Prose poetry: an introduction
An engaging and authoritative introduction to an increasingly important and popular literary genreProse Poetry is the first book of its kind—an engaging and authoritative introduction to the history, development, and features of English-language prose poetry, an increasingly important and popular li...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Princeton ; Oxford
Princeton University Press
[2020]
|
Schlagworte: | |
Online-Zugang: | BSB01 FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UBG01 UPA01 Volltext |
Zusammenfassung: | An engaging and authoritative introduction to an increasingly important and popular literary genreProse Poetry is the first book of its kind—an engaging and authoritative introduction to the history, development, and features of English-language prose poetry, an increasingly important and popular literary form that is still too little understood and appreciated. Poets and scholars Paul Hetherington and Cassandra Atherton introduce prose poetry’s key characteristics, chart its evolution from the nineteenth century to the present, and discuss many historical and contemporary prose poems that both demonstrate their great diversity around the Anglophone world and show why they represent some of today’s most inventive writing.A prose poem looks like prose but reads like poetry: it lacks the line breaks of other poetic forms but employs poetic techniques, such as internal rhyme, repetition, and compression. Prose Poetry explains how this form opens new spaces for writers to create riveting works that reshape the resources of prose while redefining the poetic. Discussing prose poetry’ s precursors, including William Wordsworth and Walt Whitman, and prose poets such as Charles Simic, Russell Edson, Lydia Davis, and Claudia Rankine, the book pays equal attention to male and female prose poets, documenting women’s essential but frequently unacknowledged contributions to the genre.Revealing how prose poetry tests boundaries and challenges conventions to open up new imaginative vistas, this is an essential book for all readers, students, teachers, and writers of prose poetry |
Beschreibung: | 1 Online-Ressource (viii, 346 Seiten) |
ISBN: | 9780691212135 |
DOI: | 10.1515/9780691212135 |
Internformat
MARC
LEADER | 00000nmm a2200000zc 4500 | ||
---|---|---|---|
001 | BV046992885 | ||
003 | DE-604 | ||
005 | 20211008 | ||
007 | cr|uuu---uuuuu | ||
008 | 201112s2020 |||| o||u| ||||||eng d | ||
020 | |a 9780691212135 |c Online, PDF |9 978-0-691-21213-5 | ||
024 | 7 | |a 10.1515/9780691212135 |2 doi | |
035 | |a (ZDB-23-DGG)9780691212135 | ||
035 | |a (ZDB-23-DKU)9780691212135 | ||
035 | |a (OCoLC)1220925771 | ||
035 | |a (DE-599)BVBBV046992885 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-1046 |a DE-Aug4 |a DE-859 |a DE-860 |a DE-473 |a DE-739 |a DE-1043 |a DE-858 |a DE-12 | ||
082 | 0 | |a 808.1 |2 23 | |
084 | |a HG 549 |0 (DE-625)49208: |2 rvk | ||
100 | 1 | |a Hetherington, Paul |d 1958- |e Verfasser |0 (DE-588)1139189409 |4 aut | |
245 | 1 | 0 | |a Prose poetry |b an introduction |c Paul Hetherington and Cassandra Atherton |
264 | 1 | |a Princeton ; Oxford |b Princeton University Press |c [2020] | |
264 | 4 | |c © 2020 | |
300 | |a 1 Online-Ressource (viii, 346 Seiten) | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
520 | |a An engaging and authoritative introduction to an increasingly important and popular literary genreProse Poetry is the first book of its kind—an engaging and authoritative introduction to the history, development, and features of English-language prose poetry, an increasingly important and popular literary form that is still too little understood and appreciated. Poets and scholars Paul Hetherington and Cassandra Atherton introduce prose poetry’s key characteristics, chart its evolution from the nineteenth century to the present, and discuss many historical and contemporary prose poems that both demonstrate their great diversity around the Anglophone world and show why they represent some of today’s most inventive writing.A prose poem looks like prose but reads like poetry: it lacks the line breaks of other poetic forms but employs poetic techniques, such as internal rhyme, repetition, and compression. Prose Poetry explains how this form opens new spaces for writers to create riveting works that reshape the resources of prose while redefining the poetic. Discussing prose poetry’ s precursors, including William Wordsworth and Walt Whitman, and prose poets such as Charles Simic, Russell Edson, Lydia Davis, and Claudia Rankine, the book pays equal attention to male and female prose poets, documenting women’s essential but frequently unacknowledged contributions to the genre.Revealing how prose poetry tests boundaries and challenges conventions to open up new imaginative vistas, this is an essential book for all readers, students, teachers, and writers of prose poetry | ||
