American writers and World War I:
Looking at texts written throughout the careers of Edith Wharton, Ellen La Motte, Mary Borden, Thomas Boyd, F. Scott Fitzgerald, Laurence Stallings, and Ernest Hemingway, American Writers and World War I argues that authors' war writing continuously evolved in response to developments in their...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford
Oxford University Press
2020
|
| Ausgabe: | First edition |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | Looking at texts written throughout the careers of Edith Wharton, Ellen La Motte, Mary Borden, Thomas Boyd, F. Scott Fitzgerald, Laurence Stallings, and Ernest Hemingway, American Writers and World War I argues that authors' war writing continuously evolved in response to developments in their professional and personal lives. Recent research has focused on constituencies of identity-such as gender, race, and politics-registered in American Great War writing. Rather than being dominated by their perceived membership of such socio-political categories, this study argues that writers reacted to and represented the war in complex ways which were frequently linked to the exigencies of maintaining a career as a professional author. War writing was implicated in, and influenced by, wider cultural forces such as governmental censorship, the publishing business, advertising, and the Hollywood film industry. American Writers and World War I argues that even authors' hallmark 'anti-war' works are in fact characterized by an awareness of the war's nuanced effects on society and individuals. By tracking authors' war writing throughout their entire careers-in well-known texts, autobiography, correspondence, and neglected works-this study contends that writers' reactions were multifaceted, and subject to change-in response to their developments as writers and individuals. This work also uncovers the hitherto unexplored importance of American cultural and literary precedents which offered writers means of assessing the war. Ultimately, the volume argues, American World War I writing was highly personal, complex, and idiosyncratic |
| Beschreibung: | Hier auch später erschienene, unveränderte Nachdrucke |
| Beschreibung: | 241 Seiten |
| ISBN: | 0198858817 9780198858812 |
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| 520 | 3 | |a Looking at texts written throughout the careers of Edith Wharton, Ellen La Motte, Mary Borden, Thomas Boyd, F. Scott Fitzgerald, Laurence Stallings, and Ernest Hemingway, American Writers and World War I argues that authors' war writing continuously evolved in response to developments in their professional and personal lives. Recent research has focused on constituencies of identity-such as gender, race, and politics-registered in American Great War writing. Rather than being dominated by their perceived membership of such socio-political categories, this study argues that writers reacted to and represented the war in complex ways which were frequently linked to the exigencies of maintaining a career as a professional author. War writing was implicated in, and influenced by, wider cultural forces such as governmental censorship, the publishing business, advertising, and the Hollywood film industry. American Writers and World War I argues that even authors' hallmark 'anti-war' works are in fact characterized by an awareness of the war's nuanced effects on society and individuals. By tracking authors' war writing throughout their entire careers-in well-known texts, autobiography, correspondence, and neglected works-this study contends that writers' reactions were multifaceted, and subject to change-in response to their developments as writers and individuals. This work also uncovers the hitherto unexplored importance of American cultural and literary precedents which offered writers means of assessing the war. Ultimately, the volume argues, American World War I writing was highly personal, complex, and idiosyncratic | |
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| adam_text | Contents Introduction: The Hell with All the Dirty, Easy Labels: American Writers and World War I 1 1. The Business of War: Authorship, Publishing, and World War I 22 2. Edith Wharton 39 3. Ellen La Motte and Mary Borden 61 4. Thomas Boyd 83 5. F. Scott Fitzgerald 104 6. Laurence Stallings 134 7. Ernest Hemingway 154 8. Conclusion 186 Notes Bibliography Index 191 223 239
Looking at texts written throughout the careers of Edith Wharton, Ellen La Motte, Mary Borden, Thomas Boyd, F. Scott Fitzgerald, Laurence Stallings, and Ernest Hemingway, American Writers and World War I argues that authors’ war writing continuously evolved in response to developments in their professional and personal lives. Recent research has focused on constituencies of identity—such as gender, race, and politics—registered in American Great War writing. Rather than being dominated by their perceived membership of such sociopolitical categories, this study argues writers reacted to and represented the war in complex ways that were frequently linked to the exigencies of maintaining a career as a professional author. War writing was implicated in, and influenced by, wider cultural forces such as governmental censorship, the publishing business, advertising, and the Hollywood film industry. American Writers and World War ! argues even authors’ hallmark “anti-war” works are in fact characterized by an awareness of the war’s nuanced effects on society and individuals. By tracking authors’ war writing throughout their entire careers—in well-known texts, autobiography, correspondence, and neglected works—this study, contends that writers’ reactions were multifaceted, and subject to change—in response to their developments as writers and as individuals. This work also uncovers the hitherto unexplored importance of American cultural and literary precedents that offered writers means of assessing the war. Ultimately, the volume argues, American World War 1 writing was highly
personal, complex, and idiosyncratic.
