A social history of British performance cultures 1900-1939: citizenship, surveillance and the body
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
London ; New York
Routledge, Taylor & Francis Group
2020
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Ausgabe: | First published |
Schriftenreihe: | Drama and theatre studies
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Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis Klappentext |
Beschreibung: | xii, 244 Seiten Illustrationen Breite 156 mm, Hoehe 234 mm |
ISBN: | 9781138304376 9781138304383 |
Internformat
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Datensatz im Suchindex
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CONTENTS List offigures Acknowledgements viii xi Introduction 1 2 3 4 1 Performance cultures and the expansion, operation and circulation of theperformanceindustries 9 Legislating citizenship: regulating publics, regulating performance 42 Strangers and cultural transgressors on stage and screen: representing the outsider, theforeignerand the poor 80 Performing espionage: surveillance, the uncanny and theatrical spies 109 5 Performing conflict:beyond the 139 6 Corporeality and the body in performance: agency and degeneration Bibliography Index FirstWorld War 173 214 238
This book provides e new social history of British performance cultures m the-røftjy,^ decades of the twentieth century, where performance across stage and seréért generated by dynamic and transformational industries " ' ՛ ?’* Exploring an era book ended by wars and troubled by social unrest and'pgtøttøjri·' uncertainty, A Social History of British Performance Cultures 1900-1939 mattes'՜ԱՏ«-· iff ֊", the popular material cultures produced by and for the industries - autobiographies. magazines and trade journals, as well as archival holdings, popular sketches, pfaySrp and performances. Maggie B. Gale looks at how the performance industries «paratei) p circulated their products and self-regulated their professional activities, in a period yrt»#, enfranchisement, democratization, technological development and legislation the expenence of citizenship. Through dose examination of material evidence apd,** -■ theoretical underpinning, this book shows how performance industries reflected ՛ challenged this experience, and explored the ways in which we construct our , ôs participants m the public realm. ։ Suited not only to scholars and students of British theatre and theatre general leaaers as we1 4 Чо. а' His.֊ r ы ' sh ֊W. tm w e Cufrwvs 19e** an stigrai intervention mto the construction of British theatre and performance pftermg new readings of the relationship between the material cultures of tbe social, professional and civic contexts from which they arise, and on |
adam_txt |
CONTENTS List offigures Acknowledgements viii xi Introduction 1 2 3 4 1 Performance cultures and the expansion, operation and circulation of theperformanceindustries 9 Legislating citizenship: regulating publics, regulating performance 42 Strangers and cultural transgressors on stage and screen: representing the outsider, theforeignerand the poor 80 Performing espionage: surveillance, the uncanny and theatrical spies 109 5 Performing conflict:beyond the 139 6 Corporeality and the body in performance: agency and degeneration Bibliography Index FirstWorld War 173 214 238
This book provides e new social history of British performance cultures m the-røftjy,^ decades of the twentieth century, where performance across stage and seréért generated by dynamic and transformational industries " ' ՛ ?’* Exploring an era book ended by wars and troubled by social unrest and'pgtøttøjri·' uncertainty, A Social History of British Performance Cultures 1900-1939 mattes'՜ԱՏ«-· iff ֊", the popular material cultures produced by and for the industries - autobiographies. magazines and trade journals, as well as archival holdings, popular sketches, pfaySrp and performances. Maggie B. Gale looks at how the performance industries «paratei) p circulated their products and self-regulated their professional activities, in a period yrt»#, enfranchisement, democratization, technological development and legislation the expenence of citizenship. Through dose examination of material evidence apd,** -■ theoretical underpinning, this book shows how performance industries reflected ՛ challenged this experience, and explored the ways in which we construct our , ôs participants m the public realm. ։ Suited not only to scholars and students of British theatre and theatre general leaaers as we1 4 Чо. а' His.֊ r ы ' sh ֊W. tm w e Cufrwvs 19e** an stigrai intervention mto the construction of British theatre and performance pftermg new readings of the relationship between the material cultures of tbe social, professional and civic contexts from which they arise, and on |
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author | Gale, Maggie B. 1963- |
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discipline | Anglistik / Amerikanistik |
discipline_str_mv | Anglistik / Amerikanistik |
edition | First published |
era | Sozialgeschichte 1900-1939 gnd |
era_facet | Sozialgeschichte 1900-1939 |
format | Book |
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isbn | 9781138304376 9781138304383 |
language | English |
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physical | xii, 244 Seiten Illustrationen Breite 156 mm, Hoehe 234 mm |
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spelling | Gale, Maggie B. 1963- Verfasser (DE-588)137042469 aut A social history of British performance cultures 1900-1939 citizenship, surveillance and the body Maggie B. Gale First published London ; New York Routledge, Taylor & Francis Group 2020 xii, 244 Seiten Illustrationen Breite 156 mm, Hoehe 234 mm txt rdacontent n rdamedia nc rdacarrier Drama and theatre studies Sozialgeschichte 1900-1939 gnd rswk-swf Darstellende Kunst (DE-588)4129566-3 gnd rswk-swf Massenkultur (DE-588)4125858-7 gnd rswk-swf Theater (DE-588)4059702-7 gnd rswk-swf Großbritannien (DE-588)4022153-2 gnd rswk-swf Großbritannien (DE-588)4022153-2 g Theater (DE-588)4059702-7 s Darstellende Kunst (DE-588)4129566-3 s Massenkultur (DE-588)4125858-7 s Sozialgeschichte 1900-1939 z DE-604 Erscheint auch als Online-Ausgabe, ebk 978-0-203-73020-1 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032404032&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032404032&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
spellingShingle | Gale, Maggie B. 1963- A social history of British performance cultures 1900-1939 citizenship, surveillance and the body Darstellende Kunst (DE-588)4129566-3 gnd Massenkultur (DE-588)4125858-7 gnd Theater (DE-588)4059702-7 gnd |
subject_GND | (DE-588)4129566-3 (DE-588)4125858-7 (DE-588)4059702-7 (DE-588)4022153-2 |
title | A social history of British performance cultures 1900-1939 citizenship, surveillance and the body |
title_auth | A social history of British performance cultures 1900-1939 citizenship, surveillance and the body |
title_exact_search | A social history of British performance cultures 1900-1939 citizenship, surveillance and the body |
title_exact_search_txtP | A social history of British performance cultures 1900-1939 citizenship, surveillance and the body |
title_full | A social history of British performance cultures 1900-1939 citizenship, surveillance and the body Maggie B. Gale |
title_fullStr | A social history of British performance cultures 1900-1939 citizenship, surveillance and the body Maggie B. Gale |
title_full_unstemmed | A social history of British performance cultures 1900-1939 citizenship, surveillance and the body Maggie B. Gale |
title_short | A social history of British performance cultures 1900-1939 |
title_sort | a social history of british performance cultures 1900 1939 citizenship surveillance and the body |
title_sub | citizenship, surveillance and the body |
topic | Darstellende Kunst (DE-588)4129566-3 gnd Massenkultur (DE-588)4125858-7 gnd Theater (DE-588)4059702-7 gnd |
topic_facet | Darstellende Kunst Massenkultur Theater Großbritannien |
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