The prosthetic imagination: a history of the novel as artificial life
In The Prosthetic Imagination, leading critic Peter Boxall argues that we are now entering an artificial age, in which our given bodies enter into new conjunctions with our prosthetic extensions. This new age requires us to reimagine our relation to our bodies, and to our environments, and Boxall su...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore
Cambridge University Press
2020
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| Schlagworte: | |
| Zusammenfassung: | In The Prosthetic Imagination, leading critic Peter Boxall argues that we are now entering an artificial age, in which our given bodies enter into new conjunctions with our prosthetic extensions. This new age requires us to reimagine our relation to our bodies, and to our environments, and Boxall suggests that the novel as a form can guide us in this imaginative task. Across a dazzling range of prose fictions, from Thomas More's Utopia to Margaret Atwood's Oryx and Crake, Boxall shows how the novel has played a central role in forging the bodies in which we extend ourselves into the world. But if the novel has helped to give our world a human shape, it also contains forms of life that elude our existing human architectures: new amalgams of the living and the non-living that are the hidden province of the novel imagination. These latent conjunctions, Boxall argues, are preserved in the novel form, and offer us images of embodied being that can help us orient ourselves to our new prosthetic condition. |
| Beschreibung: | xi, 411 Seiten |
| ISBN: | 9781108836487 |
Internformat
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| 505 | 8 | |a The Body and the Early Modern State: From More to Cavendish. Fiction, the Body and the State -- Anatomy, Early Modernity and the Prosthetic Imagination -- Utopian Self-Fashioning from More to Cavendish -- The Prosthetic Imagination in the Early Novel Form -- The Colonial Body: From Behn to Goethe. Economies of Scale From Aphra Behn to Sarah Scott -- Colonialism and the World Picture in the Eighteenth-Century Novel -- Invisible Ink: Self-Fashioning and Self-Erasure in Daniel Defoe -- A Continuation of the Brain: Unregulated Bodies in Swift and Scott -- Organic Aesthetics from Richardson to Goethe -- The Organic and the Mechanic -- The Full and the Empty -- Attachment and Evasion -- The Manufactured Body: From Wollstonecraft to Stoker. The Dead Hand: Realism and Biomaterial -- The Dead Hand: Realism and Biomaterial in the Nineteenth-Century -- Irony and Biocritique from Wollstonecraft to Austen -- The Dyer's Hand: Narrative and Biomaterial in Dickens and Eliot -- An Inside Narrative: Prosthetic life in Melville -- Strange Affinity: Gothic Prosthetics from Shelley to Stoker -- The Modernist Body: From James to Beckett -- A Duplication of Consciousness: Realism -- A Duplication of Consciousness: Realism, Modernism and Prosthetic Self-Fashioning -- Modernism and the Fin de Siècle -- Art and Embodiment in James and Wharton -- All Twined Together: Prosthetic Modernism from Proust to Beckett -- Survival and Annihilation Entwined Within Me: Gathering and Dispersal in the Modernist Novel -- Landscape of Prosthetics and Simulacra -- The Limits of the Word -- Like-lines: Simulacral Prosthetics in Morrison and Pynchon -- Prosthetic Worlds in the Twenty-First-Century Novel. World, Nature, Culture -- Hand, Face, Wall -- Mind, Body, World | |
| 520 | 3 | |a In The Prosthetic Imagination, leading critic Peter Boxall argues that we are now entering an artificial age, in which our given bodies enter into new conjunctions with our prosthetic extensions. This new age requires us to reimagine our relation to our bodies, and to our environments, and Boxall suggests that the novel as a form can guide us in this imaginative task. Across a dazzling range of prose fictions, from Thomas More's Utopia to Margaret Atwood's Oryx and Crake, Boxall shows how the novel has played a central role in forging the bodies in which we extend ourselves into the world. But if the novel has helped to give our world a human shape, it also contains forms of life that elude our existing human architectures: new amalgams of the living and the non-living that are the hidden province of the novel imagination. These latent conjunctions, Boxall argues, are preserved in the novel form, and offer us images of embodied being that can help us orient ourselves to our new prosthetic condition. | |
| 650 | 4 | |a Fiction / History and criticism | |
| 650 | 4 | |a Realism in literature | |
| 650 | 4 | |a Mimesis in literature | |
| 650 | 4 | |a Human body in literature | |
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Datensatz im Suchindex
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| author | Boxall, Peter 1969- |
| author_GND | (DE-588)1043450238 |
| author_facet | Boxall, Peter 1969- |
| author_role | aut |
| author_sort | Boxall, Peter 1969- |
| author_variant | p b pb |