648 | 7 | |a Geschichte |2 gnd |9 rswk-swf | |
650 | 4 | |a American poetry | |
650 | 4 | |a Baudelaire | |
650 | 4 | |a France | |
650 | 4 | |a French | |
650 | 4 | |a Macpherson | |
650 | 4 | |a Ossian | |
650 | 4 | |a analysis | |
650 | 4 | |a box | |
650 | 4 | |a contemporary prose poetry | |
650 | 4 | |a digital media | |
650 | 4 | |a famous prose poems | |
650 | 4 | |a famous prose poets | |
650 | 4 | |a flaneur | |
650 | 4 | |a fragment | |
650 | 4 | |a guidebook | |
650 | 4 | |a handbook | |
650 | 4 | |a how is prose poetry different from poetry | |
650 | 4 | |a how to interpret prose poetry | |
650 | 4 | |a how to read prose poetry | |
650 | 4 | |a neo surreal | |
650 | 4 | |a neo surrealism | |
650 | 4 | |a postmodern writing | |
650 | 4 | |a romantic fragment | |
650 | 4 | |a surrealism | |
650 | 4 | |a surrealists | |
650 | 4 | |a symbolism | |
650 | 4 | |a symbolists | |
650 | 4 | |a what is difference between prose poetry and poetry | |
650 | 4 | |a what is prose poetry | |
650 | 4 | |a who writes prose poetry | |
650 | 7 | |a LITERARY CRITICISM / Poetry |2 bisacsh | |
650 | 4 | |a Prose poems |x History and criticism | |
650 | 0 | 7 | |a Prosagedicht |0 (DE-588)4076376-6 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Englisch |0 (DE-588)4014777-0 |2 gnd |9 rswk-swf |
689 | 0 | 0 | |a Englisch |0 (DE-588)4014777-0 |D s |
689 | 0 | 1 | |a Prosagedicht |0 (DE-588)4076376-6 |D s |
689 | 0 | 2 | |a Geschichte |A z |
689 | 0 | |5 DE-604 | |
700 | 1 | |a Atherton, Cassandra L. |d 1974- |e Sonstige |0 (DE-588)120142464X |4 oth | |
776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, Hardcover |z 978-0-691-18064-9 |
776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, Paperback |z 978-0-691-18065-6 |
856 | 4 | 0 | |u https://doi.org/10.1515/9780691212135 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
912 | |a ZDB-23-DGG |a ZDB-23-DKU | ||
940 | 1 | |q ZDB-23-DKU20 | |
999 | |a oai:aleph.bib-bvb.de:BVB01-032400688 | ||
966 | e | |u https://doi.org/10.1515/9780691212135?locatt=mode:legacy |l BSB01 |p ZDB-23-DKU |q BSB_DKU_PrincetonUniversityPress |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9780691212135?locatt=mode:legacy |l FAB01 |p ZDB-23-DGG |q FAB_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9780691212135?locatt=mode:legacy |l FAW01 |p ZDB-23-DGG |q FAW_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9780691212135?locatt=mode:legacy |l FCO01 |p ZDB-23-DGG |q FCO_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9780691212135?locatt=mode:legacy |l FHA01 |p ZDB-23-DGG |q FHA_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9780691212135?locatt=mode:legacy |l FKE01 |p ZDB-23-DGG |q FKE_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9780691212135?locatt=mode:legacy |l FLA01 |p ZDB-23-DGG |q FLA_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9780691212135?locatt=mode:legacy |l UBG01 |p ZDB-23-DGG |q UBG_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9780691212135?locatt=mode:legacy |l UPA01 |p ZDB-23-DGG |q UPA_PDA_DGG |x Verlag |3 Volltext |
Datensatz im Suchindex
_version_ | 1804181935861268480 |
---|---|
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | Hetherington, Paul 1958- |
author_GND | (DE-588)1139189409 (DE-588)120142464X |
author_facet | Hetherington, Paul 1958- |
author_role | aut |
author_sort | Hetherington, Paul 1958- |
author_variant | p h ph |
building | Verbundindex |
bvnumber | BV046992885 |
classification_rvk | HG 549 |
collection | ZDB-23-DGG ZDB-23-DKU |
ctrlnum | (ZDB-23-DGG)9780691212135 (ZDB-23-DKU)9780691212135 (OCoLC)1220925771 (DE-599)BVBBV046992885 |
dewey-full | 808.1 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 808 - Rhetoric & collections of literature |
dewey-raw | 808.1 |
dewey-search | 808.1 |
dewey-sort | 3808.1 |
dewey-tens | 800 - Literature (Belles-lettres) and rhetoric |
discipline | Anglistik / Amerikanistik Literaturwissenschaft |
discipline_str_mv | Anglistik / Amerikanistik Literaturwissenschaft |
doi_str_mv | 10.1515/9780691212135 |
era | Geschichte gnd |
