Networking the Russian diaspora: Russian musicians and musical activities in interwar Shanghai
Networking the Russian Diaspora is a fascinating and timely study of interwar Shanghai. Aside from the vacated Orthodox Church in the former French Concession where most Russian émigrés resided, Shanghai today displays few signs of the bustling settlement of those years. Russian musicians establishe...
Gespeichert in:
| Hauptverfasser: | , , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Honolulu
University of Hawai'i Press
[2020]
|
| Schriftenreihe: | Music and performing arts of Asia and the Pacific
|
| Schlagworte: | |
| Online-Zugang: | BSB01 FAB01 FAW01 FHA01 FKE01 FLA01 UBG01 UPA01 FCO01 Volltext |
| Zusammenfassung: | Networking the Russian Diaspora is a fascinating and timely study of interwar Shanghai. Aside from the vacated Orthodox Church in the former French Concession where most Russian émigrés resided, Shanghai today displays few signs of the bustling settlement of those years. Russian musicians established the first opera company in China, as well as choirs, bands, and ensembles to play for their own and other communities. Russian musicians were the core of Shanghai’s lauded Municipal Orchestra and taught at China’s first conservatory. Two Russian émigré composers in particular—Alexander Tcherepnin and Aaron Avshalomov—experimented with incorporating Chinese elements into their compositions as harbingers of intercultural music that has become a well-recognized trend in composition since the late twentieth century. The Russian musical scene in Shanghai was the embodiment of musical cosmopolitanism, anticipating the hybrid nature of twentieth-first century music arising from cultural contacts through migration, globalization, and technological advancement. As a pioneering study of the Russian community, Networking the Russian Diaspora especially examines its musical activities and influence in Shanghai. While the focus of the book is on music, it also gives insight into the social dynamics between Russians and other Europeans on the one hand, and with the Chinese on the other. The volume, coauthored by Chinese music specialists, makes a significant contribution to studies of diaspora, cultural identity, and migration by casting light on a little-studied area of Sino-Russian cultural relations and Russian influence in modern China. The discoveries stretch the boundaries of music studies by addressing the relational aspects of Western music: how it has articulated national and cultural identities but also served to connect people of different origins and cultural backgrounds |
| Beschreibung: | 1 Online-Ressource (xii, 269 Seiten) Illustrationen |
| ISBN: | 9780824882693 9780824882709 |
| DOI: | 10.1515/9780824882693 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV046992915 | ||
| 003 | DE-604 | ||
| 005 | 20201113 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 201112s2020 |||| o||u| ||||||eng d | ||
| 020 | |a 9780824882693 |c Online, PDF |9 978-0-8248-8269-3 | ||
| 020 | |a 9780824882709 |c Online, EPUB |9 978-0-8248-8270-9 | ||
| 024 | 7 | |a 10.1515/9780824882693 |2 doi | |
| 035 | |a (ZDB-23-DGG)9780824882693 | ||
| 035 | |a (ZDB-23-DKU)9780824882693 | ||
| 035 | |a (OCoLC)1220904455 | ||
| 035 | |a (DE-599)BVBBV046992915 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-1046 |a DE-Aug4 |a DE-859 |a DE-860 |a DE-473 |a DE-739 |a DE-1043 |a DE-11 |a DE-858 | ||
| 082 | 0 | |a 780.89/9171051132 |2 23 | |
| 100 | 1 | |a Yang, Hon-Lun |e Verfasser |0 (DE-588)1030506671 |4 aut | |
| 245 | 1 | 0 | |a Networking the Russian diaspora |b Russian musicians and musical activities in interwar Shanghai |c Hon-Lun Helan Yang, Simo Mikkonen, John Winzenburg |
| 264 | 1 | |a Honolulu |b University of Hawai'i Press |c [2020] | |
| 264 | 4 | |c © 2020 | |
| 300 | |a 1 Online-Ressource (xii, 269 Seiten) |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 490 | 0 | |a Music and performing arts of Asia and the Pacific | |
| 520 | |a Networking the Russian Diaspora is a fascinating and timely study of interwar Shanghai. Aside from the vacated Orthodox Church in the former French Concession where most Russian émigrés resided, Shanghai today displays few signs of the bustling settlement of those years. Russian musicians established the first opera company in China, as well as choirs, bands, and ensembles to play for their own and other communities. Russian musicians were the core of Shanghai’s lauded Municipal Orchestra and taught at China’s first conservatory. Two Russian émigré composers in particular—Alexander Tcherepnin and Aaron Avshalomov—experimented with incorporating Chinese elements into their compositions as harbingers of intercultural music that has become a well-recognized trend in composition since the late twentieth century. The Russian musical scene in Shanghai was the embodiment of musical cosmopolitanism, anticipating the hybrid nature of twentieth-first