Abject eroticism in northern Renaissance art: the witches and femmes fatales of Hans Baldung Grien
"Hans Baldung Grien, the most famous apprentice and close friend of German artist Albrecht Durer, was known for his unique and highly eroticised images of witches. In paintings and woodcut prints, he gave powerful visual expression to late medieval tropes and stereotypes, such as the poison mai...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London ; New York ; Oxford ; New Delhi ; Sydney
Bloomsbury Visual Arts
2020
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| Schlagworte: | |
| Online-Zugang: | BSB01 URL des Erstveröffentlichers |
| Zusammenfassung: | "Hans Baldung Grien, the most famous apprentice and close friend of German artist Albrecht Durer, was known for his unique and highly eroticised images of witches. In paintings and woodcut prints, he gave powerful visual expression to late medieval tropes and stereotypes, such as the poison maiden, venomous virgin, the Fall of Man, 'death and the maiden' and other motifs and eschatological themes, which mingled abject and erotic qualities in the female body. Yvonne Owens reads these images against the humanist intellectual milieu of Renaissance Germany, showing how classical and medieval medicine and natural philosophy interpreted female anatomy as toxic, defective and dangerously beguiling. She reveals how Hans Baldung exploited this radical polarity to create moralising and titillating portrayals of how monstrous female sexuality victimised men and brought them low. Furthermore, these images issued from - and contributed to - the contemporary understanding of witchcraft as a heresy that stemmed from natural 'feminine defect,' a concept derived from Aristotle. Offering new and provocative interpretations of Hans Baldung's iconic witchcraft imagery, this book will be essential for historians of art, culture and gender relations in the late medieval and early modern periods." |
| Beschreibung: | Includes bibliographical references and index Based on the author's thesis (Ph.D.), University College, London, 2019, under the title: "Abject eroticism and toxic femininity in Hans Baldung Grien" |
| Beschreibung: | 1 Online-Ressource (xiii, 294 Seiten) Illustrationen |
| ISBN: | 9781350192751 9781350190566 |
| DOI: | 10.5040/9781350192751 |
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| 245 | 1 | 0 | |a Abject eroticism in northern Renaissance art |b the witches and femmes fatales of Hans Baldung Grien |c Yvonne Owens |
| 264 | 1 | |a London ; New York ; Oxford ; New Delhi ; Sydney |b Bloomsbury Visual Arts |c 2020 | |
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| 500 | |a Includes bibliographical references and index | ||
| 500 | |a Based on the author's thesis (Ph.D.), University College, London, 2019, under the title: "Abject eroticism and toxic femininity in Hans Baldung Grien" | ||
| 502 | |b Dissertation |c University College, London |d 2019 |g geänderte Fassung | ||
| 520 | |a "Hans Baldung Grien, the most famous apprentice and close friend of German artist Albrecht Durer, was known for his unique and highly eroticised images of witches. In paintings and woodcut prints, he gave powerful visual expression to late medieval tropes and stereotypes, such as the poison maiden, venomous virgin, the Fall of Man, 'death and the maiden' and other motifs and eschatological themes, which mingled abject and erotic qualities in the female body. Yvonne Owens reads these images against the humanist intellectual milieu of Renaissance Germany, showing how classical and medieval medicine and natural philosophy interpreted female anatomy as toxic, defective and dangerously beguiling. She reveals how Hans Baldung exploited this radical polarity to create moralising and titillating portrayals of how monstrous female sexuality victimised men and brought them low. Furthermore, these images issued from - and contributed to - the contemporary understanding of witchcraft as a heresy that stemmed from natural 'feminine defect,' a concept derived from Aristotle. Offering new and provocative interpretations of Hans Baldung's iconic witchcraft imagery, this book will be essential for historians of art, culture and gender relations in the late medieval and early modern periods." | ||
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Datensatz im Suchindex
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| author | Owens, Yvonne 1952- |
| author_GND | (DE-588)1155211030 |
| author_facet | Owens, Yvonne 1952- |
| author_role | aut |
| author_sort | Owens, Yvonne 1952- |
| author_variant | y o yo |
| building | Verbundindex |
| bvnumber | BV046992669 |
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| ctrlnum | (ZDB-162-AVC)9781350192751 (OCoLC)1220903616 (DE-599)BVBBV046992669 |
| dewey-full | 704.9/48 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 704 - Special topics in fine and decorative arts |
| dewey-raw | 704.9/48 |
| dewey-search | 704.9/48 |
| dewey-sort | 3704.9 248 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| discipline_str_mv | Kunstgeschichte |
