New music theatre in Europe: transformations between 1955-1975
Between 1955 and 1975 music theatre became a central preoccupation for European composers digesting the consequences of the revolutionary experiments in musical language that followed the end of the Second World War. The 'new music theatre' wrought multiple, significant transformations, se...
Gespeichert in:
| Format: | Elektronisch E-Book |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Abingdon, Oxon
Routledge
2019
|
| Schriftenreihe: | Musical cultures of the twentieth century
Musical cultures of the twentieth century |
| Schlagworte: | |
| Online-Zugang: | URL des Erstveroeffentlichers |
| Zusammenfassung: | Between 1955 and 1975 music theatre became a central preoccupation for European composers digesting the consequences of the revolutionary experiments in musical language that followed the end of the Second World War. The 'new music theatre' wrought multiple, significant transformations, serving as a crucible for the experimental rethinking of theatrical traditions, artistic genres, the conventions of performance, and the composer's relation to society. This volume brings together leading specialists from across Europe to offer a new appraisal of the genre. It is structured according to six themes that investigate: the relation of new music theatre to earlier and contemporaneous theories of drama; the use of new technologies; the relation of new music theatre to progressive politics; the role of new venues and environments; the advancement of new conceptions of the performer; and the challenges that new music theatre lays down for music analysis. Contributing authors address canonical works by composers such as Berio, Birtwistle, Henze, Kagel, Ligeti, Nono, and Zimmermann, but also expand the field to figures and artistic developments not regularly represented in existing music histories. Particular attention is given to new music theatre as a site of intense exchange - between practitioners of different art forms, across national borders, and with diverse mediating institutions |
| Beschreibung: | 1 online resource (xv, 331 pages) |
| ISBN: | 9780429451669 0429451660 9780429837371 0429837372 9780429837364 0429837364 9780429837388 0429837380 |
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| index_date | 2024-07-03T15:58:06Z |
| indexdate | 2024-07-10T09:00:00Z |
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| isbn | 9780429451669 0429451660 9780429837371 0429837372 9780429837364 0429837364 9780429837388 0429837380 |
| language | English |
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| spelling | New music theatre in Europe transformations between 1955-1975 edited by Robert Adlington Abingdon, Oxon Routledge 2019 © 2019 1 online resource (xv, 331 pages) txt rdacontent c rdamedia cr rdacarrier Musical cultures of the twentieth century Between 1955 and 1975 music theatre became a central preoccupation for European composers digesting the consequences of the revolutionary experiments in musical language that followed the end of the Second World War. The 'new music theatre' wrought multiple, significant transformations, serving as a crucible for the experimental rethinking of theatrical traditions, artistic genres, the conventions of performance, and the composer's relation to society. This volume brings together leading specialists from across Europe to offer a new appraisal of the genre. It is structured according to six themes that investigate: the relation of new music theatre to earlier and contemporaneous theories of drama; the use of new technologies; the relation of new music theatre to progressive politics; the role of new venues and environments; the advancement of new conceptions of the performer; and the challenges that new music theatre lays down for music analysis. Contributing authors address canonical works by composers such as Berio, Birtwistle, Henze, Kagel, Ligeti, Nono, and Zimmermann, but also expand the field to figures and artistic developments not regularly represented in existing music histories. Particular attention is given to new music theatre as a site of intense exchange - between practitioners of different art forms, across national borders, and with diverse mediating institutions Music theater / Europe / 20th century / History and criticism Adlington, Robert Sonstige oth https://www.taylorfrancis.com/books/9780429451669 Verlag URL des Erstveroeffentlichers Volltext |
| spellingShingle | New music theatre in Europe transformations between 1955-1975 Music theater / Europe / 20th century / History and criticism |
| title | New music theatre in Europe transformations between 1955-1975 |
| title_auth | New music theatre in Europe transformations between 1955-1975 |
| title_exact_search | New music theatre in Europe transformations between 1955-1975 |
| title_exact_search_txtP | New music theatre in Europe transformations between 1955-1975 |
| title_full | New music theatre in Europe transformations between 1955-1975 edited by Robert Adlington |
| title_fullStr | New music theatre in Europe transformations between 1955-1975 edited by Robert Adlington |
| title_full_unstemmed | New music theatre in Europe transformations between 1955-1975 edited by Robert Adlington |
| title_short | New music theatre in Europe |
| title_sort | new music theatre in europe transformations between 1955 1975 |
| title_sub | transformations between 1955-1975 |
| topic | Music theater / Europe / 20th century / History and criticism |
| topic_facet | Music theater / Europe / 20th century / History and criticism |
| url | https://www.taylorfrancis.com/books/9780429451669 |
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