century music arising from cultural contacts through migration, globalization, and technological advancement. As a pioneering study of the Russian community, Networking the Russian Diaspora especially examines its musical activities and influence in Shanghai. While the focus of the book is on music, it also gives insight into the social dynamics between Russians and other Europeans on the one hand, and with the Chinese on the other. The volume, coauthored by Chinese music specialists, makes a significant contribution to studies of diaspora, cultural identity, and migration by casting light on a little-studied area of Sino-Russian cultural relations and Russian influence in modern China. The discoveries stretch the boundaries of music studies by addressing the relational aspects of Western music: how it has articulated national and cultural identities but also served to connect people of different origins and cultural backgrounds | ||
| 648 | 7 | |a Geschichte 1918-1939 |2 gnd |9 rswk-swf | |
| 650 | 7 | |a MUSIC / Ethnomusicology |2 bisacsh | |
| 650 | 4 | |a Music |z China |z Shanghai |y 20th century |x History and criticism | |
| 650 | 4 | |a Russians |z China |z Shanghai |x History |y 20th century | |
| 650 | 0 | 7 | |a Exil |0 (DE-588)4015959-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Musiker |0 (DE-588)4040841-3 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Russen |0 (DE-588)4051034-7 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Komponist |0 (DE-588)4032009-1 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Musikleben |0 (DE-588)4075128-4 |2 gnd |9 rswk-swf |
| 651 | 7 | |a Schanghai |0 (DE-588)4052066-3 |2 gnd |9 rswk-swf | |
| 655 | 7 | |0 (DE-588)4113937-9 |a Hochschulschrift |2 gnd-content | |
| 689 | 0 | 0 | |a Schanghai |0 (DE-588)4052066-3 |D g |
| 689 | 0 | 1 | |a Russen |0 (DE-588)4051034-7 |D s |
| 689 | 0 | 2 | |a Komponist |0 (DE-588)4032009-1 |D s |
| 689 | 0 | 3 | |a Musiker |0 (DE-588)4040841-3 |D s |
| 689 | 0 | 4 | |a Exil |0 (DE-588)4015959-0 |D s |
| 689 | 0 | 5 | |a Musikleben |0 (DE-588)4075128-4 |D s |
| 689 | 0 | 6 | |a Geschichte 1918-1939 |A z |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Mikkonen, Simo |d 1978- |e Verfasser |0 (DE-588)138632286 |4 aut | |
| 700 | 1 | |a Winzenburg, John |e Verfasser |0 (DE-588)1047259036 |4 aut | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 978-0-8248-7966-2 |
| 856 | 4 | 0 | |u https://doi.org/10.1515/9780824882693 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-23-DGG |a ZDB-23-DKU | ||
| 940 | 1 | |q ZDB-23-DKU20 | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-032400718 | ||
| 966 | e | |u https://doi.org/10.1515/9780824882693 |l BSB01 |p ZDB-23-DKU |q BSB_DKU_UniversityHawai'iPress |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780824882693 |l FAB01 |p ZDB-23-DGG |q FAB_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780824882693 |l FAW01 |p ZDB-23-DGG |q FAW_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780824882693 |l FHA01 |p ZDB-23-DGG |q FHA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780824882693 |l FKE01 |p ZDB-23-DGG |q FKE_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780824882693 |l FLA01 |p ZDB-23-DGG |q FLA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780824882693 |l UBG01 |p ZDB-23-DGG |q UBG_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780824882693 |l UPA01 |p ZDB-23-DGG |q UPA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780824882693 |l FCO01 |p ZDB-23-DGG |q FCO_PDA_DGG |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804181935912648704 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Yang, Hon-Lun Mikkonen, Simo 1978- Winzenburg, John |
| author_GND | (DE-588)1030506671 (DE-588)138632286 (DE-588)1047259036 |
| author_facet | Yang, Hon-Lun Mikkonen, Simo 1978- Winzenburg, John |
| author_role | aut aut aut |
| author_sort | Yang, Hon-Lun |
| author_variant | h l y hly s m sm j w jw |
| building | Verbundindex |
| bvnumber | BV046992915 |
| collection | ZDB-23-DGG ZDB-23-DKU |
| ctrlnum | (ZDB-23-DGG)9780824882693 (ZDB-23-DKU)9780824882693 (OCoLC)1220904455 (DE-599)BVBBV046992915 |
| dewey-full | 780.89/9171051132 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780.89/9171051132 |
| dewey-search | 780.89/9171051132 |
| dewey-sort | 3780.89 109171051132 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| doi_str_mv | 10.1515/9780824882693 |
| era | Geschichte 1918-1939 gnd |
