Realism, form, and representation in the Edwardian novel: synthetic realism
The real represents to my perception the things that we cannot possibly not know, sooner or later, in one way or another', wrote Henry James in 1907. This description, riven with double negatives, hesitation, and uncertainty, encapsulates the epistemological difficulties of realism, for underly...
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| Format: | Abschlussarbeit Buch |
| Sprache: | English |
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2021
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| Ausgabe: | First edition |
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| Zusammenfassung: | The real represents to my perception the things that we cannot possibly not know, sooner or later, in one way or another', wrote Henry James in 1907. This description, riven with double negatives, hesitation, and uncertainty, encapsulates the epistemological difficulties of realism, for underlying its narrative and descriptive apparatus as an aesthetic mode lies a philosophical quandary. What grounds the 'real' of the realist novel? What kind of perception isrequired to validate the experience of reality? How does the realist novel represent the difficulty of knowing? What comes to the fore in James's account, as in so many, is how the forms of realism are constituted by a relation to unknowing, absence, and ineffability.0Realism, Form, and Representation in the Edwardian Novel recovers a neglected literary history centred on the intricate relationship between fictional representation and philosophical commitment. It asks how-or if-we can conceptualize realist novels when the objects of their representational intentions are realities that might exist beyond what is empirically verifiable by sense data or analytically verifiable by logic, and are thus irreducible to conceptual schemes or linguisticpractices-a formulation Charlotte Jones refers to as 'synthetic realism'.0In new readings of Edwardian novels including Conrad's Nostromo and The Secret Agent, Wells's Tono-Bungay, and Ford's The Good Soldier, this volume revises and reconsiders key elements of realist novel theory-metaphor and metonymy; character interiority; the insignificant detail; omniscient narration and free indirect discourse; causal linearity-to uncover the representational strategies by which realist writers grapple with the recalcitrance of reality as a referential anchor, and seek to give form to the force, opacity, and uncertain scope of realities that may lie beyond the material |
| Beschreibung: | xxvi, 303 Seiten |
| ISBN: | 9780198857921 |
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| 520 | 3 | |a The real represents to my perception the things that we cannot possibly not know, sooner or later, in one way or another', wrote Henry James in 1907. This description, riven with double negatives, hesitation, and uncertainty, encapsulates the epistemological difficulties of realism, for underlying its narrative and descriptive apparatus as an aesthetic mode lies a philosophical quandary. What grounds the 'real' of the realist novel? What kind of perception isrequired to validate the experience of reality? How does the realist novel represent the difficulty of knowing? What comes to the fore in James's account, as in so many, is how the forms of realism are constituted by a relation to unknowing, absence, and ineffability.0Realism, Form, and Representation in the Edwardian Novel recovers a neglected literary history centred on the intricate relationship between fictional representation and philosophical commitment. It asks how-or if-we can conceptualize realist novels when the objects of their representational intentions are realities that might exist beyond what is empirically verifiable by sense data or analytically verifiable by logic, and are thus irreducible to conceptual schemes or linguisticpractices-a formulation Charlotte Jones refers to as 'synthetic realism'.0In new readings of Edwardian novels including Conrad's Nostromo and The Secret Agent, Wells's Tono-Bungay, and Ford's The Good Soldier, this volume revises and reconsiders key elements of realist novel theory-metaphor and metonymy; character interiority; the insignificant detail; omniscient narration and free indirect discourse; causal linearity-to uncover the representational strategies by which realist writers grapple with the recalcitrance of reality as a referential anchor, and seek to give form to the force, opacity, and uncertain scope of realities that may lie beyond the material | |
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Datensatz im Suchindex
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| adam_text | Contents Introduction 1 1. Joseph Conrad: The Visible Universe 36 2. May Sinclair: The Finding of the Absolute 87 3. Arnold Bennett: What Life Is 126 4. H. G. Wells: More Than History Can Pattern 167 5. Ford Madox Ford: The Whole Impression 217 Conclusion Works Cited Index 264 275 291
‘The rea) represents to my perception the things that we cannot possibly not know, sooner or later, in one way or another, wrote Henry lames in 1907. Tliis description, riven with double negatives, hesitation, and uncertainty, encapsulates the epistemological difficulties of realism, for underlying its narrative and descriptive apparatus as an aesthetic mode lies a philosophical quandary. What grounds the ‘real’ of the realist novel? What kind of perception is required to validate the experience of reality? How does the realist novel represent the difficulty of knowing? What comes to the fore in James’s account, as in so many, is how the forms of realism are constituted by a relation to unknowing, absence, and ineffability. Realism, Form, and Representation in the Edwardian Novel recovers a neglected literaryhistory centredon the intricate relationship between fictional representation and philosophical commitment. It asks how—or if—we can conceptualize realist novels when the objects of their representational intentions are realities that might exist beyond what is empirically verifiable by sense data or analytically verifiable by logic, and are thus irreducible to conceptual schemes or linguistic practices—a formulation Charlotte Jones refers to as ‘synthetic realism’. In new readings of bdwardian novels including Conrad s Nostromo and Vie Secret Agent, Wellss Tono-Bungay, and Fords The Good Soldier, this volume revises and reconsiders key elements of realist novel theory—metaphor and metonymy; character interiority; the insignificant detail; omniscient narration and free
indirect discourse; causal linearity—to uncover the representational strategies by which realist writers grapple with the recalcitrance of reality as a referential anchor, and seek to give form to the force, opacity, and uncertain scope of realities that may lie beyond the material. In restoring a metaphysical dimension to the realist novel’s imaginary, Realism, Form, and Representation in the Edwardian Novel offers a new conceptualization of realism both within early twentieth-century literare culture and as a transhistorical mode of representation.
