The cinema of disorientation: inviting confusions
Examines disorientation and confusion, and their theoretical implications, in contemporary narrative film
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2020]
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| Schlagworte: | |
| Zusammenfassung: | Examines disorientation and confusion, and their theoretical implications, in contemporary narrative film |
| Beschreibung: | 198 Seiten Illustrationen, Diagramme 25 cm |
| ISBN: | 9781474462778 |
Internformat
MARC
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| 100 | 1 | |a Lash, Dominic |d 1980- |e Verfasser |0 (DE-588)1033674605 |4 aut | |
| 245 | 1 | 0 | |a The cinema of disorientation |b inviting confusions |c Dominic Lash |
| 264 | 1 | |a Edinburgh |b Edinburgh University Press |c [2020] | |
| 264 | 4 | |c © 2020 | |
| 300 | |a 198 Seiten |b Illustrationen, Diagramme |c 25 cm | ||
| 336 | |b txt |2 rdacontent | ||
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| 505 | 8 | |a Introduction -- Prospectus -- Part 1: Confusion as fusion: metalepsis, completeness and coherence. Metalepsis in film and its implications ; Genres within genres within genres: nested narrative and metalepsis ; 'Disappeared where it's real hard to disappear': three ways of getting lost in Inland Empire ; Achieving coherence: diegesis and death in Holy Motors -- Part 2: Disorientating figures and figures of disorientation. Figuring (out) films: figuration in narrative cinema ; Distinguishing the indistinguishable: figures of imperceptibility and impossibility in Lost Highway and Caché ; Homes for displaced figures: Pedro Costa's Colossal Youth ; Sink or swim: immersing ourselves in Jean-Luc Godard's Adieu au Langage -- Conclusion: Method-free orientation -- Appendix: Colossal Youth scene breakdown | |
| 520 | 3 | |a Examines disorientation and confusion, and their theoretical implications, in contemporary narrative film | |
| 650 | 0 | 7 | |a Desorientierung |0 (DE-588)4123051-6 |2 gnd |9 rswk-swf |
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| 650 | 0 | 7 | |a Film |0 (DE-588)4017102-4 |2 gnd |9 rswk-swf |
| 653 | |a Inland empire (Motion picture) | ||
| 653 | |a Holy motors (Motion picture) | ||
| 653 | |a Colossal youth (Motion picture) | ||
| 653 | |a Goodbye to language (Motion picture) | ||
| 653 | 0 | |a Motion pictures / History | |
| 653 | 0 | |a Orientation (Psychology) | |
| 653 | 0 | |a Perplexity (Philosophy) | |
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| 653 | 0 | |a Perplexity (Philosophy) | |
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Datensatz im Suchindex
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| author | Lash, Dominic 1980- |
| author_GND | (DE-588)1033674605 |
| author_facet | Lash, Dominic 1980- |
| author_role | aut |
| author_sort | Lash, Dominic 1980- |
| author_variant | d l dl |
| building | Verbundindex |
| bvnumber | BV047001452 |
| contents | Introduction -- Prospectus -- Part 1: Confusion as fusion: metalepsis, completeness and coherence. Metalepsis in film and its implications ; Genres within genres within genres: nested narrative and metalepsis ; 'Disappeared where it's real hard to disappear': three ways of getting lost in Inland Empire ; Achieving coherence: diegesis and death in Holy Motors -- Part 2: Disorientating figures and figures of disorientation. Figuring (out) films: figuration in narrative cinema ; Distinguishing the indistinguishable: figures of imperceptibility and impossibility in Lost Highway and Caché ; Homes for displaced figures: Pedro Costa's Colossal Youth ; Sink or swim: immersing ourselves in Jean-Luc Godard's Adieu au Langage -- Conclusion: Method-free orientation -- Appendix: Colossal Youth scene breakdown |
| ctrlnum | (OCoLC)1226120436 (DE-599)BVBBV047001452 |
| format | Book |
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| id | DE-604.BV047001452 |
| illustrated | Illustrated |
| index_date | 2024-07-03T15:57:03Z |
| indexdate | 2024-07-10T08:59:48Z |
| institution | BVB |
