Art, race, and fantastic color change in the Victorian novel:
"As a study of color in the Victorian novel, this volume notices and analyzes a peculiar literary phenomenon in which Victorian authors who were also trained as artists dream up fantastically colored characters for their fiction. These strange and eccentric characters include the purple madwoma...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Routledge
2019
|
| Schriftenreihe: | Among the Victorians and modernists
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "As a study of color in the Victorian novel, this volume notices and analyzes a peculiar literary phenomenon in which Victorian authors who were also trained as artists dream up fantastically colored characters for their fiction. These strange and eccentric characters include the purple madwoman Bertha Mason in Charlotte Brontë's Jane Eyre (1847), the blue gentleman Oscar Dubourg from Wilkie Collins's Poor Miss Finch (1872), the red peddler Diggory Venn in Thomas Hardy's The Return of the Native (1878), and the little yellow girls of Arthur Conan Doyle's "The Yellow Face" (1893) and Frances Hodgson Burnett's The Secret Garden (1911). While color has been historically viewed as suspicious and seductive in Western culture, the Victorian period constitutes a significant moment in the history of color: the rapid development of new color technologies and the upheavals of the first avant-garde art movements result in an increase in coloring's prestige in the art academies. At the same time, race science appropriates color, using it as a criterion for classification in the establishment of global racial hierarchies. These artist-authors draw on color's traditional association with constructions of otherness to consider questions of identity and difference through the imaginative possibilities of color"-- |
| Beschreibung: | Description based on print version record and CIP data provided by publisher; resource not viewed |
| Beschreibung: | 1 online resource |
| ISBN: | 0429029071 9780429029073 |
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| 520 | |a "As a study of color in the Victorian novel, this volume notices and analyzes a peculiar literary phenomenon in which Victorian authors who were also trained as artists dream up fantastically colored characters for their fiction. These strange and eccentric characters include the purple madwoman Bertha Mason in Charlotte Brontë's Jane Eyre (1847), the blue gentleman Oscar Dubourg from Wilkie Collins's Poor Miss Finch (1872), the red peddler Diggory Venn in Thomas Hardy's The Return of the Native (1878), and the little yellow girls of Arthur Conan Doyle's "The Yellow Face" (1893) and Frances Hodgson Burnett's The Secret Garden (1911). While color has been historically viewed as suspicious and seductive in Western culture, the Victorian period constitutes a significant moment in the history of color: the rapid development of new color technologies and the upheavals of the first avant-garde art movements result in an increase in coloring's prestige in the art academies. At the same time, race science appropriates color, using it as a criterion for classification in the establishment of global racial hierarchies. These artist-authors draw on color's traditional association with constructions of otherness to consider questions of identity and difference through the imaginative possibilities of color"-- | ||
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| illustrated | Not Illustrated |
| index_date | 2024-07-03T15:58:01Z |
| indexdate | 2024-07-10T08:59:54Z |
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| isbn | 0429029071 9780429029073 |
| language | English |
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| series2 | Among the Victorians and modernists |
| spelling | Durgan, Jessica Verfasser aut Art, race, and fantastic color change in the Victorian novel Jessica Durgan New York, NY Routledge 2019 1 online resource txt rdacontent c rdamedia cr rdacarrier Among the Victorians and modernists Description based on print version record and CIP data provided by publisher; resource not viewed "As a study of color in the Victorian novel, this volume notices and analyzes a peculiar literary phenomenon in which Victorian authors who were also trained as artists dream up fantastically colored characters for their fiction. These strange and eccentric characters include the purple madwoman Bertha Mason in Charlotte Brontë's Jane Eyre (1847), the blue gentleman Oscar Dubourg from Wilkie Collins's Poor Miss Finch (1872), the red peddler Diggory Venn in Thomas Hardy's The Return of the Native (1878), and the little yellow girls of Arthur Conan Doyle's "The Yellow Face" (1893) and Frances Hodgson Burnett's The Secret Garden (1911). While color has been historically viewed as suspicious and seductive in Western culture, the Victorian period constitutes a significant moment in the history of color: the rapid development of new color technologies and the upheavals of the first avant-garde art movements result in an increase in coloring's prestige in the art academies. At the same time, race science appropriates color, using it as a criterion for classification in the establishment of global racial hierarchies. These artist-authors draw on color's traditional association with constructions of otherness to consider questions of identity and difference through the imaginative possibilities of color"-- English fiction / 19th century / History and criticism Symbolism of colors in literature Literature and society / Great Britain / History / 19th century Other (Philosophy) in literature https://www.taylorfrancis.com/books/9780429029073 Verlag URL des Erstveroeffentlichers Volltext |
| spellingShingle | Durgan, Jessica Art, race, and fantastic color change in the Victorian novel English fiction / 19th century / History and criticism Symbolism of colors in literature Literature and society / Great Britain / History / 19th century Other (Philosophy) in literature |
| title | Art, race, and fantastic color change in the Victorian novel |
| title_auth | Art, race, and fantastic color change in the Victorian novel |
| title_exact_search | Art, race, and fantastic color change in the Victorian novel |
| title_exact_search_txtP | Art, race, and fantastic color change in the Victorian novel |
| title_full | Art, race, and fantastic color change in the Victorian novel Jessica Durgan |
| title_fullStr | Art, race, and fantastic color change in the Victorian novel Jessica Durgan |
| title_full_unstemmed | Art, race, and fantastic color change in the Victorian novel Jessica Durgan |
| title_short | Art, race, and fantastic color change in the Victorian novel |
| title_sort | art race and fantastic color change in the victorian novel |
| topic | English fiction / 19th century / History and criticism Symbolism of colors in literature Literature and society / Great Britain / History / 19th century Other (Philosophy) in literature |
| topic_facet | English fiction / 19th century / History and criticism Symbolism of colors in literature Literature and society / Great Britain / History / 19th century Other (Philosophy) in literature |
| url | https://www.taylorfrancis.com/books/9780429029073 |
| work_keys_str_mv | AT durganjessica artraceandfantasticcolorchangeinthevictoriannovel |