Voices found: free jazz and singing
"Voices Found: Free Jazz and Singing contributes to a wave of voice studies scholarship with the first book-length study of free jazz voice. It pieces together a history of free jazz voice that spans from sound poetry and scat in the 1950s to the more recent wave of free jazz choirs. The author...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York
Routledge
2019
|
| Ausgabe: | [1.] |
| Schriftenreihe: | Transnational studies in jazz
Transnational studies in jazz |
| Schlagworte: | |
| Online-Zugang: | URL des Erstveroeffentlichers |
| Zusammenfassung: | "Voices Found: Free Jazz and Singing contributes to a wave of voice studies scholarship with the first book-length study of free jazz voice. It pieces together a history of free jazz voice that spans from sound poetry and scat in the 1950s to the more recent wave of free jazz choirs. The author traces the developments and offers a theory, derived from interviews with many of the most important singers in the history of free jazz voice, of how listeners have experienced and evaluated the often unconventional vocal sounds these vocalists employed. This theory explains that even audiences willing to enjoy harsh sounds from saxophones or guitars often resist when voices make sounds that audiences understand as not-human. Experimental poetry and scat were combined and transformed in free jazz spaces in the 1960s and 1970s by vocalists like Yoko Ono (in solo work and her work with Ornette Coleman and John Stevens), Jeanne Lee (in her solo work and her work with Archie Shepp and Gunter Hampel), Leon Thomas (in his solo work as well as his work with Pharoah Sanders and Carlos Santana), and Phil Minton and Maggie Nicols (who devoted much of their energy to creating unaccompanied free jazz vocal music). By studying free jazz voice we can learn important lessons about what we expect from the voice and what happens when those expectations are violated. This book doesn't only trace histories of free jazz voice, it makes an attempt to understand why this story hasn't been told before, with an impressive breadth of scope in terms of the artists covered, drawing on research from the US, Canada, Wales, Scotland, France, The Netherlands, and Japan"-- |
| Beschreibung: | 1 online resource |
| ISBN: | 9780429440427 0429440421 9780429802980 0429802986 9780429802973 0429802978 9780429802966 042980296X |
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| 520 | |a "Voices Found: Free Jazz and Singing contributes to a wave of voice studies scholarship with the first book-length study of free jazz voice. It pieces together a history of free jazz voice that spans from sound poetry and scat in the 1950s to the more recent wave of free jazz choirs. The author traces the developments and offers a theory, derived from interviews with many of the most important singers in the history of free jazz voice, of how listeners have experienced and evaluated the often unconventional vocal sounds these vocalists employed. This theory explains that even audiences willing to enjoy harsh sounds from saxophones or guitars often resist when voices make sounds that audiences understand as not-human. Experimental poetry and scat were combined and transformed in free jazz spaces in the 1960s and 1970s by vocalists like Yoko Ono (in solo work and her work with Ornette Coleman and John Stevens), Jeanne Lee (in her solo work and her work with Archie Shepp and Gunter Hampel), Leon Thomas (in his solo work as well as his work with Pharoah Sanders and Carlos Santana), and Phil Minton and Maggie Nicols (who devoted much of their energy to creating unaccompanied free jazz vocal music). By studying free jazz voice we can learn important lessons about what we expect from the voice and what happens when those expectations are violated. This book doesn't only trace histories of free jazz voice, it makes an attempt to understand why this story hasn't been told before, with an impressive breadth of scope in terms of the artists covered, drawing on research from the US, Canada, Wales, Scotland, France, The Netherlands, and Japan"-- | ||
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| dewey-full | 782.0165/6 |
| dewey-hundreds | 700 - The arts |
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| dewey-sort | 3782.0165 16 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| edition | [1.] |
| format | Electronic eBook |
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| id | DE-604.BV047008467 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T15:58:06Z |
| indexdate | 2024-07-10T08:59:59Z |
| institution | BVB |
| isbn | 9780429440427 0429440421 9780429802980 0429802986 9780429802973 0429802978 9780429802966 042980296X |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032416004 |
| open_access_boolean | |
| physical | 1 online resource |
| psigel | ZDB-7-TFC |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | Routledge |
| record_format | marc |
| series2 | Transnational studies in jazz |
| spelling | Tonelli, Chris Verfasser aut Voices found free jazz and singing Chris Tonelli [1.] New York Routledge 2019 1 online resource txt rdacontent c rdamedia cr rdacarrier Transnational studies in jazz "Voices Found: Free Jazz and Singing contributes to a wave of voice studies scholarship with the first book-length study of free jazz voice. It pieces together a history of free jazz voice that spans from sound poetry and scat in the 1950s to the more recent wave of free jazz choirs. The author traces the developments and offers a theory, derived from interviews with many of the most important singers in the history of free jazz voice, of how listeners have experienced and evaluated the often unconventional vocal sounds these vocalists employed. This theory explains that even audiences willing to enjoy harsh sounds from saxophones or guitars often resist when voices make sounds that audiences understand as not-human. Experimental poetry and scat were combined and transformed in free jazz spaces in the 1960s and 1970s by vocalists like Yoko Ono (in solo work and her work with Ornette Coleman and John Stevens), Jeanne Lee (in her solo work and her work with Archie Shepp and Gunter Hampel), Leon Thomas (in his solo work as well as his work with Pharoah Sanders and Carlos Santana), and Phil Minton and Maggie Nicols (who devoted much of their energy to creating unaccompanied free jazz vocal music). By studying free jazz voice we can learn important lessons about what we expect from the voice and what happens when those expectations are violated. This book doesn't only trace histories of free jazz voice, it makes an attempt to understand why this story hasn't been told before, with an impressive breadth of scope in terms of the artists covered, drawing on research from the US, Canada, Wales, Scotland, France, The Netherlands, and Japan"-- Vocal improvisation (Music) Jazz vocals / History and criticism Free jazz / History and criticism https://www.taylorfrancis.com/books/9780429440427 Verlag URL des Erstveroeffentlichers Volltext |
| spellingShingle | Tonelli, Chris Voices found free jazz and singing Vocal improvisation (Music) Jazz vocals / History and criticism Free jazz / History and criticism |
| title | Voices found free jazz and singing |
| title_auth | Voices found free jazz and singing |
| title_exact_search | Voices found free jazz and singing |
| title_exact_search_txtP | Voices found free jazz and singing |
| title_full | Voices found free jazz and singing Chris Tonelli |
| title_fullStr | Voices found free jazz and singing Chris Tonelli |
| title_full_unstemmed | Voices found free jazz and singing Chris Tonelli |
| title_short | Voices found |
| title_sort | voices found free jazz and singing |
| title_sub | free jazz and singing |
| topic | Vocal improvisation (Music) Jazz vocals / History and criticism Free jazz / History and criticism |
| topic_facet | Vocal improvisation (Music) Jazz vocals / History and criticism Free jazz / History and criticism |
| url | https://www.taylorfrancis.com/books/9780429440427 |
| work_keys_str_mv | AT tonellichris voicesfoundfreejazzandsinging |