Copyright law and derivative works: regulating creativity
Copyright law regulates creativity. It affects the way people create works of authorship ex-ante and affects the status of works of authorship significantly ex-post. But does copyright law really understand creativity? Should legal theories alone inform our regulation of the creative process? This b...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London
Routledge
2019
|
| Schriftenreihe: | Routledge research in intellectual property
Routledge-Cavendish research in intellectual property |
| Schlagworte: | |
| Online-Zugang: | URL des Erstveroeffentlichers |
| Zusammenfassung: | Copyright law regulates creativity. It affects the way people create works of authorship ex-ante and affects the status of works of authorship significantly ex-post. But does copyright law really understand creativity? Should legal theories alone inform our regulation of the creative process? This book views copyright law as a law of creativity. It asks whether copyright law understands authorship as other creativity studies fields do. It considers whether copyright law should incorporate non-legal theories, and if so, how it should be adjusted in their light. For this purpose, the book focuses on one of the many rights that copyright law regulates - the right to make a derivative work. A work is considered derivative when it is based on one or more preexisting works. Today, the owner of a work of authorship has the exclusive right to make derivative works based on her original work or to allow others to do so. The book suggests a new way to think about both the right, the tension, and copyright law at large. It proposes relying on non-legal fields like cognitive psychology and genre theories, and offers new legal-theoretical justifications for the right to make derivative works. As the first book to consider the intersection between copyright law, creativity and derivative works, this will be a valuable resource for students, scholars, and practitioners interested in intellectual property and copyright law |
| Beschreibung: | 1 online resource |
| ISBN: | 9780429439247 0429439245 9780429799402 0429799403 9780429799396 042979939X 9780429799419 0429799411 |
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Datensatz im Suchindex
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| dewey-search | 346.04/82 |
| dewey-sort | 3346.04 282 |
| dewey-tens | 340 - Law |
| discipline | Rechtswissenschaft |
| discipline_str_mv | Rechtswissenschaft |
| format | Electronic eBook |
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It proposes relying on non-legal fields like cognitive psychology and genre theories, and offers new legal-theoretical justifications for the right to make derivative works. 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| index_date | 2024-07-03T15:58:06Z |
| indexdate | 2024-07-10T08:59:59Z |
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| spelling | Rachum-Twaig, Omri Verfasser aut Copyright law and derivative works regulating creativity Omri Rachum-Twaig London Routledge 2019 1 online resource txt rdacontent c rdamedia cr rdacarrier Routledge research in intellectual property Routledge-Cavendish research in intellectual property Copyright law regulates creativity. It affects the way people create works of authorship ex-ante and affects the status of works of authorship significantly ex-post. But does copyright law really understand creativity? Should legal theories alone inform our regulation of the creative process? This book views copyright law as a law of creativity. It asks whether copyright law understands authorship as other creativity studies fields do. It considers whether copyright law should incorporate non-legal theories, and if so, how it should be adjusted in their light. For this purpose, the book focuses on one of the many rights that copyright law regulates - the right to make a derivative work. A work is considered derivative when it is based on one or more preexisting works. Today, the owner of a work of authorship has the exclusive right to make derivative works based on her original work or to allow others to do so. The book suggests a new way to think about both the right, the tension, and copyright law at large. It proposes relying on non-legal fields like cognitive psychology and genre theories, and offers new legal-theoretical justifications for the right to make derivative works. As the first book to consider the intersection between copyright law, creativity and derivative works, this will be a valuable resource for students, scholars, and practitioners interested in intellectual property and copyright law Derivative works (Copyright) Copyright / Neighboring rights Intellectual property and creative ability https://www.taylorfrancis.com/books/9780429439247 Verlag URL des Erstveroeffentlichers Volltext |
| spellingShingle | Rachum-Twaig, Omri Copyright law and derivative works regulating creativity Derivative works (Copyright) Copyright / Neighboring rights Intellectual property and creative ability |
| title | Copyright law and derivative works regulating creativity |
| title_auth | Copyright law and derivative works regulating creativity |
| title_exact_search | Copyright law and derivative works regulating creativity |
| title_exact_search_txtP | Copyright law and derivative works regulating creativity |
| title_full | Copyright law and derivative works regulating creativity Omri Rachum-Twaig |
| title_fullStr | Copyright law and derivative works regulating creativity Omri Rachum-Twaig |
| title_full_unstemmed | Copyright law and derivative works regulating creativity Omri Rachum-Twaig |
| title_short | Copyright law and derivative works |
| title_sort | copyright law and derivative works regulating creativity |
| title_sub | regulating creativity |
| topic | Derivative works (Copyright) Copyright / Neighboring rights Intellectual property and creative ability |
| topic_facet | Derivative works (Copyright) Copyright / Neighboring rights Intellectual property and creative ability |
| url | https://www.taylorfrancis.com/books/9780429439247 |
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