era_facet | Geschichte |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>05653nmm a2200985zc 4500</leader><controlfield tag="001">BV046992885</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20211008 </controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">201112s2020 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780691212135</subfield><subfield code="c">Online, PDF</subfield><subfield code="9">978-0-691-21213-5</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9780691212135</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DGG)9780691212135</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DKU)9780691212135</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1220925771</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV046992885</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-1046</subfield><subfield code="a">DE-Aug4</subfield><subfield code="a">DE-859</subfield><subfield code="a">DE-860</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-739</subfield><subfield code="a">DE-1043</subfield><subfield code="a">DE-858</subfield><subfield code="a">DE-12</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">808.1</subfield><subfield code="2">23</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">HG 549</subfield><subfield code="0">(DE-625)49208:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Hetherington, Paul</subfield><subfield code="d">1958-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1139189409</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Prose poetry</subfield><subfield code="b">an introduction</subfield><subfield code="c">Paul Hetherington and Cassandra Atherton</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Princeton ; Oxford</subfield><subfield code="b">Princeton University Press</subfield><subfield code="c">[2020]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2020</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (viii, 346 Seiten)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">An engaging and authoritative introduction to an increasingly important and popular literary genreProse Poetry is the first book of its kind—an engaging and authoritative introduction to the history, development, and features of English-language prose poetry, an increasingly important and popular literary form that is still too little understood and appreciated. Poets and scholars Paul Hetherington and Cassandra Atherton introduce prose poetry’s key characteristics, chart its evolution from the nineteenth century to the present, and discuss many historical and contemporary prose poems that both demonstrate their great diversity around the Anglophone world and show why they represent some of today’s most inventive writing.A prose poem looks like prose but reads like poetry: it lacks the line breaks of other poetic forms but employs poetic techniques, such as internal rhyme, repetition, and compression. Prose Poetry explains how this form opens new spaces for writers to create riveting works that reshape the resources of prose while redefining the poetic. Discussing prose poetry’ s precursors, including William Wordsworth and Walt Whitman, and prose poets such as Charles Simic, Russell Edson, Lydia Davis, and Claudia Rankine, the book pays equal attention to male and female prose poets, documenting women’s essential but frequently unacknowledged contributions to the genre.Revealing how prose poetry tests boundaries and challenges conventions to open up new imaginative vistas, this is an essential book for all readers, students, teachers, and writers of prose poetry</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">American poetry</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Baudelaire</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">France</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">French</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Macpherson</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Ossian</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">analysis</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">box</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">contemporary prose poetry</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">digital media</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">famous prose poems</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">famous prose poets</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">flaneur</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">fragment</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">guidebook</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">handbook</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">how is prose poetry different from poetry</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">how to interpret prose poetry</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">how to read prose poetry</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">neo surreal</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">neo surrealism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">postmodern writing</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">romantic fragment</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">surrealism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">surrealists</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">symbolism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">symbolists</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">what is difference between prose poetry and