Halloween: youth cinema and the horrors of growing up
"John Carpenter's 1978 horror hit Halloween was once considered the be-all, end-all of teen slasher cinema and was regarded as the first, the best, and the most influential American slasher film. Recent revisions in film history, however, have challenged Halloween's comfortable place...
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
New York, NY
Routledge
2020
|
Schriftenreihe: | Cinema and youth cultures
|
Schlagworte: | |
Online-Zugang: | DE-92 Volltext |
Zusammenfassung: | "John Carpenter's 1978 horror hit Halloween was once considered the be-all, end-all of teen slasher cinema and was regarded as the first, the best, and the most influential American slasher film. Recent revisions in film history, however, have challenged Halloween's comfortable place in the canon of youth horror cinema. This study argues that Halloween need not be the first nor the most influential youth slasher film for it to hold a special place in the history of youth cinema. In a manner like no other film, Halloween draws from the themes, imagery, and obsessions that fuelled youth horror cinema since the 1950s - Gothic atmosphere, atomic dread, twisted psychology, and alienated teenage monsters - and ties them together in the deceptively simple story of a masked killer stalking babysitters on Halloween night. Along the way, the film delivers a savage critique of social institutions and their failure to protect young people. Halloween also depicts a cadre of compelling and complicated youth characters: teenage babysitters watching over preadolescents as a killer, who is viciously avoiding the responsibilities of young adulthood, stalks them through the shadows. This book explores all these aspects of Halloween, including the franchise it spawned"-- |
Beschreibung: | 1 Online-Ressource (xix, 105 Seiten) |
ISBN: | 9781315185453 1315185458 9781351734165 1351734164 9781351734158 1351734156 |
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520 | |a "John Carpenter's 1978 horror hit Halloween was once considered the be-all, end-all of teen slasher cinema and was regarded as the first, the best, and the most influential American slasher film. Recent revisions in film history, however, have challenged Halloween's comfortable place in the canon of youth horror cinema. This study argues that Halloween need not be the first nor the most influential youth slasher film for it to hold a special place in the history of youth cinema. In a manner like no other film, Halloween draws from the themes, imagery, and obsessions that fuelled youth horror cinema since the 1950s - Gothic atmosphere, atomic dread, twisted psychology, and alienated teenage monsters - and ties them together in the deceptively simple story of a masked killer stalking babysitters on Halloween night. Along the way, the film delivers a savage critique of social institutions and their failure to protect young people. Halloween also depicts a cadre of compelling and complicated youth characters: teenage babysitters watching over preadolescents as a killer, who is viciously avoiding the responsibilities of young adulthood, stalks them through the shadows. This book explores all these aspects of Halloween, including the franchise it spawned"-- | ||
630 | 0 | 4 | |a Halloween (Motion picture : 1978) |
650 | 4 | |a Halloween films | |
650 | 4 | |a Youth in motion pictures | |
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Datensatz im Suchindex
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adam_text | |
adam_txt | |
any_adam_object | |
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author | Bernard, Mark |
author_GND | (DE-588)1049413083 |
author_facet | Bernard, Mark |
author_role | aut |
author_sort | Bernard, Mark |
author_variant | m b mb |
building | Verbundindex |
bvnumber | BV047011977 |
classification_rvk | AP 59800 |
collection | ZDB-7-TFC |
ctrlnum | (ZDB-7-TFC)9781315185453 (OCoLC)1314900001 (DE-599)BVBBV047011977 |
dewey-full | 791.43/75 |
dewey-hundreds | 700 - The arts |
dewey-ones | 791 - Public performances |
dewey-raw | 791.43/75 |
dewey-search | 791.43/75 |
dewey-sort | 3791.43 275 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
discipline_str_mv | Allgemeines |
format | Electronic eBook |
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id | DE-604.BV047011977 |
illustrated | Not Illustrated |
index_date | 2024-07-03T15:58:11Z |
indexdate | 2024-10-16T10:01:35Z |
institution | BVB |
isbn | 9781315185453 1315185458 9781351734165 1351734164 9781351734158 1351734156 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032419513 |
oclc_num | 1314900001 |
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owner | DE-92 |
owner_facet | DE-92 |
physical | 1 Online-Ressource (xix, 105 Seiten) |
psigel | ZDB-7-TFC |
publishDate | 2020 |
publishDateSearch | 2020 |
publishDateSort | 2020 |
publisher | Routledge |
record_format | marc |
series2 | Cinema and youth cultures |
spelling | Bernard, Mark Verfasser (DE-588)1049413083 aut Halloween youth cinema and the horrors of growing up Mark Bernard New York, NY Routledge 2020 © 2020 1 Online-Ressource (xix, 105 Seiten) txt rdacontent c rdamedia cr rdacarrier Cinema and youth cultures "John Carpenter's 1978 horror hit Halloween was once considered the be-all, end-all of teen slasher cinema and was regarded as the first, the best, and the most influential American slasher film. Recent revisions in film history, however, have challenged Halloween's comfortable place in the canon of youth horror cinema. This study argues that Halloween need not be the first nor the most influential youth slasher film for it to hold a special place in the history of youth cinema. In a manner like no other film, Halloween draws from the themes, imagery, and obsessions that fuelled youth horror cinema since the 1950s - Gothic atmosphere, atomic dread, twisted psychology, and alienated teenage monsters - and ties them together in the deceptively simple story of a masked killer stalking babysitters on Halloween night. Along the way, the film delivers a savage critique of social institutions and their failure to protect young people. Halloween also depicts a cadre of compelling and complicated youth characters: teenage babysitters watching over preadolescents as a killer, who is viciously avoiding the responsibilities of young adulthood, stalks them through the shadows. This book explores all these aspects of Halloween, including the franchise it spawned"-- Halloween (Motion picture : 1978) Halloween films Youth in motion pictures Slasher films / United States / History and criticism Horror films / United States / History and criticism https://www.taylorfrancis.com/books/9781315185453 Verlag Volltext |
spellingShingle | Bernard, Mark Halloween youth cinema and the horrors of growing up Halloween (Motion picture : 1978) Halloween films Youth in motion pictures Slasher films / United States / History and criticism Horror films / United States / History and criticism |
title | Halloween youth cinema and the horrors of growing up |
title_auth | Halloween youth cinema and the horrors of growing up |
title_exact_search | Halloween youth cinema and the horrors of growing up |
title_exact_search_txtP | Halloween youth cinema and the horrors of growing up |
title_full | Halloween youth cinema and the horrors of growing up Mark Bernard |
title_fullStr | Halloween youth cinema and the horrors of growing up Mark Bernard |
title_full_unstemmed | Halloween youth cinema and the horrors of growing up Mark Bernard |
title_short | Halloween |
title_sort | halloween youth cinema and the horrors of growing up |
title_sub | youth cinema and the horrors of growing up |
topic | Halloween (Motion picture : 1978) Halloween films Youth in motion pictures Slasher films / United States / History and criticism Horror films / United States / History and criticism |
topic_facet | Halloween (Motion picture : 1978) Halloween films Youth in motion pictures Slasher films / United States / History and criticism Horror films / United States / History and criticism |
url | https://www.taylorfrancis.com/books/9781315185453 |
work_keys_str_mv | AT bernardmark halloweenyouthcinemaandthehorrorsofgrowingup |