Philosophy of Western music: a contemporary introduction
This is the first comprehensive book-length introduction to the philosophy of Western music that fully integrates consideration of popular music and hybrid musical forms, especially song. Its author, Andrew Kania, begins by asking whether Bob Dylan should even have been eligible for the Nobel Prize...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York
Routledge, Taylor & Francis Group
2020
|
| Schriftenreihe: | Routledge contemporary introductions to philosophy
Routledge contemporary introductions to philosophy |
| Schlagworte: | |
| Online-Zugang: | UBM01 Volltext |
| Zusammenfassung: | This is the first comprehensive book-length introduction to the philosophy of Western music that fully integrates consideration of popular music and hybrid musical forms, especially song. Its author, Andrew Kania, begins by asking whether Bob Dylan should even have been eligible for the Nobel Prize in Literature, given that he is a musician. This motivates a discussion of music as an artistic medium, and what philosophy has to contribute to our thinking about music. Chapters 2-5 investigate the most commonly defended sources of musical value: its emotional power, its form, and specifically musical features (such as pitch, rhythm, and harmony). In chapters 6-9, Kania explores issues arising from different musical practices, particularly work-performance (with a focus on classical music), improvisation (with a focus on jazz), and recording (with a focus on rock and pop). Chapter 10 examines the intersection of music and morality. The book ends with a consideration of what, ultimately, music is. Key Features Uses popular-song examples throughout, but also discusses a range of musical traditions (notably, rock, pop, classical, and jazz) Explains both philosophical and musical terms when they are first introduced Provides publicly accessible Spotify playlists of the musical examples discussed in the book Each chapter begins with an overview and ends with questions for testing comprehension and stimulating further thought, along with suggestions for further reading |
| Beschreibung: | 1 online resource (xxii, 338 pages) |
| ISBN: | 9781315210629 1315210622 9781351810234 1351810235 9781351810241 1351810243 9781351810227 1351810227 |
| DOI: | 10.4324/9781315210629 |
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| 520 | |a This is the first comprehensive book-length introduction to the philosophy of Western music that fully integrates consideration of popular music and hybrid musical forms, especially song. Its author, Andrew Kania, begins by asking whether Bob Dylan should even have been eligible for the Nobel Prize in Literature, given that he is a musician. This motivates a discussion of music as an artistic medium, and what philosophy has to contribute to our thinking about music. Chapters 2-5 investigate the most commonly defended sources of musical value: its emotional power, its form, and specifically musical features (such as pitch, rhythm, and harmony). In chapters 6-9, Kania explores issues arising from different musical practices, particularly work-performance (with a focus on classical music), improvisation (with a focus on jazz), and recording (with a focus on rock and pop). Chapter 10 examines the intersection of music and morality. The book ends with a consideration of what, ultimately, music is. Key Features Uses popular-song examples throughout, but also discusses a range of musical traditions (notably, rock, pop, classical, and jazz) Explains both philosophical and musical terms when they are first introduced Provides publicly accessible Spotify playlists of the musical examples discussed in the book Each chapter begins with an overview and ends with questions for testing comprehension and stimulating further thought, along with suggestions for further reading | ||
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| dewey-full | 780.1 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780.1 |
| dewey-search | 780.1 |
| dewey-sort | 3780.1 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| doi_str_mv | 10.4324/9781315210629 |
| format | Electronic eBook |
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| illustrated | Not Illustrated |
| index_date | 2024-07-03T15:58:11Z |
| indexdate | 2024-07-10T09:00:06Z |
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| isbn | 9781315210629 1315210622 9781351810234 1351810235 9781351810241 1351810243 9781351810227 1351810227 |
| language | English |
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| physical | 1 online resource (xxii, 338 pages) |
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| spelling | Kania, Andrew Verfasser (DE-588)1245006614 aut Philosophy of Western music a contemporary introduction Andrew Kania New York Routledge, Taylor & Francis Group 2020 1 online resource (xxii, 338 pages) txt rdacontent c rdamedia cr rdacarrier Routledge contemporary introductions to philosophy This is the first comprehensive book-length introduction to the philosophy of Western music that fully integrates consideration of popular music and hybrid musical forms, especially song. Its author, Andrew Kania, begins by asking whether Bob Dylan should even have been eligible for the Nobel Prize in Literature, given that he is a musician. This motivates a discussion of music as an artistic medium, and what philosophy has to contribute to our thinking about music. Chapters 2-5 investigate the most commonly defended sources of musical value: its emotional power, its form, and specifically musical features (such as pitch, rhythm, and harmony). In chapters 6-9, Kania explores issues arising from different musical practices, particularly work-performance (with a focus on classical music), improvisation (with a focus on jazz), and recording (with a focus on rock and pop). Chapter 10 examines the intersection of music and morality. The book ends with a consideration of what, ultimately, music is. Key Features Uses popular-song examples throughout, but also discusses a range of musical traditions (notably, rock, pop, classical, and jazz) Explains both philosophical and musical terms when they are first introduced Provides publicly accessible Spotify playlists of the musical examples discussed in the book Each chapter begins with an overview and ends with questions for testing comprehension and stimulating further thought, along with suggestions for further reading Music / Philosophy and aesthetics https://doi.org/10.4324/9781315210629 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Kania, Andrew Philosophy of Western music a contemporary introduction Music / Philosophy and aesthetics |
| title | Philosophy of Western music a contemporary introduction |
| title_auth | Philosophy of Western music a contemporary introduction |
| title_exact_search | Philosophy of Western music a contemporary introduction |
| title_exact_search_txtP | Philosophy of Western music a contemporary introduction |
| title_full | Philosophy of Western music a contemporary introduction Andrew Kania |
| title_fullStr | Philosophy of Western music a contemporary introduction Andrew Kania |
| title_full_unstemmed | Philosophy of Western music a contemporary introduction Andrew Kania |
| title_short | Philosophy of Western music |
| title_sort | philosophy of western music a contemporary introduction |
| title_sub | a contemporary introduction |
| topic | Music / Philosophy and aesthetics |
| topic_facet | Music / Philosophy and aesthetics |
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