poetry</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">what is prose poetry</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">who writes prose poetry</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">LITERARY CRITICISM / Poetry</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Prose poems</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Prosagedicht</subfield><subfield code="0">(DE-588)4076376-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Englisch</subfield><subfield code="0">(DE-588)4014777-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Englisch</subfield><subfield code="0">(DE-588)4014777-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Prosagedicht</subfield><subfield code="0">(DE-588)4076376-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Geschichte</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Atherton, Cassandra L.</subfield><subfield code="d">1974-</subfield><subfield code="e">Sonstige</subfield><subfield code="0">(DE-588)120142464X</subfield><subfield code="4">oth</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, Hardcover</subfield><subfield code="z">978-0-691-18064-9</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, Paperback</subfield><subfield code="z">978-0-691-18065-6</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/9780691212135</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield><subfield code="a">ZDB-23-DKU</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">ZDB-23-DKU20</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032400688</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780691212135?locatt=mode:legacy</subfield><subfield code="l">BSB01</subfield><subfield code="p">ZDB-23-DKU</subfield><subfield code="q">BSB_DKU_PrincetonUniversityPress</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780691212135?locatt=mode:legacy</subfield><subfield code="l">FAB01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAB_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780691212135?locatt=mode:legacy</subfield><subfield code="l">FAW01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAW_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780691212135?locatt=mode:legacy</subfield><subfield code="l">FCO01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FCO_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780691212135?locatt=mode:legacy</subfield><subfield code="l">FHA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FHA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780691212135?locatt=mode:legacy</subfield><subfield code="l">FKE01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FKE_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780691212135?locatt=mode:legacy</subfield><subfield code="l">FLA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FLA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780691212135?locatt=mode:legacy</subfield><subfield code="l">UBG01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UBG_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780691212135?locatt=mode:legacy</subfield><subfield code="l">UPA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UPA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
id | DE-604.BV046992885 |
illustrated | Not Illustrated |
index_date | 2024-07-03T15:54:06Z |
indexdate | 2024-07-10T08:59:34Z |
institution | BVB |
isbn | 9780691212135 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032400688 |
oclc_num | 1220925771 |
open_access_boolean | |
owner | DE-1046 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-1043 DE-858 DE-12 |
owner_facet | DE-1046 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-1043 DE-858 DE-12 |
physical | 1 Online-Ressource (viii, 346 Seiten) |
psigel | ZDB-23-DGG ZDB-23-DKU ZDB-23-DKU20 ZDB-23-DKU BSB_DKU_PrincetonUniversityPress ZDB-23-DGG FAB_PDA_DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FCO_PDA_DGG ZDB-23-DGG FHA_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG UBG_PDA_DGG ZDB-23-DGG UPA_PDA_DGG |
publishDate | 2020 |
publishDateSearch | 2020 |
publishDateSort | 2020 |
publisher | Princeton University Press |
record_format | marc |
