Performance autoethnography: critical pedagogy and the politics of culture
"This book is a manifesto. It is about rethinking performance autoethnography, about the formation of a critical performative cultural politics, about what happens when everything is already performative, when the dividing line between performativity and performance disappears. This is a book a...
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Abingdon, Oxon
Routledge/Taylor & Francis Group
2018
|
Ausgabe: | Second edition |
Schlagworte: | |
Online-Zugang: | URL des Erstveroeffentlichers |
Zusammenfassung: | "This book is a manifesto. It is about rethinking performance autoethnography, about the formation of a critical performative cultural politics, about what happens when everything is already performative, when the dividing line between performativity and performance disappears. This is a book about the writing called autoethnography. It is also about what this form of writing means for writers who want to perform work that leads to social justice. Denzin's goal is to take the reader through the history, major terms, forms, criticisms and issues confronting performance autoethnography and critical interpretive. To that end many of the chapters are written as performance texts, as ethnodramas. A single thesis organizes this book: the performance turn has been taken in the human disciplines and it must be taken seriously. Multiple informative performance models are discussed: Goffman's dramaturgy; Turner's performance anthropology; performance ethnographies by A. D. Smith, Conquergood, and Madison; Saldana's ethnodramas; Schechter's social theatre; Norris's playacting; Boal's theatre of the oppressed; and Freire's pedagogies of the oppressed. They represent different ways of staging and hence performing ethnography, resistance and critical pedagogy. They represent different ways of "imagining, and inventing and hence performing alternative imaginaries, alternative counter-performances to war, violence, and the globalized corporate empire" (Schechner 2015). This book provides a systematic treatment of the origins, goals, concepts, genres, methods, aesthetics, ethics and truth conditions of critical performance autoethnography. Denzin uses the performance text as a vehicle for taking up the hard questions about reading, writing, performing and doing critical work that makes a difference"--Publisher's description |
Beschreibung: | Revised edition of: Performance ethnography : critical pedagogy and the politics of culture / Norman K. Denzin. ©2003 Description based on online resource; title from electronic title page (Taylor & Francis, viewed May 31, 2018) |
Beschreibung: | 1 online resource (xii, 310 pages) |
ISBN: | 9781351659086 1351659081 9781315159270 1315159279 |
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520 | |a "This book is a manifesto. It is about rethinking performance autoethnography, about the formation of a critical performative cultural politics, about what happens when everything is already performative, when the dividing line between performativity and performance disappears. This is a book about the writing called autoethnography. It is also about what this form of writing means for writers who want to perform work that leads to social justice. Denzin's goal is to take the reader through the history, major terms, forms, criticisms and issues confronting performance autoethnography and critical interpretive. To that end many of the chapters are written as performance texts, as ethnodramas. A single thesis organizes this book: the performance turn has been taken in the human disciplines and it must be taken seriously. Multiple informative performance models are discussed: Goffman's dramaturgy; Turner's performance anthropology; performance ethnographies by A. D. Smith, Conquergood, and Madison; Saldana's ethnodramas; Schechter's social theatre; Norris's playacting; Boal's theatre of the oppressed; and Freire's pedagogies of the oppressed. They represent different ways of staging and hence performing ethnography, resistance and critical pedagogy. They represent different ways of "imagining, and inventing and hence performing alternative imaginaries, alternative counter-performances to war, violence, and the globalized corporate empire" (Schechner 2015). This book provides a systematic treatment of the origins, goals, concepts, genres, methods, aesthetics, ethics and truth conditions of critical performance autoethnography. Denzin uses the performance text as a vehicle for taking up the hard questions about reading, writing, performing and doing critical work that makes a difference"--Publisher's description | ||
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Datensatz im Suchindex
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author | Denzin, Norman K. |
