Poetry and uselessness: from Coleridge to Ashbery
"W.H. Auden famously claimed "poetry makes nothing happen." That may or may not be the case, but the idea that poetry makes nothing happen has, itself, been extremely influential, and has made a great deal happen in the world. This book examines several of the main currents in literar...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Routledge
2020
|
| Schriftenreihe: | Among the Victorians and modernists
Among the Victorians and modernists 20 |
| Schlagworte: | |
| Online-Zugang: | URL des Erstveroeffentlichers |
| Zusammenfassung: | "W.H. Auden famously claimed "poetry makes nothing happen." That may or may not be the case, but the idea that poetry makes nothing happen has, itself, been extremely influential, and has made a great deal happen in the world. This book examines several of the main currents in literary history as that influential idea flows through poetry and into the wider world. Since the invention of the idea, it has influenced theories of education; helped legitimize the entry of the middle class into political life; spawned ideas of symbolism that are still with us; formed a bulwark protecting literary culture from the commercial world; helped create the artistic subculture of bohemia; informed queer discourse and identity; and helped create both contemporary literary taste and the institutions that support it. Through chapters on figures from Coleridge and Tennyson to Yeats, Eliot, Auden, Gertrude Stein and John Ashbery, we see how maintaining that poetry has no use in the world has been and remains a very powerful-and useful-idea"-- |
| Beschreibung: | Description based on online resource; title from digital title page (viewed on April 01, 2020) |
| Beschreibung: | 1 online resource (x, 254 pages) |
| ISBN: | 9780429558221 0429558228 9780429263170 0429263171 9780429553752 0429553757 9780429562693 0429562691 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV047006386 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 201118s2020 |||| o||u| ||||||eng d | ||
| 020 | |a 9780429558221 |9 978-0-429-55822-1 | ||
| 020 | |a 0429558228 |9 0-429-55822-8 | ||
| 020 | |a 9780429263170 |9 978-0-429-26317-0 | ||
| 020 | |a 0429263171 |9 0-429-26317-1 | ||
| 020 | |a 9780429553752 |9 978-0-429-55375-2 | ||
| 020 | |a 0429553757 |9 0-429-55375-7 | ||
| 020 | |a 9780429562693 |9 978-0-429-56269-3 | ||
| 020 | |a 0429562691 |9 0-429-56269-1 | ||
| 035 | |a (ZDB-7-TFC)9780429558221 | ||
| 035 | |a (DE-599)BVBBV047006386 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 082 | 0 | |a 821/.809112 |2 23 | |
| 100 | 1 | |a Archambeau, Robert Thomas |d 1968- |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Poetry and uselessness |b from Coleridge to Ashbery |c Robert Archambeau |
| 264 | 1 | |a New York, NY |b Routledge |c 2020 | |
| 264 | 4 | |c © 2020 | |
| 300 | |a 1 online resource (x, 254 pages) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 490 | 0 | |a Among the Victorians and modernists | |
| 490 | 0 | |a Among the Victorians and modernists |v 20 | |
| 500 | |a Description based on online resource; title from digital title page (viewed on April 01, 2020) | ||
| 520 | |a "W.H. Auden famously claimed "poetry makes nothing happen." That may or may not be the case, but the idea that poetry makes nothing happen has, itself, been extremely influential, and has made a great deal happen in the world. This book examines several of the main currents in literary history as that influential idea flows through poetry and into the wider world. Since the invention of the idea, it has influenced theories of education; helped legitimize the entry of the middle class into political life; spawned ideas of symbolism that are still with us; formed a bulwark protecting literary culture from the commercial world; helped create the artistic subculture of bohemia; informed queer discourse and identity; and helped create both contemporary literary taste and the institutions that support it. Through chapters on figures from Coleridge and Tennyson to Yeats, Eliot, Auden, Gertrude Stein and John Ashbery, we see how maintaining that poetry has no use in the world has been and remains a very powerful-and useful-idea"-- | ||
| 650 | 4 | |a English poetry / 19th century / History and criticism | |
| 650 | 4 | |a Aestheticism (Literature) | |
| 650 | 4 | |a English poetry / 20th century / History and criticism | |
| 650 | 4 | |a American poetry / 20th century / History and criticism | |
| 650 | 4 | |a Poetry / Influence | |
| 650 | 4 | |a Literature and society | |
| 650 | 4 | |a Modernism (Literature) | |
| 856 | 4 | 0 | |u https://www.taylorfrancis.com/books/9780429263170 |x Verlag |z URL des Erstveroeffentlichers |3 Volltext |
| 912 | |a ZDB-7-TFC | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-032413923 | ||
Datensatz im Suchindex
| _version_ | 1804181958703448064 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Archambeau, Robert Thomas 1968- |
| author_facet | Archambeau, Robert Thomas 1968- |
| author_role | aut |
| author_sort | Archambeau, Robert Thomas 1968- |
| author_variant | r t a rt rta |
| building | Verbundindex |
| bvnumber | BV047006386 |
| collection | ZDB-7-TFC |
| ctrlnum | (ZDB-7-TFC)9780429558221 (DE-599)BVBBV047006386 |
| dewey-full | 821/.809112 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 821 - English poetry |
| dewey-raw | 821/.809112 |
| dewey-search | 821/.809112 |
| dewey-sort | 3821 6809112 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| discipline_str_mv | Anglistik / Amerikanistik |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02901nmm a2200505zc 4500</leader><controlfield tag="001">BV047006386</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">201118s2020 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780429558221</subfield><subfield code="9">978-0-429-55822-1</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0429558228</subfield><subfield code="9">0-429-55822-8</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780429263170</subfield><subfield code="9">978-0-429-26317-0</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0429263171</subfield><subfield code="9">0-429-26317-1</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780429553752</subfield><subfield code="9">978-0-429-55375-2</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0429553757</subfield><subfield code="9">0-429-55375-7</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780429562693</subfield><subfield code="9">978-0-429-56269-3</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0429562691</subfield><subfield code="9">0-429-56269-1</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-7-TFC)9780429558221</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047006386</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">821/.809112</subfield><subfield code="2">23</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Archambeau, Robert