Contents Introduction: The Hell with All the Dirty, Easy Labels: American Writers and World War I 1 1. The Business of War: Authorship, Publishing, and World War I 22 2. Edith Wharton 39 3. Ellen La Motte and Mary Borden 61 4. Thomas Boyd 83 5. F. Scott Fitzgerald 104 6. Laurence Stallings 134 7. Ernest Hemingway 154 8. Conclusion 186 Notes Bibliography Index 191 223 239
Looking at texts written throughout the careers of Edith Wharton, Ellen La Motte, Mary Borden, Thomas Boyd, F. Scott Fitzgerald, Laurence Stallings, and Ernest Hemingway, American Writers and World War I argues that authors’ war writing continuously evolved in response to developments in their professional and personal lives. Recent research has focused on constituencies of identity—such as gender, race, and politics—registered in American Great War writing. Rather than being dominated by their perceived membership of such sociopolitical categories, this study argues writers reacted to and represented the war in complex ways that were frequently linked to the exigencies of maintaining a career as a professional author. War writing was implicated in, and influenced by, wider cultural forces such as governmental censorship, the publishing business, advertising, and the Hollywood film industry. American Writers and World War ! argues even authors’ hallmark “anti-war” works are in fact characterized by an awareness of the war’s nuanced effects on society and individuals. By tracking authors’ war writing throughout their entire careers—in well-known texts, autobiography, correspondence, and neglected works—this study, contends that writers’ reactions were multifaceted, and subject to change—in response to their developments as writers and as individuals. This work also uncovers the hitherto unexplored importance of American cultural and literary precedents that offered writers means of assessing the war. Ultimately, the volume argues, American World War 1 writing was highly
personal, complex, and idiosyncratic.
|
| adam_txt |
Contents Introduction: The Hell with All the Dirty, Easy Labels: American Writers and World War I 1 1. The Business of War: Authorship, Publishing, and World War I 22 2. Edith Wharton 39 3. Ellen La Motte and Mary Borden 61 4. Thomas Boyd 83 5. F. Scott Fitzgerald 104 6. Laurence Stallings 134 7. Ernest Hemingway 154 8. Conclusion 186 Notes Bibliography Index 191 223 239
Looking at texts written throughout the careers of Edith Wharton, Ellen La Motte, Mary Borden, Thomas Boyd, F. Scott Fitzgerald, Laurence Stallings, and Ernest Hemingway, American Writers and World War I argues that authors’ war writing continuously evolved in response to developments in their professional and personal lives. Recent research has focused on constituencies of identity—such as gender, race, and politics—registered in American Great War writing. Rather than being dominated by their perceived membership of such sociopolitical categories, this study argues writers reacted to and represented the war in complex ways that were frequently linked to the exigencies of maintaining a career as a professional author. War writing was implicated in, and influenced by, wider cultural forces such as governmental censorship, the publishing business, advertising, and the Hollywood film industry. American Writers and World War ! argues even authors’ hallmark “anti-war” works are in fact characterized by an awareness of the war’s nuanced effects on society and individuals. By tracking authors’ war writing throughout their entire careers—in well-known texts, autobiography, correspondence, and neglected works—this study, contends that writers’ reactions 'were multifaceted, and subject to change—in response to their developments as writers and as individuals. This work also uncovers the hitherto unexplored importance of American cultural and literary precedents that offered writers means of assessing the war. Ultimately, the volume argues, American World War 1 writing was highly
personal, complex, and idiosyncratic.