author_facet | Denzin, Norman K. |
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dewey-ones | 305 - Groups of people |
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discipline | Soziologie |
discipline_str_mv | Soziologie |
edition | Second edition |
format | Electronic eBook |
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illustrated | Not Illustrated |
index_date | 2024-07-03T15:58:10Z |
indexdate | 2024-07-10T09:00:05Z |
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isbn | 9781351659086 1351659081 9781315159270 1315159279 |
language | English |
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physical | 1 online resource (xii, 310 pages) |
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publishDateSearch | 2018 |
publishDateSort | 2018 |
publisher | Routledge/Taylor & Francis Group |
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spelling | Denzin, Norman K. Verfasser aut Performance autoethnography critical pedagogy and the politics of culture Norman K. Denzin Second edition Abingdon, Oxon Routledge/Taylor & Francis Group 2018 © 2018 1 online resource (xii, 310 pages) txt rdacontent c rdamedia cr rdacarrier Revised edition of: Performance ethnography : critical pedagogy and the politics of culture / Norman K. Denzin. ©2003 Description based on online resource; title from electronic title page (Taylor & Francis, viewed May 31, 2018) "This book is a manifesto. It is about rethinking performance autoethnography, about the formation of a critical performative cultural politics, about what happens when everything is already performative, when the dividing line between performativity and performance disappears. This is a book about the writing called autoethnography. It is also about what this form of writing means for writers who want to perform work that leads to social justice. Denzin's goal is to take the reader through the history, major terms, forms, criticisms and issues confronting performance autoethnography and critical interpretive. To that end many of the chapters are written as performance texts, as ethnodramas. A single thesis organizes this book: the performance turn has been taken in the human disciplines and it must be taken seriously. Multiple informative performance models are discussed: Goffman's dramaturgy; Turner's performance anthropology; performance ethnographies by A. D. Smith, Conquergood, and Madison; Saldana's ethnodramas; Schechter's social theatre; Norris's playacting; Boal's theatre of the oppressed; and Freire's pedagogies of the oppressed. They represent different ways of staging and hence performing ethnography, resistance and critical pedagogy. They represent different ways of "imagining, and inventing and hence performing alternative imaginaries, alternative counter-performances to war, violence, and the globalized corporate empire" (Schechner 2015). This book provides a systematic treatment of the origins, goals, concepts, genres, methods, aesthetics, ethics and truth conditions of critical performance autoethnography. Denzin uses the performance text as a vehicle for taking up the hard questions about reading, writing, performing and doing critical work that makes a difference"--Publisher's description Ethnology / Biographical methods Social interaction Critical pedagogy https://www.taylorfrancis.com/books/9781315159270 Verlag URL des Erstveroeffentlichers Volltext |
spellingShingle | Denzin, Norman K. Performance autoethnography critical pedagogy and the politics of culture Ethnology / Biographical methods Social interaction Critical pedagogy |
title | Performance autoethnography critical pedagogy and the politics of culture |
title_auth | Performance autoethnography critical pedagogy and the politics of culture |
title_exact_search | Performance autoethnography critical pedagogy and the politics of culture |
title_exact_search_txtP | Performance autoethnography critical pedagogy and the politics of culture |
title_full | Performance autoethnography critical pedagogy and the politics of culture Norman K. Denzin |
title_fullStr | Performance autoethnography critical pedagogy and the politics of culture Norman K. Denzin |
title_full_unstemmed | Performance autoethnography critical pedagogy and the politics of culture Norman K. Denzin |
title_short | Performance autoethnography |
title_sort | performance autoethnography critical pedagogy and the politics of culture |
title_sub | critical pedagogy and the politics of culture |
topic | Ethnology / Biographical methods Social interaction Critical pedagogy |
topic_facet | Ethnology / Biographical methods Social interaction Critical pedagogy |
url | https://www.taylorfrancis.com/books/9781315159270 |
work_keys_str_mv | AT denzinnormank performanceautoethnographycriticalpedagogyandthepoliticsofculture |