| building | Verbundindex |
| bvnumber | BV046998014 |
| classification_rvk | EC 5410 |
| contents | The Body and the Early Modern State: From More to Cavendish. Fiction, the Body and the State -- Anatomy, Early Modernity and the Prosthetic Imagination -- Utopian Self-Fashioning from More to Cavendish -- The Prosthetic Imagination in the Early Novel Form -- The Colonial Body: From Behn to Goethe. Economies of Scale From Aphra Behn to Sarah Scott -- Colonialism and the World Picture in the Eighteenth-Century Novel -- Invisible Ink: Self-Fashioning and Self-Erasure in Daniel Defoe -- A Continuation of the Brain: Unregulated Bodies in Swift and Scott -- Organic Aesthetics from Richardson to Goethe -- The Organic and the Mechanic -- The Full and the Empty -- Attachment and Evasion -- The Manufactured Body: From Wollstonecraft to Stoker. The Dead Hand: Realism and Biomaterial -- The Dead Hand: Realism and Biomaterial in the Nineteenth-Century -- Irony and Biocritique from Wollstonecraft to Austen -- The Dyer's Hand: Narrative and Biomaterial in Dickens and Eliot -- An Inside Narrative: Prosthetic life in Melville -- Strange Affinity: Gothic Prosthetics from Shelley to Stoker -- The Modernist Body: From James to Beckett -- A Duplication of Consciousness: Realism -- A Duplication of Consciousness: Realism, Modernism and Prosthetic Self-Fashioning -- Modernism and the Fin de Siècle -- Art and Embodiment in James and Wharton -- All Twined Together: Prosthetic Modernism from Proust to Beckett -- Survival and Annihilation Entwined Within Me: Gathering and Dispersal in the Modernist Novel -- Landscape of Prosthetics and Simulacra -- The Limits of the Word -- Like-lines: Simulacral Prosthetics in Morrison and Pynchon -- Prosthetic Worlds in the Twenty-First-Century Novel. World, Nature, Culture -- Hand, Face, Wall -- Mind, Body, World |
| ctrlnum | (OCoLC)1189749657 (DE-599)BVBBV046998014 |
| dewey-full | 808.3 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 808 - Rhetoric & collections of literature |
| dewey-raw | 808.3 |
| dewey-search | 808.3 |
| dewey-sort | 3808.3 |
| dewey-tens | 800 - Literature (Belles-lettres) and rhetoric |
| discipline | Literaturwissenschaft |
| discipline_str_mv | Literaturwissenschaft |
| format | Book |
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| id | DE-604.BV046998014 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T15:55:44Z |
| indexdate | 2024-07-10T08:59:42Z |
| institution | BVB |
| isbn | 9781108836487 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032405725 |
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| physical | xi, 411 Seiten |
| publishDate | 2020 |
| publishDateSearch | 2020 |
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| publisher | Cambridge University Press |
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| spelling | Boxall, Peter 1969- Verfasser (DE-588)1043450238 aut The prosthetic imagination a history of the novel as artificial life Peter Boxall (University of Sussex) Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore Cambridge University Press 2020 xi, 411 Seiten txt rdacontent n rdamedia nc rdacarrier The Body and the Early Modern State: From More to Cavendish. Fiction, the Body and the State -- Anatomy, Early Modernity and the Prosthetic Imagination -- Utopian Self-Fashioning from More to Cavendish -- The Prosthetic Imagination in the Early Novel Form -- The Colonial Body: From Behn to Goethe. Economies of Scale From Aphra Behn to Sarah Scott -- Colonialism and the World Picture in the Eighteenth-Century Novel -- Invisible Ink: Self-Fashioning and Self-Erasure in Daniel Defoe -- A Continuation of the Brain: Unregulated Bodies in Swift and Scott -- Organic Aesthetics from Richardson to Goethe -- The Organic and the Mechanic -- The Full and the Empty -- Attachment and Evasion -- The Manufactured Body: From Wollstonecraft to Stoker. The Dead Hand: Realism and Biomaterial -- The Dead Hand: Realism and Biomaterial in the Nineteenth-Century -- Irony and Biocritique from Wollstonecraft to Austen -- The Dyer's Hand: Narrative and Biomaterial in Dickens and Eliot -- An Inside Narrative: Prosthetic life in Melville -- Strange Affinity: Gothic Prosthetics from Shelley to Stoker -- The Modernist Body: From James to Beckett -- A Duplication of Consciousness: Realism -- A Duplication of Consciousness: Realism, Modernism and Prosthetic Self-Fashioning -- Modernism and the Fin de Siècle -- Art and Embodiment in James and Wharton -- All Twined Together: Prosthetic Modernism from Proust to Beckett -- Survival and Annihilation Entwined Within Me: Gathering and Dispersal in the Modernist Novel -- Landscape of Prosthetics and Simulacra -- The Limits of the Word -- Like-lines: Simulacral Prosthetics in Morrison and Pynchon -- Prosthetic Worlds in the Twenty-First-Century Novel. World, Nature, Culture -- Hand, Face, Wall -- Mind, Body, World In The Prosthetic Imagination, leading critic Peter Boxall argues that we are now entering an