| era_facet | Geschichte 1918-1939 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>05548nmm a2200757zc 4500</leader><controlfield tag="001">BV046992915</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20201113 </controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">201112s2020 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780824882693</subfield><subfield code="c">Online, PDF</subfield><subfield code="9">978-0-8248-8269-3</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780824882709</subfield><subfield code="c">Online, EPUB</subfield><subfield code="9">978-0-8248-8270-9</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9780824882693</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DGG)9780824882693</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DKU)9780824882693</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1220904455</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV046992915</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-1046</subfield><subfield code="a">DE-Aug4</subfield><subfield code="a">DE-859</subfield><subfield code="a">DE-860</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-739</subfield><subfield code="a">DE-1043</subfield><subfield code="a">DE-11</subfield><subfield code="a">DE-858</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">780.89/9171051132</subfield><subfield code="2">23</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Yang, Hon-Lun</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1030506671</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Networking the Russian diaspora</subfield><subfield code="b">Russian musicians and musical activities in interwar Shanghai</subfield><subfield code="c">Hon-Lun Helan Yang, Simo Mikkonen, John Winzenburg</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Honolulu</subfield><subfield code="b">University of Hawai'i Press</subfield><subfield code="c">[2020]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2020</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (xii, 269 Seiten)</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Music and performing arts of Asia and the Pacific</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Networking the Russian Diaspora is a fascinating and timely study of interwar Shanghai. Aside from the vacated Orthodox Church in the former French Concession where most Russian émigrés resided, Shanghai today displays few signs of the bustling settlement of those years. Russian musicians established the first opera company in China, as well as choirs, bands, and ensembles to play for their own and other communities. Russian musicians were the core of Shanghai’s lauded Municipal Orchestra and taught at China’s first conservatory. Two Russian émigré composers in particular—Alexander Tcherepnin and Aaron Avshalomov—experimented with incorporating Chinese elements into their compositions as harbingers of intercultural music that has become a well-recognized trend in composition since the late twentieth century. The Russian musical scene in Shanghai was the embodiment of musical cosmopolitanism, anticipating the hybrid nature of twentieth-first century music arising from cultural contacts through migration, globalization, and technological advancement. As a pioneering study of the Russian community, Networking the Russian Diaspora especially examines its musical activities and influence in Shanghai. While the focus of the book is on music, it also gives insight into the social dynamics between Russians and other Europeans on the one hand, and with the Chinese on the other. The volume, coauthored by Chinese music specialists, makes a significant contribution to studies of diaspora, cultural identity, and migration by casting light on a little-studied area of Sino-Russian cultural relations and Russian influence in modern China. The discoveries stretch the boundaries of music studies by addressing the relational aspects of Western music: how it has articulated national and cultural identities but also served to connect people of different origins and cultural backgrounds</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1918-1939</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">MUSIC / Ethnomusicology</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music</subfield><subfield code="z">China</subfield><subfield code="z">Shanghai</subfield><subfield code="y">20th century</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Russians</subfield><subfield code="z">China</subfield><subfield code="z">Shanghai</subfield><subfield code="x">History</subfield><subfield code="y">20th century</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Exil</subfield><subfield code="0">(DE-588)4015959-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musiker</subfield><subfield code="0">(DE-588)4040841-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Russen</subfield><subfield code="0">(DE-588)4051034-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Komponist</subfield><subfield code="0">(DE-588)4032009-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musikleben</subfield><subfield code="0">(DE-588)4075128-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Schanghai</subfield><subfield code="0">(DE-588)4052066-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4113937-9</subfield><subfield code="a">Hochschulschrift</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Schanghai</subfield><subfield