spelling | Hetherington, Paul 1958- Verfasser (DE-588)1139189409 aut Prose poetry an introduction Paul Hetherington and Cassandra Atherton Princeton ; Oxford Princeton University Press [2020] © 2020 1 Online-Ressource (viii, 346 Seiten) txt rdacontent c rdamedia cr rdacarrier An engaging and authoritative introduction to an increasingly important and popular literary genreProse Poetry is the first book of its kind—an engaging and authoritative introduction to the history, development, and features of English-language prose poetry, an increasingly important and popular literary form that is still too little understood and appreciated. Poets and scholars Paul Hetherington and Cassandra Atherton introduce prose poetry’s key characteristics, chart its evolution from the nineteenth century to the present, and discuss many historical and contemporary prose poems that both demonstrate their great diversity around the Anglophone world and show why they represent some of today’s most inventive writing.A prose poem looks like prose but reads like poetry: it lacks the line breaks of other poetic forms but employs poetic techniques, such as internal rhyme, repetition, and compression. Prose Poetry explains how this form opens new spaces for writers to create riveting works that reshape the resources of prose while redefining the poetic. Discussing prose poetry’ s precursors, including William Wordsworth and Walt Whitman, and prose poets such as Charles Simic, Russell Edson, Lydia Davis, and Claudia Rankine, the book pays equal attention to male and female prose poets, documenting women’s essential but frequently unacknowledged contributions to the genre.Revealing how prose poetry tests boundaries and challenges conventions to open up new imaginative vistas, this is an essential book for all readers, students, teachers, and writers of prose poetry Geschichte gnd rswk-swf American poetry Baudelaire France French Macpherson Ossian analysis box contemporary prose poetry digital media famous prose poems famous prose poets flaneur fragment guidebook handbook how is prose poetry different from poetry how to interpret prose poetry how to read prose poetry neo surreal neo surrealism postmodern writing romantic fragment surrealism surrealists symbolism symbolists what is difference between prose poetry and poetry what is prose poetry who writes prose poetry LITERARY CRITICISM / Poetry bisacsh Prose poems History and criticism Prosagedicht (DE-588)4076376-6 gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf Englisch (DE-588)4014777-0 s Prosagedicht (DE-588)4076376-6 s Geschichte z DE-604 Atherton, Cassandra L. 1974- Sonstige (DE-588)120142464X oth Erscheint auch als Druck-Ausgabe, Hardcover 978-0-691-18064-9 Erscheint auch als Druck-Ausgabe, Paperback 978-0-691-18065-6 https://doi.org/10.1515/9780691212135 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Hetherington, Paul 1958- Prose poetry an introduction American poetry Baudelaire France French Macpherson Ossian analysis box contemporary prose poetry digital media famous prose poems famous prose poets flaneur fragment guidebook handbook how is prose poetry different from poetry how to interpret prose poetry how to read prose poetry neo surreal neo surrealism postmodern writing romantic fragment surrealism surrealists symbolism symbolists what is difference between prose poetry and poetry what is prose poetry who writes prose poetry LITERARY CRITICISM / Poetry bisacsh Prose poems History and criticism Prosagedicht (DE-588)4076376-6 gnd Englisch (DE-588)4014777-0 gnd |
subject_GND | (DE-588)4076376-6 (DE-588)4014777-0 |
title | Prose poetry an introduction |
title_auth | Prose poetry an introduction |
title_exact_search | Prose poetry an introduction |
title_exact_search_txtP | Prose poetry an introduction |
title_full | Prose poetry an introduction Paul Hetherington and Cassandra Atherton |
title_fullStr | Prose poetry an introduction Paul Hetherington and Cassandra Atherton |
title_full_unstemmed | Prose poetry an introduction Paul Hetherington and Cassandra Atherton |
title_short | Prose poetry |
title_sort | prose poetry an introduction |
title_sub | an introduction |
topic | American poetry Baudelaire France French Macpherson Ossian analysis box contemporary prose poetry digital media famous prose poems famous prose poets flaneur fragment guidebook handbook how is prose poetry different from poetry how to interpret prose poetry how to read prose poetry neo surreal neo surrealism postmodern writing romantic fragment surrealism surrealists symbolism symbolists what is difference between prose poetry and poetry what is prose poetry who writes prose poetry LITERARY CRITICISM / Poetry bisacsh Prose poems History and criticism Prosagedicht (DE-588)4076376-6 gnd Englisch (DE-588)4014777-0 gnd |
topic_facet | American poetry Baudelaire France French Macpherson Ossian analysis box contemporary prose poetry digital media famous prose poems famous prose poets flaneur fragment guidebook handbook how is prose poetry different from poetry how to interpret prose poetry how to read prose poetry neo surreal neo surrealism postmodern writing romantic fragment surrealism surrealists symbolism symbolists what is difference between prose poetry and poetry what is prose poetry who writes prose poetry LITERARY CRITICISM / Poetry Prose poems History and criticism Prosagedicht Englisch |
url | https://doi.org/10.1515/9780691212135 |
work_keys_str_mv | AT hetheringtonpaul prosepoetryanintroduction AT athertoncassandral prosepoetryanintroduction |