Thomas</subfield><subfield code="d">1968-</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Poetry and uselessness</subfield><subfield code="b">from Coleridge to Ashbery</subfield><subfield code="c">Robert Archambeau</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York, NY</subfield><subfield code="b">Routledge</subfield><subfield code="c">2020</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2020</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (x, 254 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Among the Victorians and modernists</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Among the Victorians and modernists</subfield><subfield code="v">20</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Description based on online resource; title from digital title page (viewed on April 01, 2020)</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">"W.H. Auden famously claimed "poetry makes nothing happen." That may or may not be the case, but the idea that poetry makes nothing happen has, itself, been extremely influential, and has made a great deal happen in the world. This book examines several of the main currents in literary history as that influential idea flows through poetry and into the wider world. Since the invention of the idea, it has influenced theories of education; helped legitimize the entry of the middle class into political life; spawned ideas of symbolism that are still with us; formed a bulwark protecting literary culture from the commercial world; helped create the artistic subculture of bohemia; informed queer discourse and identity; and helped create both contemporary literary taste and the institutions that support it. Through chapters on figures from Coleridge and Tennyson to Yeats, Eliot, Auden, Gertrude Stein and John Ashbery, we see how maintaining that poetry has no use in the world has been and remains a very powerful-and useful-idea"--</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">English poetry / 19th century / History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Aestheticism (Literature)</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">English poetry / 20th century / History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">American poetry / 20th century / History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Poetry / Influence</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Literature and society</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Modernism (Literature)</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.taylorfrancis.com/books/9780429263170</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveroeffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-7-TFC</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032413923</subfield></datafield></record></collection> |
| id | DE-604.BV047006386 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T15:58:02Z |
| indexdate | 2024-07-10T08:59:56Z |
| institution | BVB |
| isbn | 9780429558221 0429558228 9780429263170 0429263171 9780429553752 0429553757 9780429562693 0429562691 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032413923 |
| open_access_boolean | |
| physical | 1 online resource (x, 254 pages) |
| psigel | ZDB-7-TFC |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | Routledge |
| record_format | marc |
| series2 | Among the Victorians and modernists |
| spelling | Archambeau, Robert Thomas 1968- Verfasser aut Poetry and uselessness from Coleridge to Ashbery Robert Archambeau New York, NY Routledge 2020 © 2020 1 online resource (x, 254 pages) txt rdacontent c rdamedia cr rdacarrier Among the Victorians and modernists Among the Victorians and modernists 20 Description based on online resource; title from digital title page (viewed on April 01, 2020) "W.H. Auden famously claimed "poetry makes nothing happen." That may or may not be the case, but the idea that poetry makes nothing happen has, itself, been extremely influential, and has made a great deal happen in the world. This book examines several of the main currents in literary history as that influential idea flows through poetry and into the wider world. Since the invention of the idea, it has influenced theories of education; helped legitimize the entry of the middle class into political life; spawned ideas of symbolism that are still with us; formed a bulwark protecting literary culture from the commercial world; helped create the artistic subculture of bohemia; informed queer discourse and identity; and helped create both contemporary literary taste and the institutions that support it. Through chapters on figures from Coleridge and Tennyson to Yeats, Eliot, Auden, Gertrude Stein and John Ashbery, we see how maintaining that poetry has no use in the world has been and remains a very powerful-and useful-idea"-- English poetry / 19th century / History and criticism Aestheticism (Literature) English poetry / 20th century / History and criticism American poetry / 20th century / History and criticism Poetry / Influence Literature and society Modernism (Literature) https://www.taylorfrancis.com/books/9780429263170 Verlag URL des Erstveroeffentlichers Volltext |
| spellingShingle | Archambeau, Robert Thomas 1968- Poetry and uselessness from Coleridge to Ashbery English poetry / 19th century / History and criticism Aestheticism (Literature) English poetry / 20th century / History and criticism American poetry / 20th century / History and criticism Poetry / Influence Literature and society Modernism (Literature) |
| title | Poetry and uselessness from Coleridge to Ashbery |
| title_auth | Poetry and uselessness from Coleridge to Ashbery |
| title_exact_search | Poetry and uselessness from Coleridge to Ashbery |
| title_exact_search_txtP | Poetry and uselessness from Coleridge to Ashbery |
| title_full | Poetry and uselessness from Coleridge to Ashbery Robert Archambeau |
| title_fullStr | Poetry and uselessness from Coleridge to Ashbery Robert Archambeau |
| title_full_unstemmed | Poetry and uselessness from Coleridge to Ashbery Robert Archambeau |
| title_short | Poetry and uselessness |
| title_sort | poetry and uselessness from coleridge to ashbery |
| title_sub | from Coleridge to Ashbery |
| topic | English poetry / 19th century / History and criticism Aestheticism (Literature) English poetry / 20th century / History and criticism American poetry / 20th century / History and criticism Poetry / Influence Literature and society Modernism (Literature) |
| topic_facet | English poetry / 19th century / History and criticism Aestheticism (Literature) English poetry / 20th century / History and criticism American poetry / 20th century / History and criticism Poetry / Influence Literature and society Modernism (Literature) |
| url | https://www.taylorfrancis.com/books/9780429263170 |
| work_keys_str_mv | AT archambeaurobertthomas poetryanduselessnessfromcoleridgetoashbery |