Contents Introduction: The Hell with All the Dirty, Easy Labels: American Writers and World War I 1 1. The Business of War: Authorship, Publishing, and World War I 22 2. Edith Wharton 39 3. Ellen La Motte and Mary Borden 61 4. Thomas Boyd 83 5. F. Scott Fitzgerald 104 6. Laurence Stallings 134 7. Ernest Hemingway 154 8. Conclusion 186 Notes Bibliography Index 191 223 239
Looking at texts written throughout the careers of Edith Wharton, Ellen La Motte, Mary Borden, Thomas Boyd, F. Scott Fitzgerald, Laurence Stallings, and Ernest Hemingway, American Writers and World War I argues that authors’ war writing continuously evolved in response to developments in their professional and personal lives. Recent research has focused on constituencies of identity—such as gender, race, and politics—registered in American Great War writing. Rather than being dominated by their perceived membership of such sociopolitical categories, this study argues writers reacted to and represented the war in complex ways that were frequently linked to the exigencies of maintaining a career as a professional author. War writing was implicated in, and influenced by, wider cultural forces such as governmental censorship, the publishing business, advertising, and the Hollywood film industry. American Writers and World War ! argues even authors’ hallmark “anti-war” works are in fact characterized by an awareness of the war’s nuanced effects on society and individuals. By tracking authors’ war writing throughout their entire careers—in well-known texts, autobiography, correspondence, and neglected works—this study, contends that writers’ reactions 'were multifaceted, and subject to change—in response to their developments as writers and as individuals. This work also uncovers the hitherto unexplored importance of American cultural and literary precedents that offered writers means of assessing the war. Ultimately, the volume argues, American World War 1 writing was highly
personal, complex, and idiosyncratic. |
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| discipline | Anglistik / Amerikanistik Geschichte |
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| spelling | Rennie, David A. Verfasser (DE-588)1217674411 aut American writers and World War I David A. Rennie First edition Oxford Oxford University Press 2020 241 Seiten txt rdacontent n rdamedia nc rdacarrier Hier auch später erschienene, unveränderte Nachdrucke Looking at texts written throughout the careers of Edith Wharton, Ellen La Motte, Mary Borden, Thomas Boyd, F. Scott Fitzgerald, Laurence Stallings, and Ernest Hemingway, American Writers and World War I argues that authors' war writing continuously evolved in response to developments in their professional and personal lives. Recent research has focused on constituencies of identity-such as gender, race, and politics-registered in American Great War writing. Rather than being dominated by their perceived membership of such socio-political categories, this study argues that writers reacted to and represented the war in complex ways which were frequently linked to the exigencies of maintaining a career as a professional author. War writing was implicated in, and influenced by, wider cultural forces such as governmental censorship, the publishing business, advertising, and the Hollywood film industry. American Writers and World War I argues that even authors' hallmark 'anti-war' works are in fact characterized by an awareness of the war's nuanced effects on society and individuals. By tracking authors' war writing throughout their entire careers-in well-known texts, autobiography, correspondence, and neglected works-this study contends that writers' reactions were multifaceted, and subject to change-in response to their developments as writers and individuals. This work also uncovers the hitherto unexplored importance of American cultural and literary precedents which offered writers means of assessing the war. Ultimately, the volume argues, American World War I writing was highly personal, complex, and idiosyncratic Erster Weltkrieg Motiv (DE-588)4189594-0 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Literatur (DE-588)4035964-5 s Erster Weltkrieg Motiv (DE-588)4189594-0 s DE-604 Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032402170&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032402170&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032402170&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032402170&sequence=000007&line_number=0004&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
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| title_full | American writers and World War I David A. Rennie |
| title_fullStr | American writers and World War I David A. Rennie |
| title_full_unstemmed | American writers and World War I David A. Rennie |
| title_short | American writers and World War I |
| title_sort | american writers and world war i |
| topic | Erster Weltkrieg Motiv (DE-588)4189594-0 gnd Literatur (DE-588)4035964-5 gnd |
| topic_facet | Erster Weltkrieg Motiv Literatur USA |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032402170&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032402170&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032402170&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032402170&sequence=000007&line_number=0004&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT renniedavida americanwritersandworldwari |
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