The Cambridge companion to seventeenth-century opera:
The Cambridge Companion to Seventeenth-Century Opera is a much-needed introduction to one of the most defining areas of Western music history - the birth of opera and its developments during the first century of its existence. From opera's Italian foundations to its growth through Europe and th...
Gespeichert in:
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore
Cambridge University Press
2023
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Schriftenreihe: | Cambridge companions to music
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Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | The Cambridge Companion to Seventeenth-Century Opera is a much-needed introduction to one of the most defining areas of Western music history - the birth of opera and its developments during the first century of its existence. From opera's Italian foundations to its growth through Europe and the Americas, the volume charts the changing landscape - on stage and beyond - which shaped the way opera was produced and received. With a range from opera's sixteenth-century antecedents to the threshold of the eighteenth century, this path breaking book is broad enough to function as a comprehensive introduction, yet sufficiently detailed to offer valuable insights into most of early opera's many facets; it guides the reader towards authoritative written and musical sources appropriate for further study. It will be of interest to a wide audience, including undergraduate and graduate students in universities and equivalent institutions, and amateur and professional musicians |
Beschreibung: | xxxii, 385 Seiten Illustrationen, Notenbeispiele |
ISBN: | 9780521530460 9780521823593 |
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Datensatz im Suchindex
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Contents List of Music Examples [page xi] List of Figures [xiii] List of Tables [xv] Notes on Contributors [xvii] Preface [xxi] Chronology [xxv] List of Abbreviations [xxxi] PART I THE ITALIAN FOUNDATIONS [1] 1 Opera Is Born: The Wedding of Music and Drama in Late Renaissance Florence [3] BARBARA RUSSANO HANNING 2 . .e poi le parole’: Towards a History of the Libretto [22] TIM CARTER 3 Aria, Recitative, and Chorus in Italian Opera [39] SARA ELISA STANGALINO 4 Opera as Spectacle, Opera as Drama MARGARET MURATA [77] . PART II SOCIETY, INSTITUTIONS, AND PRODUCTION [103] 5 Opera for a Paying Public (Italy c. 1637-c. 1700) [105] BETH L. GLIXON 6 ‘Una bella voce, un bel trillo, ed un bel passaggio’: Opera Singers in Seventeenth-Century Italy [127] COLLEEN REARDON 7 Opera, Gender, and Voice [146] CHRISTINE JEANNERET 8 Dance and Ballet [170] REBECCA HARRIS-WARRICK ІХ
x Contents 9 Staging Opera in the Seventeenth Century [190] ROGER SAVAGE PART III NATIONAL TRADITIONS (outside italy) [213] 10 Opera in France c. 1640-c. 1710 [215] LAURA NAUDEIX 11 Song and Declamation in French Opera [240] JACQUELINE WAEBER 12 Opera in England [262] AMANDA EUBANKS WINKLER 13 The Development of Opera in the German Countries [286] MICHAEL MAUL 14 Opera in Spain and the Spanish Dominions in Italy and the Americas [312] LOUISE к. stein Further Reading Index [371] [343] |
adam_txt |
Contents List of Music Examples [page xi] List of Figures [xiii] List of Tables [xv] Notes on Contributors [xvii] Preface [xxi] Chronology [xxv] List of Abbreviations [xxxi] PART I THE ITALIAN FOUNDATIONS [1] 1 Opera Is Born: The Wedding of Music and Drama in Late Renaissance Florence [3] BARBARA RUSSANO HANNING 2 . .e poi le parole’: Towards a History of the Libretto [22] TIM CARTER 3 Aria, Recitative, and Chorus in Italian Opera [39] SARA ELISA STANGALINO 4 Opera as Spectacle, Opera as Drama MARGARET MURATA [77] . PART II SOCIETY, INSTITUTIONS, AND PRODUCTION [103] 5 Opera for a Paying Public (Italy c. 1637-c. 1700) [105] BETH L. GLIXON 6 ‘Una bella voce, un bel trillo, ed un bel passaggio’: Opera Singers in Seventeenth-Century Italy [127] COLLEEN REARDON 7 Opera, Gender, and Voice [146] CHRISTINE JEANNERET 8 Dance and Ballet [170] REBECCA HARRIS-WARRICK ІХ
x Contents 9 Staging Opera in the Seventeenth Century [190] ROGER SAVAGE PART III NATIONAL TRADITIONS (outside italy) [213] 10 Opera in France c. 1640-c. 1710 [215] LAURA NAUDEIX 11 Song and Declamation in French Opera [240] JACQUELINE WAEBER 12 Opera in England [262] AMANDA EUBANKS WINKLER 13 The Development of Opera in the German Countries [286] MICHAEL MAUL 14 Opera in Spain and the Spanish Dominions in Italy and the Americas [312] LOUISE к. stein Further Reading Index [371] [343] |
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spelling | The Cambridge companion to seventeenth-century opera edited by Jacqueline Waeber, Duke University Seventeenth-century opera Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore Cambridge University Press 2023 xxxii, 385 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Cambridge companions to music The Cambridge Companion to Seventeenth-Century Opera is a much-needed introduction to one of the most defining areas of Western music history - the birth of opera and its developments during the first century of its existence. From opera's Italian foundations to its growth through Europe and the Americas, the volume charts the changing landscape - on stage and beyond - which shaped the way opera was produced and received. With a range from opera's sixteenth-century antecedents to the threshold of the eighteenth century, this path breaking book is broad enough to function as a comprehensive introduction, yet sufficiently detailed to offer valuable insights into most of early opera's many facets; it guides the reader towards authoritative written and musical sources appropriate for further study. It will be of interest to a wide audience, including undergraduate and graduate students in universities and equivalent institutions, and amateur and professional musicians Geschichte 1600-1700 gnd rswk-swf Oper (DE-588)4043582-9 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Oper (DE-588)4043582-9 s Geschichte 1600-1700 z DE-604 Waeber, Jacqueline (DE-588)1042346860 edt Erscheint auch als Online-Ausgabe 978-1-139-03307-7 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032406899&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | The Cambridge companion to seventeenth-century opera Oper (DE-588)4043582-9 gnd |
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title | The Cambridge companion to seventeenth-century opera |
title_alt | Seventeenth-century opera |
title_auth | The Cambridge companion to seventeenth-century opera |
title_exact_search | The Cambridge companion to seventeenth-century opera |
title_exact_search_txtP | The Cambridge companion to seventeenth-century opera |
title_full | The Cambridge companion to seventeenth-century opera edited by Jacqueline Waeber, Duke University |
title_fullStr | The Cambridge companion to seventeenth-century opera edited by Jacqueline Waeber, Duke University |
title_full_unstemmed | The Cambridge companion to seventeenth-century opera edited by Jacqueline Waeber, Duke University |
title_short | The Cambridge companion to seventeenth-century opera |
title_sort | the cambridge companion to seventeenth century opera |
topic | Oper (DE-588)4043582-9 gnd |
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