artificial age, in which our given bodies enter into new conjunctions with our prosthetic extensions. This new age requires us to reimagine our relation to our bodies, and to our environments, and Boxall suggests that the novel as a form can guide us in this imaginative task. Across a dazzling range of prose fictions, from Thomas More's Utopia to Margaret Atwood's Oryx and Crake, Boxall shows how the novel has played a central role in forging the bodies in which we extend ourselves into the world. But if the novel has helped to give our world a human shape, it also contains forms of life that elude our existing human architectures: new amalgams of the living and the non-living that are the hidden province of the novel imagination. These latent conjunctions, Boxall argues, are preserved in the novel form, and offer us images of embodied being that can help us orient ourselves to our new prosthetic condition. Fiction / History and criticism Realism in literature Mimesis in literature Human body in literature Humanity in literature Modernism (Literature) Englisch (DE-588)4014777-0 gnd rswk-swf Körper Motiv (DE-588)4164424-4 gnd rswk-swf Roman (DE-588)4050479-7 gnd rswk-swf Englisch (DE-588)4014777-0 s Roman (DE-588)4050479-7 s Körper Motiv (DE-588)4164424-4 s DE-604 Erscheint auch als Online-Ausgabe 978-1-108-87129-7 (DE-604)BV046968510 |
| spellingShingle | Boxall, Peter 1969- The prosthetic imagination a history of the novel as artificial life The Body and the Early Modern State: From More to Cavendish. Fiction, the Body and the State -- Anatomy, Early Modernity and the Prosthetic Imagination -- Utopian Self-Fashioning from More to Cavendish -- The Prosthetic Imagination in the Early Novel Form -- The Colonial Body: From Behn to Goethe. Economies of Scale From Aphra Behn to Sarah Scott -- Colonialism and the World Picture in the Eighteenth-Century Novel -- Invisible Ink: Self-Fashioning and Self-Erasure in Daniel Defoe -- A Continuation of the Brain: Unregulated Bodies in Swift and Scott -- Organic Aesthetics from Richardson to Goethe -- The Organic and the Mechanic -- The Full and the Empty -- Attachment and Evasion -- The Manufactured Body: From Wollstonecraft to Stoker. The Dead Hand: Realism and Biomaterial -- The Dead Hand: Realism and Biomaterial in the Nineteenth-Century -- Irony and Biocritique from Wollstonecraft to Austen -- The Dyer's Hand: Narrative and Biomaterial in Dickens and Eliot -- An Inside Narrative: Prosthetic life in Melville -- Strange Affinity: Gothic Prosthetics from Shelley to Stoker -- The Modernist Body: From James to Beckett -- A Duplication of Consciousness: Realism -- A Duplication of Consciousness: Realism, Modernism and Prosthetic Self-Fashioning -- Modernism and the Fin de Siècle -- Art and Embodiment in James and Wharton -- All Twined Together: Prosthetic Modernism from Proust to Beckett -- Survival and Annihilation Entwined Within Me: Gathering and Dispersal in the Modernist Novel -- Landscape of Prosthetics and Simulacra -- The Limits of the Word -- Like-lines: Simulacral Prosthetics in Morrison and Pynchon -- Prosthetic Worlds in the Twenty-First-Century Novel. World, Nature, Culture -- Hand, Face, Wall -- Mind, Body, World Fiction / History and criticism Realism in literature Mimesis in literature Human body in literature Humanity in literature Modernism (Literature) Englisch (DE-588)4014777-0 gnd Körper Motiv (DE-588)4164424-4 gnd Roman (DE-588)4050479-7 gnd |
| subject_GND | (DE-588)4014777-0 (DE-588)4164424-4 (DE-588)4050479-7 |
| title | The prosthetic imagination a history of the novel as artificial life |
| title_auth | The prosthetic imagination a history of the novel as artificial life |
| title_exact_search | The prosthetic imagination a history of the novel as artificial life |
| title_exact_search_txtP | The prosthetic imagination a history of the novel as artificial life |
| title_full | The prosthetic imagination a history of the novel as artificial life Peter Boxall (University of Sussex) |
| title_fullStr | The prosthetic imagination a history of the novel as artificial life Peter Boxall (University of Sussex) |
| title_full_unstemmed | The prosthetic imagination a history of the novel as artificial life Peter Boxall (University of Sussex) |
| title_short | The prosthetic imagination |
| title_sort | the prosthetic imagination a history of the novel as artificial life |
| title_sub | a history of the novel as artificial life |
| topic | Fiction / History and criticism Realism in literature Mimesis in literature Human body in literature Humanity in literature Modernism (Literature) Englisch (DE-588)4014777-0 gnd Körper Motiv (DE-588)4164424-4 gnd Roman (DE-588)4050479-7 gnd |
| topic_facet | Fiction / History and criticism Realism in literature Mimesis in literature Human body in literature Humanity in literature Modernism (Literature) Englisch Körper Motiv Roman |
| work_keys_str_mv | AT boxallpeter theprostheticimaginationahistoryofthenovelasartificiallife |