Contemporary British ceramics and the influence of sculpture: monuments, multiples, destruction and display
"This book investigates how British contemporary artists who work with clay have managed, in the space of a single generation, to take ceramics from niche-interest craft to the pristine territories of the contemporary art gallery. This development has been accompanied (and perhaps propelled) by...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York
Routledge
2018
|
| Schriftenreihe: | Routledge Advances in Art and Visual Studies
Routledge advances in art and visual studies |
| Schlagworte: | |
| Online-Zugang: | URL des Erstveroeffentlichers |
| Zusammenfassung: | "This book investigates how British contemporary artists who work with clay have managed, in the space of a single generation, to take ceramics from niche-interest craft to the pristine territories of the contemporary art gallery. This development has been accompanied (and perhaps propelled) by the kind of critical discussion usually reserved for the "higher" discipline of sculpture. Ceramics is now encountering and colliding with sculpture, both formally and intellectually. Laura Gray examines what this means for the old hierarchies between art and craft, the identity of the potter, and the character of a discipline tied to a specific material but wanting to participate in critical discussions that extend far beyond clay."--Provided by publisher |
| Beschreibung: | Description based on print version record |
| Beschreibung: | 1 online resource illustrations |
| ISBN: | 9781315114132 1315114135 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV047010846 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 201118s2018 |||| o||u| ||||||eng d | ||
| 020 | |a 9781315114132 |9 978-1-315-11413-2 | ||
| 020 | |a 1315114135 |9 1-315-11413-5 | ||
| 035 | |a (ZDB-7-TFC)9781315114132 | ||
| 035 | |a (DE-599)BVBBV047010846 | ||
| 040 | |a DE-604 |b ger |e aacr | ||
| 041 | 0 | |a eng | |
| 082 | 0 | |a 738.1 |2 23 | |
| 100 | 1 | |a Gray, Laura |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Contemporary British ceramics and the influence of sculpture |b monuments, multiples, destruction and display |c Laura Gray |
| 264 | 1 | |a New York |b Routledge |c 2018 | |
| 300 | |a 1 online resource |b illustrations | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 490 | 0 | |a Routledge Advances in Art and Visual Studies | |
| 490 | 0 | |a Routledge advances in art and visual studies | |
| 500 | |a Description based on print version record | ||
| 520 | |a "This book investigates how British contemporary artists who work with clay have managed, in the space of a single generation, to take ceramics from niche-interest craft to the pristine territories of the contemporary art gallery. This development has been accompanied (and perhaps propelled) by the kind of critical discussion usually reserved for the "higher" discipline of sculpture. Ceramics is now encountering and colliding with sculpture, both formally and intellectually. Laura Gray examines what this means for the old hierarchies between art and craft, the identity of the potter, and the character of a discipline tied to a specific material but wanting to participate in critical discussions that extend far beyond clay."--Provided by publisher | ||
| 650 | 4 | |a Ceramics / 20th century | |
| 856 | 4 | 0 | |u https://www.taylorfrancis.com/books/9781315114132 |x Verlag |z URL des Erstveroeffentlichers |3 Volltext |
| 912 | |a ZDB-7-TFC | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-032418383 | ||
Datensatz im Suchindex
| _version_ | 1804181967023898624 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Gray, Laura |
| author_facet | Gray, Laura |
| author_role | aut |
| author_sort | Gray, Laura |
| author_variant | l g lg |
| building | Verbundindex |
| bvnumber | BV047010846 |
| collection | ZDB-7-TFC |
| ctrlnum | (ZDB-7-TFC)9781315114132 (DE-599)BVBBV047010846 |
| dewey-full | 738.1 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 738 - Ceramic arts |
| dewey-raw | 738.1 |
| dewey-search | 738.1 |
| dewey-sort | 3738.1 |
| dewey-tens | 730 - Sculpture and related arts |
| discipline | Kunstgeschichte |
| discipline_str_mv | Kunstgeschichte |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>01978nmm a2200349zc 4500</leader><controlfield tag="001">BV047010846</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">201118s2018 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781315114132</subfield><subfield code="9">978-1-315-11413-2</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1315114135</subfield><subfield code="9">1-315-11413-5</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-7-TFC)9781315114132</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047010846</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">aacr</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">738.1</subfield><subfield code="2">23</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Gray, Laura</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Contemporary British ceramics and the influence of sculpture</subfield><subfield code="b">monuments, multiples, destruction and display</subfield><subfield