|
| adam_txt |
Contents Introduction 1 1. Joseph Conrad: The Visible Universe 36 2. May Sinclair: The Finding of the Absolute 87 3. Arnold Bennett: What Life Is 126 4. H. G. Wells: More Than History Can Pattern 167 5. Ford Madox Ford: The Whole Impression 217 Conclusion Works Cited Index 264 275 291
‘The rea) represents to my perception the things that we cannot possibly not know, sooner or later, in one way or another,' wrote Henry lames in 1907. Tliis description, riven with double negatives, hesitation, and uncertainty, encapsulates the epistemological difficulties of realism, for underlying its narrative and descriptive apparatus as an aesthetic mode lies a philosophical quandary. What grounds the ‘real’ of the realist novel? What kind of perception is required to validate the experience of reality? How does the realist novel represent the difficulty of knowing? What comes to the fore in James’s account, as in so many, is how the forms of realism are constituted by a relation to unknowing, absence, and ineffability. Realism, Form, and Representation in the Edwardian Novel recovers a neglected literaryhistory centredon the intricate relationship between fictional representation and philosophical commitment. It asks how—or if—we can conceptualize realist novels when the objects of their representational intentions are realities that might exist beyond what is empirically verifiable by sense data or analytically verifiable by logic, and are thus irreducible to conceptual schemes or linguistic practices—a formulation Charlotte Jones refers to as ‘synthetic realism’. In new readings of bdwardian novels including Conrad's Nostromo and Vie Secret Agent, Wellss Tono-Bungay, and Fords The Good Soldier, this volume revises and reconsiders key elements of realist novel theory—metaphor and metonymy; character interiority; the insignificant detail; omniscient narration and free
indirect discourse; causal linearity—to uncover the representational strategies by which realist writers grapple with the recalcitrance of reality as a referential anchor, and seek to give form to the force, opacity, and uncertain scope of realities that may lie beyond the material. In restoring a metaphysical dimension to the realist novel’s imaginary, Realism, Form, and Representation in the Edwardian Novel offers a new conceptualization of realism both within early twentieth-century literare" culture and as a transhistorical mode of representation. |
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| spelling | Jones, Charlotte Verfasser (DE-588)1225299802 aut Realism, form, and representation in the Edwardian novel synthetic realism Charlotte Jones First edition Oxford Oxford University Press 2021 xxvi, 303 Seiten txt rdacontent n rdamedia nc rdacarrier Dissertation University College London überarbeitete Fassung The real represents to my perception the things that we cannot possibly not know, sooner or later, in one way or another', wrote Henry James in 1907. This description, riven with double negatives, hesitation, and uncertainty, encapsulates the epistemological difficulties of realism, for underlying its narrative and descriptive apparatus as an aesthetic mode lies a philosophical quandary. What grounds the 'real' of the realist novel? What kind of perception isrequired to validate the experience of reality? How does the realist novel represent the difficulty of knowing? What comes to the fore in James's account, as in so many, is how the forms of realism are constituted by a relation to unknowing, absence, and ineffability.0Realism, Form, and Representation in the Edwardian Novel recovers a neglected literary history centred on the intricate relationship between fictional representation and philosophical commitment. It asks how-or if-we can conceptualize realist novels when the objects of their representational intentions are realities that might exist beyond what is empirically verifiable by sense data or analytically verifiable by logic, and are thus irreducible to conceptual schemes or linguisticpractices-a formulation Charlotte Jones refers to as 'synthetic realism'.0In new readings of Edwardian novels including Conrad's Nostromo and The Secret Agent, Wells's Tono-Bungay, and Ford's The Good Soldier, this volume revises and reconsiders key elements of realist novel theory-metaphor and metonymy; character interiority; the insignificant detail; omniscient narration and free indirect discourse; causal linearity-to uncover the representational strategies by which realist writers grapple with the recalcitrance of reality as a referential anchor, and seek to give form to the force, opacity, and uncertain scope of realities that may lie beyond the material Geschichte 1900-1916 gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf Fiktion (DE-588)4192723-0 gnd rswk-swf Roman (DE-588)4050479-7 gnd rswk-swf Realismus (DE-588)4048680-1 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Englisch (DE-588)4014777-0 s Roman (DE-588)4050479-7 s Realismus (DE-588)4048680-1 s Fiktion (DE-588)4192723-0 s Geschichte 1900-1916 z DE-604 Erscheint auch als Online-Ausgabe Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032402185&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032402185&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
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| title | Realism, form, and representation in the Edwardian novel synthetic realism |
| title_auth | Realism, form, and representation in the Edwardian novel synthetic realism |
| title_exact_search | Realism, form, and representation in the Edwardian novel synthetic realism |
| title_exact_search_txtP | Realism, form, and representation in the Edwardian novel synthetic realism |
| title_full | Realism, form, and representation in the Edwardian novel synthetic realism Charlotte Jones |
| title_fullStr | Realism, form, and representation in the Edwardian novel synthetic realism Charlotte Jones |
| title_full_unstemmed | Realism, form, and representation in the Edwardian novel synthetic realism Charlotte Jones |
| title_short | Realism, form, and representation in the Edwardian novel |
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| title_sub | synthetic realism |
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