code="0">(DE-588)4052066-3</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Russen</subfield><subfield code="0">(DE-588)4051034-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Komponist</subfield><subfield code="0">(DE-588)4032009-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Musiker</subfield><subfield code="0">(DE-588)4040841-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Exil</subfield><subfield code="0">(DE-588)4015959-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="5"><subfield code="a">Musikleben</subfield><subfield code="0">(DE-588)4075128-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="6"><subfield code="a">Geschichte 1918-1939</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Mikkonen, Simo</subfield><subfield code="d">1978-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)138632286</subfield><subfield code="4">aut</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Winzenburg, John</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1047259036</subfield><subfield code="4">aut</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">978-0-8248-7966-2</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/9780824882693</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield><subfield code="a">ZDB-23-DKU</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">ZDB-23-DKU20</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032400718</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780824882693</subfield><subfield code="l">BSB01</subfield><subfield code="p">ZDB-23-DKU</subfield><subfield code="q">BSB_DKU_UniversityHawai'iPress</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780824882693</subfield><subfield code="l">FAB01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAB_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780824882693</subfield><subfield code="l">FAW01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAW_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780824882693</subfield><subfield code="l">FHA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FHA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780824882693</subfield><subfield code="l">FKE01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FKE_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780824882693</subfield><subfield code="l">FLA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FLA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780824882693</subfield><subfield code="l">UBG01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UBG_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780824882693</subfield><subfield code="l">UPA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UPA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780824882693</subfield><subfield code="l">FCO01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FCO_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| genre | (DE-588)4113937-9 Hochschulschrift gnd-content |
| genre_facet | Hochschulschrift |
| geographic | Schanghai (DE-588)4052066-3 gnd |
| geographic_facet | Schanghai |
| id | DE-604.BV046992915 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T15:54:06Z |
| indexdate | 2024-07-10T08:59:34Z |
| institution | BVB |
| isbn | 9780824882693 9780824882709 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032400718 |
| oclc_num | 1220904455 |
| open_access_boolean | |
| owner | DE-12 DE-1046 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-1043 DE-11 DE-858 |
| owner_facet | DE-12 DE-1046 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-1043 DE-11 DE-858 |
| physical | 1 Online-Ressource (xii, 269 Seiten) Illustrationen |
| psigel | ZDB-23-DGG ZDB-23-DKU ZDB-23-DKU20 ZDB-23-DKU BSB_DKU_UniversityHawai'iPress ZDB-23-DGG FAB_PDA_DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FHA_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG UBG_PDA_DGG ZDB-23-DGG UPA_PDA_DGG ZDB-23-DGG FCO_PDA_DGG |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | University of Hawai'i Press |
| record_format | marc |
| series2 | Music and performing arts of Asia and the Pacific |
| spelling | Yang, Hon-Lun Verfasser (DE-588)1030506671 aut Networking the Russian diaspora Russian musicians and musical activities in interwar Shanghai Hon-Lun Helan Yang, Simo Mikkonen, John Winzenburg Honolulu University of Hawai'i Press [2020] © 2020 1 Online-Ressource (xii, 269 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Music and performing arts of Asia and the Pacific Networking the Russian Diaspora is a fascinating and timely study of interwar Shanghai. Aside from the vacated Orthodox Church in the former French Concession where most Russian émigrés resided, Shanghai today displays few signs of the bustling settlement of those years. Russian musicians established the first opera company in China, as well as choirs, bands, and ensembles to play for their own and other communities. Russian musicians were the core of