Mahler and His World:
From the composer's lifetime to the present day, Gustav Mahler's music has provoked extreme responses from the public and from experts. Poised between the Romantic tradition he radically renewed and the austere modernism whose exponents he inspired, Mahler was a consummate public persona a...
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Format: | Elektronisch E-Book |
Sprache: | English |
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Princeton, NJ
Princeton University Press
[2020]
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Schriftenreihe: | The Bard Music Festival
49 |
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Zusammenfassung: | From the composer's lifetime to the present day, Gustav Mahler's music has provoked extreme responses from the public and from experts. Poised between the Romantic tradition he radically renewed and the austere modernism whose exponents he inspired, Mahler was a consummate public persona and yet an impassioned artist who withdrew to his lakeside hut where he composed his vast symphonies and intimate song cycles. His advocates have produced countless studies of the composer's life and work. But they have focused on analysis internal to the compositions, along with their programmatic contexts. In this volume, musicologists and historians turn outward to examine the broader political, social, and literary changes reflected in Mahler's music. Peter Franklin takes up questions of gender, Talia Pecker Berio examines the composer's Jewish identity, and Thomas Peattie, Charles S. Maier, and Karen Painter consider, respectively, contemporary theories of memory, the theatricality of Mahler's art and fin-de-siècle politics, and the impinging confrontation with mass society. The private world of Gustav Mahler, in his songs and late works, is explored by leading Austrian musicologist Peter Revers and a German counterpart, Camilla Bork, and by the American Mahler expert Stephen Hefling. Mahler's symphonies challenged Europeans and Americans to experience music in new ways. Before his decision to move to the United States, the composer knew of the enthusiastic response from America's urban musical audiences. Mahler and His World reproduces reviews of these early performances for the first time, edited by Zoë Lang. The Mahler controversy that polarized Austrians and Germans also unfolds through a series of documents heretofore unavailable in English, edited by Painter and Bettina Varwig, and the terms of the debate are examined by Leon Botstein in the context of the late-twentieth-century Mahler revival |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Okt 2020) |
Beschreibung: | 1 online resource (416 pages) 8 halftones |
ISBN: | 9780691218359 |
DOI: | 10.1515/9780691218359 |
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spelling | Mahler and His World Karen Painter Princeton, NJ Princeton University Press [2020] © 2002 1 online resource (416 pages) 8 halftones txt rdacontent c rdamedia cr rdacarrier The Bard Music Festival 49 Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Okt 2020) From the composer's lifetime to the present day, Gustav Mahler's music has provoked extreme responses from the public and from experts. Poised between the Romantic tradition he radically renewed and the austere modernism whose exponents he inspired, Mahler was a consummate public persona and yet an impassioned artist who withdrew to his lakeside hut where he composed his vast symphonies and intimate song cycles. His advocates have produced countless studies of the composer's life and work. But they have focused on analysis internal to the compositions, along with their programmatic contexts. In this volume, musicologists and historians turn outward to examine the broader political, social, and literary changes reflected in Mahler's music. Peter Franklin takes up questions of gender, Talia Pecker Berio examines the composer's Jewish identity, and Thomas Peattie, Charles S. Maier, and Karen Painter consider, respectively, contemporary theories of memory, the theatricality of Mahler's