| doi_str_mv | 10.5040/9781350192751 |
| format | Thesis Electronic eBook |
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| index_date | 2024-07-03T15:54:04Z |
| indexdate | 2024-07-10T08:59:33Z |
| institution | BVB |
| isbn | 9781350192751 9781350190566 |
| language | English |
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| spelling | Owens, Yvonne 1952- Verfasser (DE-588)1155211030 aut Abject eroticism and toxic femininity in Hans Baldung Grien Abject eroticism in northern Renaissance art the witches and femmes fatales of Hans Baldung Grien Yvonne Owens London ; New York ; Oxford ; New Delhi ; Sydney Bloomsbury Visual Arts 2020 1 Online-Ressource (xiii, 294 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references and index Based on the author's thesis (Ph.D.), University College, London, 2019, under the title: "Abject eroticism and toxic femininity in Hans Baldung Grien" Dissertation University College, London 2019 geänderte Fassung "Hans Baldung Grien, the most famous apprentice and close friend of German artist Albrecht Durer, was known for his unique and highly eroticised images of witches. In paintings and woodcut prints, he gave powerful visual expression to late medieval tropes and stereotypes, such as the poison maiden, venomous virgin, the Fall of Man, 'death and the maiden' and other motifs and eschatological themes, which mingled abject and erotic qualities in the female body. Yvonne Owens reads these images against the humanist intellectual milieu of Renaissance Germany, showing how classical and medieval medicine and natural philosophy interpreted female anatomy as toxic, defective and dangerously beguiling. She reveals how Hans Baldung exploited this radical polarity to create moralising and titillating portrayals of how monstrous female sexuality victimised men and brought them low. Furthermore, these images issued from - and contributed to - the contemporary understanding of witchcraft as a heresy that stemmed from natural 'feminine defect,' a concept derived from Aristotle. Offering new and provocative interpretations of Hans Baldung's iconic witchcraft imagery, this book will be essential for historians of art, culture and gender relations in the late medieval and early modern periods." Baldung, Hans -1545 Criticism and interpretation Baldung Grien, Hans 1484-1545 (DE-588)118506188 gnd rswk-swf Renaissance art / bicssc Witches in art Femmes fatales in art Women Folklore Frau Motiv (DE-588)4113617-2 gnd rswk-swf Hexe Motiv (DE-588)4159813-1 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Baldung Grien, Hans 1484-1545 (DE-588)118506188 p Frau Motiv (DE-588)4113617-2 s Hexe Motiv (DE-588)4159813-1 s DE-604 Erscheint auch als Druck-Ausgabe, Hardback 978-1-7845-3729-6 https://doi.org/10.5040/9781350192751 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Owens, Yvonne 1952- Abject eroticism in northern Renaissance art the witches and femmes fatales of Hans Baldung Grien Baldung, Hans -1545 Criticism and interpretation Baldung Grien, Hans 1484-1545 (DE-588)118506188 gnd Renaissance art / bicssc Witches in art Femmes fatales in art Women Folklore Frau Motiv (DE-588)4113617-2 gnd Hexe Motiv (DE-588)4159813-1 gnd |
| subject_GND | (DE-588)118506188 (DE-588)4113617-2 (DE-588)4159813-1 (DE-588)4113937-9 |
| title | Abject eroticism in northern Renaissance art the witches and femmes fatales of Hans Baldung Grien |
| title_alt | Abject eroticism and toxic femininity in Hans Baldung Grien |
| title_auth | Abject eroticism in northern Renaissance art the witches and femmes fatales of Hans Baldung Grien |
| title_exact_search | Abject eroticism in northern Renaissance art the witches and femmes fatales of Hans Baldung Grien |
| title_exact_search_txtP | Abject eroticism in northern Renaissance art the witches and femmes fatales of Hans Baldung Grien |
| title_full | Abject eroticism in northern Renaissance art the witches and femmes fatales of Hans Baldung Grien Yvonne Owens |
| title_fullStr | Abject eroticism in northern Renaissance art the witches and femmes fatales of Hans Baldung Grien Yvonne Owens |
| title_full_unstemmed | Abject eroticism in northern Renaissance art the witches and femmes fatales of Hans Baldung Grien Yvonne Owens |
| title_short | Abject eroticism in northern Renaissance art |
| title_sort | abject eroticism in northern renaissance art the witches and femmes fatales of hans baldung grien |
| title_sub | the witches and femmes fatales of Hans Baldung Grien |
| topic | Baldung, Hans -1545 Criticism and interpretation Baldung Grien, Hans 1484-1545 (DE-588)118506188 gnd Renaissance art / bicssc Witches in art Femmes fatales in art Women Folklore Frau Motiv (DE-588)4113617-2 gnd Hexe Motiv (DE-588)4159813-1 gnd |
| topic_facet | Baldung, Hans -1545 Criticism and interpretation Baldung Grien, Hans 1484-1545 Renaissance art / bicssc Witches in art Femmes fatales in art Women Folklore Frau Motiv Hexe Motiv Hochschulschrift |
| url | https://doi.org/10.5040/9781350192751 |
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