditions / 19th century Music / Economic aspects / England / History / 19th century Music / Social aspects / England / History / 19th century Music trade / England / History / 19th century |
| topic_facet | Musicians / England / Social conditions / 19th century Musicians / England / Economic conditions / 19th century Music / Economic aspects / England / History / 19th century Music / Social aspects / England / History / 19th century Music trade / England / History / 19th century |
| url | https://www.taylorfrancis.com/books/9781315265001 |
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