Remaking the Readymade: Duchamp, Man Ray, and the conundrum of the replica
"Replication and originality are central concepts in the artistic oeuvres of Marcel Duchamp and Man Ray. Remaking the Readymade reveals the underlying and previously unexplored processes and rationales for the collaboration between Duchamp, Man Ray, and Arturo Schwarz on the replication of read...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge
2018
|
| Schriftenreihe: | Studies in surrealism
Ashgate studies in surrealism |
| Schlagworte: | |
| Online-Zugang: | FUBA1 Volltext |
| Zusammenfassung: | "Replication and originality are central concepts in the artistic oeuvres of Marcel Duchamp and Man Ray. Remaking the Readymade reveals the underlying and previously unexplored processes and rationales for the collaboration between Duchamp, Man Ray, and Arturo Schwarz on the replication of readymades and objects. The 1964 editioned replicas of the readymades sent shock waves through the art world. Even though the replicas undermined ideas of authorship and problematized the notion of identity and the artist, they paradoxically shared in the aura of the originals, becoming stand-ins for the readymades. Scholar-poet-dealer Arturo Schwarz played a crucial role, opening the door to joint or alternate authorshipan outstanding relationship between artist and dealer. By unearthing previously unpublished correspondence and documentary materials and combining this material with newly conducted exclusive interviews with key participants, Remaking the Readymade details heretofore unrevealed aspects of the technical processes involved in the (re)creation of iconic, long-lost Dada objects. Launched on the heels of the centenary of Duchamps Fountain, this new analysis intensifies and complicates our understanding of Duchamp and Man Ray initial conceptions, and raises questions about replication and authorship that will stimulate significant debate about the legacy of the artists, the continuing significance of their works, and the meaning of terms such as creativity, originality, and value in the formation of art."--Provided by publisher |
| Beschreibung: | Auf dem Cover: "An Ashgate book." |
| Beschreibung: | 1 Online-Ressource (x, 272 Seiten) |
| ISBN: | 9780429453724 9780429843570 |
| DOI: | 10.4324/9780429453724 |
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| id | DE-604.BV047008854 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T15:58:06Z |
| indexdate | 2024-07-10T09:00:00Z |
| institution | BVB |
| isbn | 9780429453724 9780429843570 |
| language | English |
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| series2 | Studies in surrealism Ashgate studies in surrealism |
| spelling | Ḳamiʾen-Ḳashdan, ʿAdinah Verfasser (DE-588)1161149325 aut Remaking the Readymade Duchamp, Man Ray, and the conundrum of the replica Adina Kamien-Kazhdan London ; New York Routledge 2018 1 Online-Ressource (x, 272 Seiten) txt rdacontent c rdamedia cr rdacarrier Studies in surrealism Ashgate studies in surrealism Auf dem Cover: "An Ashgate book." "Replication and originality are central concepts in the artistic oeuvres of Marcel Duchamp and Man Ray. Remaking the Readymade reveals the underlying and previously unexplored processes and rationales for the collaboration between Duchamp, Man Ray, and Arturo Schwarz on the replication of readymades and objects. The 1964 editioned replicas of the readymades sent shock waves through the art world. Even though the replicas undermined ideas of authorship and problematized the notion of identity and the artist, they paradoxically shared in the aura of the originals, becoming stand-ins for the readymades. Scholar-poet-dealer Arturo Schwarz played a crucial role, opening the door to joint or alternate authorshipan outstanding relationship between artist and dealer. By unearthing previously unpublished correspondence and documentary materials and combining this material with newly conducted exclusive interviews with key participants, Remaking the Readymade details heretofore unrevealed aspects of the technical processes involved in the (re)creation of iconic, long-lost Dada objects. Launched on the heels of the centenary of Duchamps Fountain, this new analysis intensifies and complicates our understanding of Duchamp and Man Ray initial conceptions, and raises questions about replication and authorship that will stimulate significant debate about the legacy of the artists, the continuing significance of their works, and the meaning of terms such as creativity, originality, and value in the formation of art."