Found footage horror films: a cognitive approach
"This book adopts a cognitive theoretical framework in order to address the mental processes that are elicited and triggered by found footage horror films. Through analysis of key films, the book explores the effects that the diegetic camera technique used in such films can have on the cognitio...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Routledge
2019
|
| Schriftenreihe: | Routledge advances in film studies
Routledge advances in film studies 64 |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "This book adopts a cognitive theoretical framework in order to address the mental processes that are elicited and triggered by found footage horror films. Through analysis of key films, the book explores the effects that the diegetic camera technique used in such films can have on the cognition of viewers. It further examines the way in which mediated realism is constructed in the films in order to attempt to make audiences either (mis)read the footage as non-fiction, or more commonly to imagine that the footage is non-fiction. Films studied include The Blair Witch Project, Rec, Paranormal Activity, Exhibit A, Cloverfield, Man Bites Dog, The Last Horror Movie, Noroi: The Curse, Autohead, and Zero Day. This book will be of key interest to Film Studies scholars with research interests in horror and genre studies, cognitive studies of the moving image, and those with interests in narration, realism and mimesis. It is an essential read for students undertaking courses with a focus on film theory, particularly those interested specifically in horror films and cognitive film theory"-- |
| Beschreibung: | Description based on online resource; title from digital title page (viewed on March 05, 2019) |
| Beschreibung: | 1 online resource (xii, 189 pages) |
| ISBN: | 9780429425486 0429425481 9780429758140 0429758146 9780429758133 0429758138 9780429758126 042975812X |
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| illustrated | Not Illustrated |
| index_date | 2024-07-03T15:58:05Z |
| indexdate | 2024-07-10T08:59:58Z |
| institution | BVB |
| isbn | 9780429425486 0429425481 9780429758140 0429758146 9780429758133 0429758138 9780429758126 042975812X |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032415514 |
| open_access_boolean | |
| physical | 1 online resource (xii, 189 pages) |
| psigel | ZDB-7-TFC |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | Routledge |
| record_format | marc |
| series2 | Routledge advances in film studies |
| spelling | Turner, Peter Verfasser aut Found footage horror films a cognitive approach Peter Turner New York, NY Routledge 2019 © 2019 1 online resource (xii, 189 pages) txt rdacontent c rdamedia cr rdacarrier Routledge advances in film studies Routledge advances in film studies 64 Description based on online resource; title from digital title page (viewed on March 05, 2019) "This book adopts a cognitive theoretical framework in order to address the mental processes that are elicited and triggered by found footage horror films. Through analysis of key films, the book explores the effects that the diegetic camera technique used in such films can have on the cognition of viewers. It further examines the way in which mediated realism is constructed in the films in order to attempt to make audiences either (mis)read the footage as non-fiction, or more commonly to imagine that the footage is non-fiction. Films studied include The Blair Witch Project, Rec, Paranormal Activity, Exhibit A, Cloverfield, Man Bites Dog, The Last Horror Movie, Noroi: The Curse, Autohead, and Zero Day. This book will be of key interest to Film Studies scholars with research interests in horror and genre studies, cognitive studies of the moving image, and those with interests in narration, realism and mimesis. It is an essential read for students undertaking courses with a focus on film theory, particularly those interested specifically in horror films and cognitive film theory"-- Horror films / History and criticism https://www.taylorfrancis.com/books/9780429425486 Verlag URL des Erstveroeffentlichers Volltext |
| spellingShingle | Turner, Peter Found footage horror films a cognitive approach Horror films / History and criticism |
| title | Found footage horror films a cognitive approach |
| title_auth | Found footage horror films a cognitive approach |
| title_exact_search | Found footage horror films a cognitive approach |
| title_exact_search_txtP | Found footage horror films a cognitive approach |
| title_full | Found footage horror films a cognitive approach Peter Turner |
| title_fullStr | Found footage horror films a cognitive approach Peter Turner |
| title_full_unstemmed | Found footage horror films a cognitive approach Peter Turner |
| title_short | Found footage horror films |
| title_sort | found footage horror films a cognitive approach |
| title_sub | a cognitive approach |
| topic | Horror films / History and criticism |
| topic_facet | Horror films / History and criticism |
| url | https://www.taylorfrancis.com/books/9780429425486 |
| work_keys_str_mv | AT turnerpeter foundfootagehorrorfilmsacognitiveapproach |