Baroque Lorca: an Arcaist Playwright for the New Stage
Baroque Lorca: An Arcaist Playwright for the New Stage defines Federico Garca Lorca's trajectory in the theater as a lifelong search for an audience. It studies a wide range of dramatic writings that Lorca created for the theater, in direct response to the conditions of his contemporary industr...
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1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Milton
Routledge
2019
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Schriftenreihe: | Routledge Studies in Twentieth-Century Literature Ser
Routledge studies in twentieth-century literature |
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | Baroque Lorca: An Arcaist Playwright for the New Stage defines Federico Garca Lorca's trajectory in the theater as a lifelong search for an audience. It studies a wide range of dramatic writings that Lorca created for the theater, in direct response to the conditions of his contemporary industry, and situates the theory and praxis of his theatrical reform in dialogue with other modernist renovators of the stage. This book makes special emphasis on how Lorca engaged with the tradition of Spanish Baroque, in particular with Cervantes and Caldern, to break away from the conventions of the illusionist stage. The five chapters of the book analyze Lorca's different attempts to change the dynamics of the Spanish stage from 1920 to his assassination in 1936: His initial incursions in the arenas of symbolist and historical drama (The Butterfly's Evil Spell, Mariana Pineda); his interest in puppetry (The Billy-Club Puppets and In the Frame of Don Cristbal) and the two human' farces The Shoemaker's Prodigious Wife and The Love of Don Perlimpln and Belisa in the Garden; the central piece in his project of impossible' theater (The Public); his most explicitly political play, one that takes the violence to the spectators' seats (The Dream of Life); and his three plays adopting, an altering, the contemporary formula of rural drama' (Blood Wedding, Yerma and The House of Bernarda Alba) |
Beschreibung: | 1 online resource (171 pages) |
ISBN: | 9781000766257 100076625X 9781003011408 1003011403 9781000766417 1000766411 9781000766578 1000766578 |
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Datensatz im Suchindex
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author | Pérez-Simón, Andrés |
author_facet | Pérez-Simón, Andrés |
author_role | aut |
author_sort | Pérez-Simón, Andrés |
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building | Verbundindex |
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dewey-full | 862/.62 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 862 - Spanish drama |
dewey-raw | 862/.62 |
dewey-search | 862/.62 |
dewey-sort | 3862 262 |
dewey-tens | 860 - Spanish & Portuguese literatures |
discipline | Romanistik |
discipline_str_mv | Romanistik |
format | Electronic eBook |
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isbn | 9781000766257 100076625X 9781003011408 1003011403 9781000766417 1000766411 9781000766578 1000766578 |
language | English |
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series2 | Routledge Studies in Twentieth-Century Literature Ser Routledge studies in twentieth-century literature |
spelling | Pérez-Simón, Andrés Verfasser aut Baroque Lorca an Arcaist Playwright for the New Stage Milton Routledge 2019 1 online resource (171 pages) txt rdacontent c rdamedia cr rdacarrier Routledge Studies in Twentieth-Century Literature Ser Routledge studies in twentieth-century literature Baroque Lorca: An Arcaist Playwright for the New Stage defines Federico Garca Lorca's trajectory in the theater as a lifelong search for an audience. It studies a wide range of dramatic writings that Lorca created for the theater, in direct response to the conditions of his contemporary industry, and situates the theory and praxis of his theatrical reform in dialogue with other modernist renovators of the stage. This book makes special emphasis on how Lorca engaged with the tradition of Spanish Baroque, in particular with Cervantes and Caldern, to break away from the conventions of the illusionist stage. The five chapters of the book analyze Lorca's different attempts to change the dynamics of the Spanish stage from 1920 to his assassination in 1936: His initial incursions in the arenas of symbolist and historical drama (The Butterfly's Evil Spell, Mariana Pineda); his interest in puppetry (The Billy-Club Puppets and In the Frame of Don Cristbal) and the two human' farces The Shoemaker's Prodigious Wife and The Love of Don Perlimpln and Belisa in the Garden; the central piece in his project of impossible' theater (The Public); his most explicitly political play, one that takes the violence to the spectators' seats (The Dream of Life); and his three plays adopting, an altering, the contemporary formula of rural drama' (Blood Wedding, Yerma and The House of Bernarda Alba) García Lorca, Federico / 1898-1936 / Criticism and interpretation Baroque literature / Influence https://www.taylorfrancis.com/books/9781003011408 Verlag URL des Erstveroeffentlichers Volltext |
spellingShingle | Pérez-Simón, Andrés Baroque Lorca an Arcaist Playwright for the New Stage García Lorca, Federico / 1898-1936 / Criticism and interpretation Baroque literature / Influence |
title | Baroque Lorca an Arcaist Playwright for the New Stage |
title_auth | Baroque Lorca an Arcaist Playwright for the New Stage |
title_exact_search | Baroque Lorca an Arcaist Playwright for the New Stage |
title_exact_search_txtP | Baroque Lorca an Arcaist Playwright for the New Stage |
title_full | Baroque Lorca an Arcaist Playwright for the New Stage |
title_fullStr | Baroque Lorca an Arcaist Playwright for the New Stage |
title_full_unstemmed | Baroque Lorca an Arcaist Playwright for the New Stage |
title_short | Baroque Lorca |
title_sort | baroque lorca an arcaist playwright for the new stage |
title_sub | an Arcaist Playwright for the New Stage |
topic | García Lorca, Federico / 1898-1936 / Criticism and interpretation Baroque literature / Influence |
topic_facet | García Lorca, Federico / 1898-1936 / Criticism and interpretation Baroque literature / Influence |
url | https://www.taylorfrancis.com/books/9781003011408 |
work_keys_str_mv | AT perezsimonandres baroquelorcaanarcaistplaywrightforthenewstage |