art and fin-de-siècle politics, and the impinging confrontation with mass society. The private world of Gustav Mahler, in his songs and late works, is explored by leading Austrian musicologist Peter Revers and a German counterpart, Camilla Bork, and by the American Mahler expert Stephen Hefling. Mahler's symphonies challenged Europeans and Americans to experience music in new ways. Before his decision to move to the United States, the composer knew of the enthusiastic response from America's urban musical audiences. Mahler and His World reproduces reviews of these early performances for the first time, edited by Zoë Lang. The Mahler controversy that polarized Austrians and Germans also unfolds through a series of documents heretofore unavailable in English, edited by Painter and Bettina Varwig, and the terms of the debate are examined by Leon Botstein in the context of the late-twentieth-century Mahler revival In English Adorno, Theodor W.;Aldrich, Richard;anti-Semitism;Bahr, Hermann;Beethoven, Ludwig van;Berg, Alban;Brahms, Johannes Damrosch, Walter Debussy, Achille-Claude Elgar, Edward Faust (Goethe) Fried, Oskar Gericke, Wilhelm Graf, Max Hanslick, Eduard Haydn, Joseph Hirschfeld, Robert Israel Philharmonic Jensen, Adolf Kalbeck, Max Korngold, Erich Wolfgang Liszt, Franz Louis, Rudolf Mahler, Alma (wife) Nazis Nietzsche, Friedrich Reinhardt, Max Schoenberg, Arnold Schubert, Franz Walter, Bruno capitalism ethical idealism folk music, Mahler and gender-sensitive approach obituaries of Mahler pan-Germanism MUSIC / History & Criticism bisacsh Painter, Karen edt https://doi.org/10.1515/9780691218359 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Mahler and His World Adorno, Theodor W.;Aldrich, Richard;anti-Semitism;Bahr, Hermann;Beethoven, Ludwig van;Berg, Alban;Brahms, Johannes Damrosch, Walter Debussy, Achille-Claude Elgar, Edward Faust (Goethe) Fried, Oskar Gericke, Wilhelm Graf, Max Hanslick, Eduard Haydn, Joseph Hirschfeld, Robert Israel Philharmonic Jensen, Adolf Kalbeck, Max Korngold, Erich Wolfgang Liszt, Franz Louis, Rudolf Mahler, Alma (wife) Nazis Nietzsche, Friedrich Reinhardt, Max Schoenberg, Arnold Schubert, Franz Walter, Bruno capitalism ethical idealism folk music, Mahler and gender-sensitive approach obituaries of Mahler pan-Germanism MUSIC / History & Criticism bisacsh |
title | Mahler and His World |
title_auth | Mahler and His World |
title_exact_search | Mahler and His World |
title_exact_search_txtP | Mahler and His World |
title_full | Mahler and His World Karen Painter |
title_fullStr | Mahler and His World Karen Painter |
title_full_unstemmed | Mahler and His World Karen Painter |
title_short | Mahler and His World |
title_sort | mahler and his world |
topic | Adorno, Theodor W.;Aldrich, Richard;anti-Semitism;Bahr, Hermann;Beethoven, Ludwig van;Berg, Alban;Brahms, Johannes Damrosch, Walter Debussy, Achille-Claude Elgar, Edward Faust (Goethe) Fried, Oskar Gericke, Wilhelm Graf, Max Hanslick, Eduard Haydn, Joseph Hirschfeld, Robert Israel Philharmonic Jensen, Adolf Kalbeck, Max Korngold, Erich Wolfgang Liszt, Franz Louis, Rudolf Mahler, Alma (wife) Nazis Nietzsche, Friedrich Reinhardt, Max Schoenberg, Arnold Schubert, Franz Walter, Bruno capitalism ethical idealism folk music, Mahler and gender-sensitive approach obituaries of Mahler pan-Germanism MUSIC / History & Criticism bisacsh |
topic_facet | Adorno, Theodor W.;Aldrich, Richard;anti-Semitism;Bahr, Hermann;Beethoven, Ludwig van;Berg, Alban;Brahms, Johannes Damrosch, Walter Debussy, Achille-Claude Elgar, Edward Faust (Goethe) Fried, Oskar Gericke, Wilhelm Graf, Max Hanslick, Eduard Haydn, Joseph Hirschfeld, Robert Israel Philharmonic Jensen, Adolf Kalbeck, Max Korngold, Erich Wolfgang Liszt, Franz Louis, Rudolf Mahler, Alma (wife) Nazis Nietzsche, Friedrich Reinhardt, Max Schoenberg, Arnold Schubert, Franz Walter, Bruno capitalism ethical idealism folk music, Mahler and gender-sensitive approach obituaries of Mahler pan-Germanism MUSIC / History & Criticism |
url | https://doi.org/10.1515/9780691218359 |
work_keys_str_mv | AT painterkaren mahlerandhisworld |