Shanghai’s lauded Municipal Orchestra and taught at China’s first conservatory. Two Russian émigré composers in particular—Alexander Tcherepnin and Aaron Avshalomov—experimented with incorporating Chinese elements into their compositions as harbingers of intercultural music that has become a well-recognized trend in composition since the late twentieth century. The Russian musical scene in Shanghai was the embodiment of musical cosmopolitanism, anticipating the hybrid nature of twentieth-first century music arising from cultural contacts through migration, globalization, and technological advancement. As a pioneering study of the Russian community, Networking the Russian Diaspora especially examines its musical activities and influence in Shanghai. While the focus of the book is on music, it also gives insight into the social dynamics between Russians and other Europeans on the one hand, and with the Chinese on the other. The volume, coauthored by Chinese music specialists, makes a significant contribution to studies of diaspora, cultural identity, and migration by casting light on a little-studied area of Sino-Russian cultural relations and Russian influence in modern China. The discoveries stretch the boundaries of music studies by addressing the relational aspects of Western music: how it has articulated national and cultural identities but also served to connect people of different origins and cultural backgrounds Geschichte 1918-1939 gnd rswk-swf MUSIC / Ethnomusicology bisacsh Music China Shanghai 20th century History and criticism Russians China Shanghai History 20th century Exil (DE-588)4015959-0 gnd rswk-swf Musiker (DE-588)4040841-3 gnd rswk-swf Russen (DE-588)4051034-7 gnd rswk-swf Komponist (DE-588)4032009-1 gnd rswk-swf Musikleben (DE-588)4075128-4 gnd rswk-swf Schanghai (DE-588)4052066-3 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Schanghai (DE-588)4052066-3 g Russen (DE-588)4051034-7 s Komponist (DE-588)4032009-1 s Musiker (DE-588)4040841-3 s Exil (DE-588)4015959-0 s Musikleben (DE-588)4075128-4 s Geschichte 1918-1939 z DE-604 Mikkonen, Simo 1978- Verfasser (DE-588)138632286 aut Winzenburg, John Verfasser (DE-588)1047259036 aut Erscheint auch als Druck-Ausgabe 978-0-8248-7966-2 https://doi.org/10.1515/9780824882693 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Yang, Hon-Lun Mikkonen, Simo 1978- Winzenburg, John Networking the Russian diaspora Russian musicians and musical activities in interwar Shanghai MUSIC / Ethnomusicology bisacsh Music China Shanghai 20th century History and criticism Russians China Shanghai History 20th century Exil (DE-588)4015959-0 gnd Musiker (DE-588)4040841-3 gnd Russen (DE-588)4051034-7 gnd Komponist (DE-588)4032009-1 gnd Musikleben (DE-588)4075128-4 gnd |
| subject_GND | (DE-588)4015959-0 (DE-588)4040841-3 (DE-588)4051034-7 (DE-588)4032009-1 (DE-588)4075128-4 (DE-588)4052066-3 (DE-588)4113937-9 |
| title | Networking the Russian diaspora Russian musicians and musical activities in interwar Shanghai |
| title_auth | Networking the Russian diaspora Russian musicians and musical activities in interwar Shanghai |
| title_exact_search | Networking the Russian diaspora Russian musicians and musical activities in interwar Shanghai |
| title_exact_search_txtP | Networking the Russian diaspora Russian musicians and musical activities in interwar Shanghai |
| title_full | Networking the Russian diaspora Russian musicians and musical activities in interwar Shanghai Hon-Lun Helan Yang, Simo Mikkonen, John Winzenburg |
| title_fullStr | Networking the Russian diaspora Russian musicians and musical activities in interwar Shanghai Hon-Lun Helan Yang, Simo Mikkonen, John Winzenburg |
| title_full_unstemmed | Networking the Russian diaspora Russian musicians and musical activities in interwar Shanghai Hon-Lun Helan Yang, Simo Mikkonen, John Winzenburg |
| title_short | Networking the Russian diaspora |
| title_sort | networking the russian diaspora russian musicians and musical activities in interwar shanghai |
| title_sub | Russian musicians and musical activities in interwar Shanghai |
| topic | MUSIC / Ethnomusicology bisacsh Music China Shanghai 20th century History and criticism Russians China Shanghai History 20th century Exil (DE-588)4015959-0 gnd Musiker (DE-588)4040841-3 gnd Russen (DE-588)4051034-7 gnd Komponist (DE-588)4032009-1 gnd Musikleben (DE-588)4075128-4 gnd |
| topic_facet | MUSIC / Ethnomusicology Music China Shanghai 20th century History and criticism Russians China Shanghai History 20th century Exil Musiker Russen Komponist Musikleben Schanghai Hochschulschrift |
| url | https://doi.org/10.1515/9780824882693 |
| work_keys_str_mv | AT yanghonlun networkingtherussiandiasporarussianmusiciansandmusicalactivitiesininterwarshanghai AT mikkonensimo networkingtherussiandiasporarussianmusiciansandmusicalactivitiesininterwarshanghai AT winzenburgjohn networkingtherussiandiasporarussianmusiciansandmusicalactivitiesininterwarshanghai |