| isbn | 9781474462778 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032409073 |
| oclc_num | 1226120436 |
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| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 198 Seiten Illustrationen, Diagramme 25 cm |
| psigel | BSB_NED_20210108 |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | Edinburgh University Press |
| record_format | marc |
| spelling | Lash, Dominic 1980- Verfasser (DE-588)1033674605 aut The cinema of disorientation inviting confusions Dominic Lash Edinburgh Edinburgh University Press [2020] © 2020 198 Seiten Illustrationen, Diagramme 25 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier Introduction -- Prospectus -- Part 1: Confusion as fusion: metalepsis, completeness and coherence. Metalepsis in film and its implications ; Genres within genres within genres: nested narrative and metalepsis ; 'Disappeared where it's real hard to disappear': three ways of getting lost in Inland Empire ; Achieving coherence: diegesis and death in Holy Motors -- Part 2: Disorientating figures and figures of disorientation. Figuring (out) films: figuration in narrative cinema ; Distinguishing the indistinguishable: figures of imperceptibility and impossibility in Lost Highway and Caché ; Homes for displaced figures: Pedro Costa's Colossal Youth ; Sink or swim: immersing ourselves in Jean-Luc Godard's Adieu au Langage -- Conclusion: Method-free orientation -- Appendix: Colossal Youth scene breakdown Examines disorientation and confusion, and their theoretical implications, in contemporary narrative film Desorientierung (DE-588)4123051-6 gnd rswk-swf Erzähltechnik (DE-588)4124854-5 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Inland empire (Motion picture) Holy motors (Motion picture) Colossal youth (Motion picture) Goodbye to language (Motion picture) Motion pictures / History Orientation (Psychology) Perplexity (Philosophy) Motion pictures History Film (DE-588)4017102-4 s Erzähltechnik (DE-588)4124854-5 s Desorientierung (DE-588)4123051-6 s DE-604 |
| spellingShingle | Lash, Dominic 1980- The cinema of disorientation inviting confusions Introduction -- Prospectus -- Part 1: Confusion as fusion: metalepsis, completeness and coherence. Metalepsis in film and its implications ; Genres within genres within genres: nested narrative and metalepsis ; 'Disappeared where it's real hard to disappear': three ways of getting lost in Inland Empire ; Achieving coherence: diegesis and death in Holy Motors -- Part 2: Disorientating figures and figures of disorientation. Figuring (out) films: figuration in narrative cinema ; Distinguishing the indistinguishable: figures of imperceptibility and impossibility in Lost Highway and Caché ; Homes for displaced figures: Pedro Costa's Colossal Youth ; Sink or swim: immersing ourselves in Jean-Luc Godard's Adieu au Langage -- Conclusion: Method-free orientation -- Appendix: Colossal Youth scene breakdown Desorientierung (DE-588)4123051-6 gnd Erzähltechnik (DE-588)4124854-5 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4123051-6 (DE-588)4124854-5 (DE-588)4017102-4 |
| title | The cinema of disorientation inviting confusions |
| title_auth | The cinema of disorientation inviting confusions |
| title_exact_search | The cinema of disorientation inviting confusions |
| title_exact_search_txtP | The cinema of disorientation inviting confusions |
| title_full | The cinema of disorientation inviting confusions Dominic Lash |
| title_fullStr | The cinema of disorientation inviting confusions Dominic Lash |
| title_full_unstemmed | The cinema of disorientation inviting confusions Dominic Lash |
| title_short | The cinema of disorientation |
| title_sort | the cinema of disorientation inviting confusions |
| title_sub | inviting confusions |
| topic | Desorientierung (DE-588)4123051-6 gnd Erzähltechnik (DE-588)4124854-5 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | Desorientierung Erzähltechnik Film |
| work_keys_str_mv | AT lashdominic thecinemaofdisorientationinvitingconfusions |