code="c">Laura Gray</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York</subfield><subfield code="b">Routledge</subfield><subfield code="c">2018</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource</subfield><subfield code="b">illustrations</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Routledge Advances in Art and Visual Studies</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Routledge advances in art and visual studies</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Description based on print version record</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">"This book investigates how British contemporary artists who work with clay have managed, in the space of a single generation, to take ceramics from niche-interest craft to the pristine territories of the contemporary art gallery. This development has been accompanied (and perhaps propelled) by the kind of critical discussion usually reserved for the "higher" discipline of sculpture. Ceramics is now encountering and colliding with sculpture, both formally and intellectually. Laura Gray examines what this means for the old hierarchies between art and craft, the identity of the potter, and the character of a discipline tied to a specific material but wanting to participate in critical discussions that extend far beyond clay."--Provided by publisher</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Ceramics / 20th century</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.taylorfrancis.com/books/9781315114132</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveroeffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-7-TFC</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032418383</subfield></datafield></record></collection> |
| id | DE-604.BV047010846 |
| illustrated | Illustrated |
| index_date | 2024-07-03T15:58:09Z |
| indexdate | 2024-07-10T09:00:04Z |
| institution | BVB |
| isbn | 9781315114132 1315114135 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032418383 |
| open_access_boolean | |
| physical | 1 online resource illustrations |
| psigel | ZDB-7-TFC |
| publishDate | 2018 |
| publishDateSearch | 2018 |
| publishDateSort | 2018 |
| publisher | Routledge |
| record_format | marc |
| series2 | Routledge Advances in Art and Visual Studies Routledge advances in art and visual studies |
| spelling | Gray, Laura Verfasser aut Contemporary British ceramics and the influence of sculpture monuments, multiples, destruction and display Laura Gray New York Routledge 2018 1 online resource illustrations txt rdacontent c rdamedia cr rdacarrier Routledge Advances in Art and Visual Studies Routledge advances in art and visual studies Description based on print version record "This book investigates how British contemporary artists who work with clay have managed, in the space of a single generation, to take ceramics from niche-interest craft to the pristine territories of the contemporary art gallery. This development has been accompanied (and perhaps propelled) by the kind of critical discussion usually reserved for the "higher" discipline of sculpture. Ceramics is now encountering and colliding with sculpture, both formally and intellectually. Laura Gray examines what this means for the old hierarchies between art and craft, the identity of the potter, and the character of a discipline tied to a specific material but wanting to participate in critical discussions that extend far beyond clay."--Provided by publisher Ceramics / 20th century https://www.taylorfrancis.com/books/9781315114132 Verlag URL des Erstveroeffentlichers Volltext |
| spellingShingle | Gray, Laura Contemporary British ceramics and the influence of sculpture monuments, multiples, destruction and display Ceramics / 20th century |
| title | Contemporary British ceramics and the influence of sculpture monuments, multiples, destruction and display |
| title_auth | Contemporary British ceramics and the influence of sculpture monuments, multiples, destruction and display |
| title_exact_search | Contemporary British ceramics and the influence of sculpture monuments, multiples, destruction and display |
| title_exact_search_txtP | Contemporary British ceramics and the influence of sculpture monuments, multiples, destruction and display |
| title_full | Contemporary British ceramics and the influence of sculpture monuments, multiples, destruction and display Laura Gray |
| title_fullStr | Contemporary British ceramics and the influence of sculpture monuments, multiples, destruction and display Laura Gray |
| title_full_unstemmed | Contemporary British ceramics and the influence of sculpture monuments, multiples, destruction and display Laura Gray |
| title_short | Contemporary British ceramics and the influence of sculpture |
| title_sort | contemporary british ceramics and the influence of sculpture monuments multiples destruction and display |
| title_sub | monuments, multiples, destruction and display |
| topic | Ceramics / 20th century |
| topic_facet | Ceramics / 20th century |
| url | https://www.taylorfrancis.com/books/9781315114132 |
| work_keys_str_mv | AT graylaura contemporarybritishceramicsandtheinfluenceofsculpturemonumentsmultiplesdestructionanddisplay |