--Provided by publisher Duchamp, Marcel / 1887-1968 Man Ray / 1890-1976 Schwarz, Arturo / 1924- Duchamp, Marcel 1887-1968 (DE-588)11852772X gnd rswk-swf Ray, Man 1890-1976 (DE-588)118598694 gnd rswk-swf Imitation in art Mimesis in art Art, Modern / 20th century Art / Philosophy Art, Modern Modernism (Art) Aesthetics History, Modern Originalität (DE-588)4172836-1 gnd rswk-swf Umweltpolitik (DE-588)4078523-3 gnd rswk-swf Internationaler Umweltschutz (DE-588)4162079-3 gnd rswk-swf Reproduktion (DE-588)4115749-7 gnd rswk-swf Kopie (DE-588)4032423-0 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Umweltpolitik (DE-588)4078523-3 s Internationaler Umweltschutz (DE-588)4162079-3 s DE-604 Duchamp, Marcel 1887-1968 (DE-588)11852772X p Ray, Man 1890-1976 (DE-588)118598694 p Kunst (DE-588)4114333-4 s Originalität (DE-588)4172836-1 s Kopie (DE-588)4032423-0 s Reproduktion (DE-588)4115749-7 s Erscheint auch als Druck-Ausgabe, Hardcover 978-1-4724-7816-0 https://doi.org/10.4324/9780429453724 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Ḳamiʾen-Ḳashdan, ʿAdinah Remaking the Readymade Duchamp, Man Ray, and the conundrum of the replica Duchamp, Marcel / 1887-1968 Man Ray / 1890-1976 Schwarz, Arturo / 1924- Duchamp, Marcel 1887-1968 (DE-588)11852772X gnd Ray, Man 1890-1976 (DE-588)118598694 gnd Imitation in art Mimesis in art Art, Modern / 20th century Art / Philosophy Art, Modern Modernism (Art) Aesthetics History, Modern Originalität (DE-588)4172836-1 gnd Umweltpolitik (DE-588)4078523-3 gnd Internationaler Umweltschutz (DE-588)4162079-3 gnd Reproduktion (DE-588)4115749-7 gnd Kopie (DE-588)4032423-0 gnd Kunst (DE-588)4114333-4 gnd |
| subject_GND | (DE-588)11852772X (DE-588)118598694 (DE-588)4172836-1 (DE-588)4078523-3 (DE-588)4162079-3 (DE-588)4115749-7 (DE-588)4032423-0 (DE-588)4114333-4 |
| title | Remaking the Readymade Duchamp, Man Ray, and the conundrum of the replica |
| title_auth | Remaking the Readymade Duchamp, Man Ray, and the conundrum of the replica |
| title_exact_search | Remaking the Readymade Duchamp, Man Ray, and the conundrum of the replica |
| title_exact_search_txtP | Remaking the Readymade Duchamp, Man Ray, and the conundrum of the replica |
| title_full | Remaking the Readymade Duchamp, Man Ray, and the conundrum of the replica Adina Kamien-Kazhdan |
| title_fullStr | Remaking the Readymade Duchamp, Man Ray, and the conundrum of the replica Adina Kamien-Kazhdan |
| title_full_unstemmed | Remaking the Readymade Duchamp, Man Ray, and the conundrum of the replica Adina Kamien-Kazhdan |
| title_short | Remaking the Readymade |
| title_sort | remaking the readymade duchamp man ray and the conundrum of the replica |
| title_sub | Duchamp, Man Ray, and the conundrum of the replica |
| topic | Duchamp, Marcel / 1887-1968 Man Ray / 1890-1976 Schwarz, Arturo / 1924- Duchamp, Marcel 1887-1968 (DE-588)11852772X gnd Ray, Man 1890-1976 (DE-588)118598694 gnd Imitation in art Mimesis in art Art, Modern / 20th century Art / Philosophy Art, Modern Modernism (Art) Aesthetics History, Modern Originalität (DE-588)4172836-1 gnd Umweltpolitik (DE-588)4078523-3 gnd Internationaler Umweltschutz (DE-588)4162079-3 gnd Reproduktion (DE-588)4115749-7 gnd Kopie (DE-588)4032423-0 gnd Kunst (DE-588)4114333-4 gnd |
| topic_facet | Duchamp, Marcel / 1887-1968 Man Ray / 1890-1976 Schwarz, Arturo / 1924- Duchamp, Marcel 1887-1968 Ray, Man 1890-1976 Imitation in art Mimesis in art Art, Modern / 20th century Art / Philosophy Art, Modern Modernism (Art) Aesthetics History, Modern Originalität Umweltpolitik Internationaler Umweltschutz Reproduktion Kopie Kunst |
| url | https://doi.org/10.4324/9780429453724 |
| work_keys_str_mv | AT kamiʾenkashdanʿadinah remakingthereadymadeduchampmanrayandtheconundrumofthereplica |